Bach 333: Sacred Cantatas IV

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Cantatas 168, 137, 164, 79, 110 (1725)
2▶CD: Cantatas 57, 151, 28, 16 (1725-1726)
3▶CD: Cantatas 32, 13, 72, 43 (1726)
4▶CD: Cantatas 146, 129, 39 (1726)
5▶CD: Cantatas 88, 170, 187, 45 (1726)
6▶CD: Cantatas 102, 35, 17, 19 (1726)
7▶CD: Cantatas 27, 47, 169, 56 (1726)
8▶CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
9▶CD: Cantatas 82, 157, 84 (1727)
10▶CD: Cantatas 34, 193, 117, 188 (1727-1728)
11▼CD: Cantatas 171, 156, 159, 120a (1729)
#TitleRatingLength
1"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: 1. [Chorus:] "Gott, wie dein Name, so ist auch dein Ruhm"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-01-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-01-01)
conductor:
John Eliot Gardiner (on 2000-01-01)
recorded at:
Gethsemane-Kirche in Berlin (on 2000-01-01)
live recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm" (on 2000-01-01)
premiered in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
1:46
2"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: 2. Aria: "Herr, soweit die Wolken gehen"
tenor vocals:
James Gilchrist (British tenor) (on 2000-01-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-01-01)
conductor:
John Eliot Gardiner (on 2000-01-01)
recorded at:
Gethsemane-Kirche in Berlin (on 2000-01-01)
live recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": II. Aria (Tenor) "Herr, so weit die Wolken gehen" (on 2000-01-01)
premiered in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
4:02
3"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: 3. Recitative: "Du süßer Jesus-Name du"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-01-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-01-01)
conductor:
John Eliot Gardiner (on 2000-01-01)
recorded at:
Gethsemane-Kirche in Berlin (on 2000-01-01)
live recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": III. Recitativo (Alt) "Du süßer Jesus-Name du" (on 2000-01-01)
premiered in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
0:57
4"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: 4. Aria: "Jesus soll mein erstes Wort"
soprano vocals:
Ruth Holton (soprano) (on 2000-01-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-01-01)
conductor:
John Eliot Gardiner (on 2000-01-01)
recorded at:
Gethsemane-Kirche in Berlin (on 2000-01-01)
live recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": IV. Aria (Sopran) "Jesus soll mein erstes Wort" (on 2000-01-01)
premiered in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
5:06
5"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: 5. Recitative: "Und da du, Herr, gesagt"
bass vocals:
Peter Harvey (bass-baritone) (on 2000-01-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-01-01)
conductor:
John Eliot Gardiner (on 2000-01-01)
recorded at:
Gethsemane-Kirche in Berlin (on 2000-01-01)
live recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": V. Recitativo (Bass) "Und da du, Herr, gesagt" (on 2000-01-01)
premiered in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
1:36
6"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: 6. Chorale: "Lass uns das Jahr vollbringen"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-01-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-01-01)
conductor:
John Eliot Gardiner (on 2000-01-01)
recorded at:
Gethsemane-Kirche in Berlin (on 2000-01-01)
live recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": VI. Choral "Laß uns das Jahr vollbringen" (on 2000-01-01)
premiered in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Johannes Herman (in 1593)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
2:04
7"Ich steh mit einem Fuß im Grabe", BWV 156: 1. Sinfonia
recording engineer:
Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-01-22 until 2000-01-24)
conductor:
John Eliot Gardiner (from 2000-01-22 until 2000-01-24)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Chiesa di San Marco in Milano (Milan) (from 2000-01-22 until 2000-01-24)
live recording of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia (from 2000-01-22 until 2000-01-24)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
is based on:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
2:30
8"Ich steh mit einem Fuß im Grabe", BWV 156: 2. Aria: "Ich steh mit einem Fuß im Grabe"
recording engineer:
Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals [sopranos]:
Monteverdi Choir (English vocal Baroque ensemble) (from 2000-01-22 until 2000-01-24)
tenor vocals:
Julian Podger (English tenor vocalist & choral conductor) (from 2000-01-22 until 2000-01-24)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-01-22 until 2000-01-24)
conductor:
John Eliot Gardiner (from 2000-01-22 until 2000-01-24)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Chiesa di San Marco in Milano (Milan) (from 2000-01-22 until 2000-01-24)
live recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": II. Aria (Tenor) con Choral (Sopran) "Ich steh mit einem Fuß im Grabe" (from 2000-01-22 until 2000-01-24)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Johann Hermann Schein (composer) (in 1628)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
4:38
9"Ich steh mit einem Fuß im Grabe", BWV 156: 3. Recitative: "Mein Angst und Not"
recording engineer:
Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (from 2000-01-22 until 2000-01-24)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-01-22 until 2000-01-24)
conductor:
John Eliot Gardiner (from 2000-01-22 until 2000-01-24)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Chiesa di San Marco in Milano (Milan) (from 2000-01-22 until 2000-01-24)
live recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": III. Recitativo (Bass) "Mein Angst und Not" (from 2000-01-22 until 2000-01-24)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
1:22
10"Ich steh mit einem Fuß im Grabe", BWV 156: 4. Aria: "Herr, was du willt, soll mir gefallen"
recording engineer:
Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Sara Mingardo (contralto) (from 2000-01-22 until 2000-01-24)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-01-22 until 2000-01-24)
conductor:
John Eliot Gardiner (from 2000-01-22 until 2000-01-24)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Chiesa di San Marco in Milano (Milan) (from 2000-01-22 until 2000-01-24)
live recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": IV. Aria (Alt) "Herr, was du willst, soll mir gefallen" (from 2000-01-22 until 2000-01-24)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
3:53
11"Ich steh mit einem Fuß im Grabe", BWV 156: 5. Recitative:> "Und willst du, dass ich nicht soll kranken"
recording engineer:
Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (from 2000-01-22 until 2000-01-24)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-01-22 until 2000-01-24)
conductor:
John Eliot Gardiner (from 2000-01-22 until 2000-01-24)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Chiesa di San Marco in Milano (Milan) (from 2000-01-22 until 2000-01-24)
live recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": V. Recitativo (Bass) "Und willst du, daß ich nicht soll kranken" (from 2000-01-22 until 2000-01-24)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
0:54
12"Ich steh mit einem Fuß im Grabe", BWV 156: 6. Chorale: "Herr, wie du willt, so schicks mit mir"
recording engineer:
Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 2000-01-22 until 2000-01-24)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-01-22 until 2000-01-24)
conductor:
John Eliot Gardiner (from 2000-01-22 until 2000-01-24)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Chiesa di San Marco in Milano (Milan) (from 2000-01-22 until 2000-01-24)
live recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": VI. Choral "Herr, wie du willst, so schicks mir mit" (from 2000-01-22 until 2000-01-24)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Kaspar Bienemann (in 1582)
part of:
Breitkopf 389 Choralgesänge (number: 150)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
1:17
13"Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 1. Arioso & Recitative: "Sehet, wir gehn hinauf gen Jerusalem"
alto vocals:
Claudia Schubert (mezzo-soprano) (on 2000-03-05)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-03-05)
conductor:
John Eliot Gardiner (on 2000-03-05)
recorded at:
King’s College Chapel in Cambridge (on 2000-03-05)
live recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": I. Arioso e recitativo (Alt, Bass) "Sehet, wir gehn hinauf gen Jerusalem" (on 2000-03-05)
premiered in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
3:05
14"Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 2. Aria & Chorale: "Ich folge dir nach - Ich will hier bei dir stehen"
alto vocals:
Claudia Schubert (mezzo-soprano) (on 2000-03-05)
soprano vocals:
Ruth Holton (soprano) (on 2000-03-05)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-03-05)
conductor:
John Eliot Gardiner (on 2000-03-05)
recorded at:
King’s College Chapel in Cambridge (on 2000-03-05)
live recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": II. Aria (Alt) con Choral (Sopran) "Ich folge dir nach" (on 2000-03-05)
premiered in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1656)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
4:08
15"Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 3. Recitative: "Nun will ich mich"
tenor vocals:
James Oxley (tenor) (on 2000-03-05)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-03-05)
conductor:
John Eliot Gardiner (on 2000-03-05)
recorded at:
King’s College Chapel in Cambridge (on 2000-03-05)
live recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": III. Recitativo (Tenor) "Nun will ich mich, mein Jesu" (on 2000-03-05)
premiered in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
0:50
16"Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 4. Aria: "Es ist vollbracht"
bass vocals:
Peter Harvey (bass-baritone) (on 2000-03-05)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-03-05)
conductor:
John Eliot Gardiner (on 2000-03-05)
recorded at:
King’s College Chapel in Cambridge (on 2000-03-05)
live recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": IV. Aria (Bass) "Es ist vollbracht" (on 2000-03-05)
premiered in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
7:26
17"Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 5. Chorale: "Jesu, deine Passion"
choir vocals:
Choir of Clare College, Cambridge (on 2000-03-05), Choir of Trinity College, Cambridge (on 2000-03-05) and Monteverdi Choir (English vocal Baroque ensemble) (on 2000-03-05)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-03-05)
