Das Kantatenwerk, Volume 38

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Cantata, BWV 161 "Komm, du süße Todesstunde," I. Aria (alto). Komm, du süße Todesstunde
alto vocals:
Paul Esswood (countertenor) (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Döbling (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (from 1984-12 until 1985-05)
premiered in:
Weimar (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
4:43
2Cantata, BWV 161 "Komm, du süße Todesstunde," II. Recitativo (tenor). Welt, deine Lust ist Last
tenor vocals:
Kurt Equiluz (tenor) (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Döbling (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": II. Recitativo (Tenor) "Welt! deine Lust ist Last" (from 1984-12 until 1985-05)
premiered in:
Weimar (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
1:53
3Cantata, BWV 161 "Komm, du süße Todesstunde," III. Aria (tenor). Mein Verlangen
tenor vocals:
Kurt Equiluz (tenor) (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Döbling (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": III. Aria (Tenor) "Mein Verlangen ist, den Heiland zu umfangen" (from 1984-12 until 1985-05)
premiered in:
Weimar (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
5:06
4Cantata, BWV 161 "Komm, du süße Todesstunde," IV. Recitativo (alto). Der Schluß ist schon gemacht
alto vocals:
Paul Esswood (countertenor) (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Döbling (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alt) "Der Schluß ist schon gemacht" (from 1984-12 until 1985-05)
premiered in:
Weimar (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
2:17
5Cantata, BWV 161 "Komm, du süße Todesstunde," V. Coro. Wenn es meines Gottes Wille
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1984-12 until 1985-05)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Döbling (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": V. Coro "Wenn es meines Gottes Wille" (from 1984-12 until 1985-05)
premiered in:
Weimar (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
3:07
6Cantata, BWV 161 "Komm, du süße Todesstunde," VI. Choral (coro). Der Leib zwar in der Erden
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1984-12 until 1985-05)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Döbling (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": VI. Choral "Der Leib zwar in der Erden" (from 1984-12 until 1985-05)
premiered in:
Weimar (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Christoph Knoll
part of:
Breitkopf 389 Choralgesänge (number: 161)
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
1:12
7Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," I. Aria (bass). Ach, ich sehe, itzt, da ich zur Hochzeit gehe
bass vocals:
Robert Holl (bass‐baritone) (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Döbling (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": I. Aria (Bass) "Ach! ich sehe, itzt, da ich zur Hochzeit gehe" (from 1983-01 until 1986-04)
premiered in:
Weimar (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
3:44
8Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," II. Recitativo (tenor). O großes Hochzeitfest
tenor vocals:
Kurt Equiluz (tenor) (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Döbling (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": II. Recitativo (Tenor) "O großes Hochzeitsfest" (from 1983-01 until 1986-04)
premiered in:
Weimar (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
1:24
9Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," III. Aria (soprano). Jesu, Brunnquell aller Gnaden
treble vocals:
Tobias Eiwanger (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Döbling (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": III. Aria (Sopran) "Jesu, Brunnquell aller Gnaden" (from 1983-01 until 1986-04)
premiered in:
Weimar (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
4:25
10Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," IV. Recitativo (alto). Mein Jesu, laß mich nicht
alto vocals:
Paul Esswood (countertenor) (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Döbling (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": IV. Recitativo (Alt) "Mein Jesu, laß mich nicht" (from 1983-01 until 1986-04)
premiered in:
Weimar (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
1:35
11Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," V. Aria (Duetto) (alto, tenor). In meinem Gott bin ich erfreut
alto vocals:
Paul Esswood (countertenor) (from 1983-01 until 1986-04)
tenor vocals:
Kurt Equiluz (tenor) (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Döbling (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": V. Aria (Duetto Alt, Tenor) "In meinem Gott bin ich erfreut" (from 1983-01 until 1986-04)
premiered in:
Weimar (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
4:22
12Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," VI. Choral (coro). Ach, ich habe schon erblicket
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1986-04)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Döbling (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": VI. Choral "Ach, ich habe schon erblicket" (from 1983-01 until 1986-04)
premiered in:
Weimar (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Johann Rosenmüller (composer) (in 1652)
part of:
Breitkopf 389 Choralgesänge (number: 18)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
1:06
13Cantata, BWV 163 "Nur jedem das Seine," I. Aria (tenor). Nur jedem das Seine
tenor vocals:
Kurt Equiluz (tenor) (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Döbling (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": I. Aria (Tenor) "Nur jedem das Seine" (from 1983-01 until 1985-11)
premiered in:
Weimar (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
3:39
14Cantata, BWV 163 "Nur jedem das Seine," II. Recitativo (bass). Du bist, mein Gott
bass vocals:
Robert Holl (bass‐baritone) (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Döbling (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": II. Recitativo (Bass) "Du bist, mein Gott, der Geber aller Gaben" (from 1983-01 until 1985-11)
premiered in:
Weimar (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
1:28
15Cantata, BWV 163 "Nur jedem das Seine," III. Aria (bass). Laß mein Herz die Münze sein
bass vocals:
Robert Holl (bass‐baritone) (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Döbling (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": III. Aria (Bass) "Laß mein Herz die Münze sein" (from 1983-01 until 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
2:52
16Cantata, BWV 163 "Nur jedem das Seine," IV. Recitativo (soprano, alto). Ich wollte dir, o Gott
alto vocals:
Panito Iconomou (bass-baritone) (from 1983-01 until 1985-11)
treble vocals:
Tobias Eiwanger (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Döbling (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": IV. Recitativo (Sopran, Alt) "Ich wollte dir, o Gott, das Herze" (from 1983-01 until 1985-11)
premiered in:
Weimar (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
2:22
17Cantata, BWV 163 "Nur jedem das Seine," V. Aria (Duetto) (soprano, alto). Nimm mich mir und gib mich dir!
alto vocals:
Panito Iconomou (bass-baritone) (from 1983-01 until 1985-11)
treble vocals:
Tobias Eiwanger (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Döbling (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": V. Aria (Duetto Sopran, Alt) "Nimm mich mir und gib mich dir!" (from 1983-01 until 1985-11)
premiered in:
Weimar (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
3:08
18Cantata, BWV 163 "Nur jedem das Seine," VI. Choral (coro). Führ auch mein Herz und Sinn
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1985-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Döbling (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": VI. Choral "Führ auch mein Herz und Sinn" (from 1983-01 until 1985-11)
premiered in:
Weimar (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Johann Heermann (in 1630)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
0:58

Credits

Release

orchestra:Concentus Musicus Wien
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:Nikolaus Harnoncourt (conductor)
Gustav Leonhardt (conductor, harpsichordist)
chorus master:Philippe Herreweghe (Belgian conductor)
Gerhard Schmidt‐Gaden (conductor)
choir vocals:Collegium Vocale Gent
Tölzer Knabenchor (Tölz Boys’ Choir)
Discogs:https://www.discogs.com/release/8816881 [info]

Release group

part of:Das Kantatenwerk (number: 38) (order: 17)