conductor:
John Eliot Gardiner (on 2000-03-05)
recorded at:
King’s College Chapel in Cambridge (on 2000-03-05)
live recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": V. Choral "Jesu, deine Passion ist mir lauter Freude" (on 2000-03-05)
premiered in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Paul Stockmann (in 1633)
part of:
Breitkopf 389 Choralgesänge (number: 194)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
1:33
18"Herr Gott, Beherrscher aller Dinge", BWV 120a: 1. [Chorus:] "Herr Gott, Beherrscher aller Dinge"
sound engineer:
Marion Schwebel (in 2011-06)
producer:
Ingo Petry
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-06)
performer:
Bach Collegium Japan (in 2011-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2011-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": I. Coro "Herr Gott, Beherrscher aller Dinge" (former 120a) (in 2011-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
6:19
19"Herr Gott, Beherrscher aller Dinge", BWV 120a: 2. Recitative [& Chorus]: "Wie wunderbar, o Gott, sind deine Werke"
sound engineer:
Marion Schwebel (in 2011-06)
producer:
Ingo Petry
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2011-06)
tenor vocals:
Christoph Genz (tenor) (in 2011-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-06)
performer:
Bach Collegium Japan (in 2011-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2011-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": II. Recitativo (Bass, Tenor) e Coro "Wie wunderbar, o Gott, sind deine Werke" (former 120a) (in 2011-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
2:57
20"Herr Gott, Beherrscher aller Dinge", BWV 120a: 3. Aria: "Leit, o Gott, durch deine Liebe"
sound engineer:
Marion Schwebel (in 2011-06)
producer:
Ingo Petry
soprano vocals:
Hana Blažíková (in 2011-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-06)
performer:
Bach Collegium Japan (in 2011-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2011-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": III. Aria (Sopran) "Leit, o Gott, durch deine Liebe" (former 120a) (in 2011-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
6:11
21"Herr Gott, Beherrscher aller Dinge", BWV 120a: 4. Sinfonia
sound engineer:
Marion Schwebel (in 2011-06)
producer:
Ingo Petry
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-06)
performer:
Bach Collegium Japan (in 2011-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2011-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": IV. Sinfonia (former 120a) (in 2011-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
3:34
22"Herr Gott, Beherrscher aller Dinge", BWV 120a: 5. Recitative [& Chorus]: "Herr Zebaoth"
sound engineer:
Marion Schwebel (in 2011-06)
producer:
Ingo Petry
tenor vocals:
Christoph Genz (tenor) (in 2011-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-06)
performer:
Bach Collegium Japan (in 2011-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2011-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": V. Recitativo (Tenor, Coro) "Herr Zebaoth" (former 120a) (in 2011-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Martin Luther (German theologian of the Reformation) (from 1528 until 1529)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
1:20
23"Herr Gott, Beherrscher aller Dinge", BWV 120a: 6. Aria [Duet]: "Herr, fange an und sprich den Segen"
sound engineer:
Marion Schwebel (in 2011-06)
producer:
Ingo Petry
countertenor vocals:
Damien Guillon (countertenor) (in 2011-06)
tenor vocals:
Christoph Genz (tenor) (in 2011-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-06)
performer:
Bach Collegium Japan (in 2011-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2011-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": VI. Aria (Alt, Tenor) "Herr, fange an und sprich den Segen" (former 120a) (in 2011-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
7:05
24"Herr Gott, Beherrscher aller Dinge", BWV 120a: 7. Recitative: "Der Herr, Herr unser Gott sei so mit euch"
sound engineer:
Marion Schwebel (in 2011-06)
producer:
Ingo Petry
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2011-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-06)
performer:
Bach Collegium Japan (in 2011-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2011-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": VII. Recitativo (Bass) "Der Herr, Herr unser Gott" (former 120a) (in 2011-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
1:25
25"Herr Gott, Beherrscher aller Dinge", BWV 120a: 8. Chorale: "Lobe den Herren, der deinen Stand sichtbar gesegnet"
sound engineer:
Marion Schwebel (in 2011-06)
producer:
Ingo Petry
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-06)
performer:
Bach Collegium Japan (in 2011-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2011-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": VIII. Choral "Lobe den Herren" (former 120a) (in 2011-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
1:25
12▶CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
13▶CD: Cantatas 29, 140, 36 (1731)
14▶CD: Cantatas 177, 9, 97, 14 (1732-1735)
15▶CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
16▶CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
17▶CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]