Die kompletten Werke, Volume 19: h-Moll-Messe / Lateinische Kirchenmusik

~ Release by Johann Sebastian Bach; Helmuth Rilling (see all versions of this release, 43 available)

Annotation

CD 1/2 Aufnahme: Stadthalle Sindelfingen (March 1999);
CD 3 Aufnahme: BWV 233: Sendesaal des Hessischen Rundfunks, Frankfurt am Main (October 1993), BWV 233a: Stadthalle Sindelfingen (April 1999), BWV 234: Stadthalle Leonberg (January 1995);
CD 4 Aufnahme: BWV 235: Stadthalle Leonberg (September 1992), BWV 236: Stadthalle Leonberg (January 1999), BWV 237, 238, 240, 242: Stadthalle Sindelfingen (January 1999), BWV 241, 1081: Stadthalle Sindelfingen (April 1999)

Annotation last modified on 2014-06-19 18:35 UTC.

Tracklist

1▶CD: h-Moll-Messe
2▶CD: h-Moll-Messe
3▶CD: Lateinische Kirchenmusik
4▼CD: Lateinische Kirchenmusik
#TitleArtistRatingLength
1Messe g-Moll, BWV 235: Kyrie eleison
engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1992-09)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1992-09)
conductor:
Helmuth Rilling (conductor) (in 1992-09)
recorded at:
Stadthalle Leonberg in Leonberg (in 1992-09)
recording of:
Messe g-Moll, BWV 235: I. Coro "Kyrie eleison" (in 1992-09)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach6:53
2Messe g-Moll, BWV 235: Gloria in excelsis Deo
engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1992-09)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1992-09)
conductor:
Helmuth Rilling (conductor) (in 1992-09)
recorded at:
Stadthalle Leonberg in Leonberg (in 1992-09)
recording of:
Messe g-Moll, BWV 235: II. Coro "Gloria in excelsis Deo" (in 1992-09)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 72 "Alles nur nach Gottes Willen"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach3:12
3Messe g-Moll, BWV 235: Gratias agimus tibi
engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1992-09)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1992-09)
conductor:
Helmuth Rilling (conductor) (in 1992-09)
recorded at:
Stadthalle Leonberg in Leonberg (in 1992-09)
recording of:
Messe g-Moll, BWV 235: III. Aria (Bass) "Gratias agimus tibi" (in 1992-09)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": IV. Aria (Bass) "Darum sollt ihr nicht sorgen"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach3:36
4Messe g-Moll, BWV 235: Domine Fili unigenite
engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
alto vocals:
Ingeborg Danz (mezzo soprano) (in 1992-09)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1992-09)
conductor:
Helmuth Rilling (conductor) (in 1992-09)
recorded at:
Stadthalle Leonberg in Leonberg (in 1992-09)
recording of:
Messe g-Moll, BWV 235: IV. Aria (Alto) "Domine Fili unigenite" (in 1992-09)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": III. Aria (Alt) "Du Herr, du krönst allein"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach5:15
5Messe g-Moll, BWV 235: Qui tollis peccata mundi
engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
tenor vocals:
Christoph Prégardien (tenor) (in 1992-09)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1992-09)
conductor:
Helmuth Rilling (conductor) (in 1992-09)
recorded at:
Stadthalle Leonberg in Leonberg (in 1992-09)
recording of:
Messe g-Moll, BWV 235: V. Aria (Tenor) "Qui tollis peccata mundi" (in 1992-09)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": V. Aria (Sopran) "Gott versorget alles Leben"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach3:44
6Messe g-Moll, BWV 235: Cum sancto spiritu
engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1992-09)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1992-09)
conductor:
Helmuth Rilling (conductor) (in 1992-09)
recorded at:
Stadthalle Leonberg in Leonberg (in 1992-09)
recording of:
Messe g-Moll, BWV 235: VI. Coro "Cum sancto spiritu" (in 1992-09)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach4:36
7Messe G-Dur, BWV 236: Kyrie eleison
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg (in 1999-01)
recording of:
Messe G-Dur, BWV 236: I. Coro "Kyrie eleison" (in 1999-01)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach3:16
8Messe G-Dur, BWV 236: Gloria in excelsis Deo
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg (in 1999-01)
recording of:
Messe G-Dur, BWV 236: II. Coro "Gloria in excelsis Deo" (in 1999-01)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:41
9Messe G-Dur, BWV 236: Gratias agimus tibi
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg (in 1999-01)
recording of:
Messe G-Dur, BWV 236: III. Aria (Bass) "Gratias agimus tibi" (in 1999-01)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:44
10Messe G-Dur, BWV 236: Domine Deus
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg (in 1999-01)
recording of:
Messe G-Dur, BWV 236: IV. Duet (Soprano, Alto) "Domine Deus" (in 1999-01)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:03
11Messe G-Dur, BWV 236: Quoniam tu solus sanctus
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg (in 1999-01)
recording of:
Messe G-Dur, BWV 236: V. Aria (Tenor) "Quoniam tu solus sanctus" (in 1999-01)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:16
12Messe G-Dur, BWV 236: Cum sancto spiritu
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg (in 1999-01)
recording of:
Messe G-Dur, BWV 236: VI. Coro "Cum sancto spiritu" (in 1999-01)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich"
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach3:50
13Sanctus C-Dur, BWV 237
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (in 1999-01)
recording of:
Sanctus C-Dur, BWV 237 (in 1999-01)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 237)
Johann Sebastian Bach1:28
14Sanctus D-Dur, BWV 238
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (in 1999-01)
recording of:
Sanctus D-Dur, BWV 238 (in 1999-01)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 238)
Johann Sebastian Bach2:43
15Sanctus G-Dur, BWV 240
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (in 1999-01)
recording of:
Sanctus G-Dur, BWV 240 (in 1999-01)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 240)
Johann Sebastian Bach2:26
16Sanctus D-Dur, BWV 241
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (in 1999-01)
recording of:
Sanctus D-Dur, BWV 241 (in 1999-01)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 241) and Bach Compendium (number: BC E 17)
Johann Sebastian Bach1:58
17Christe eleison g-Moll, BWV 242
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (in 1999-01)
recording of:
Christe eleison g-Moll, BWV 242 (in 1999-01)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 242) and Bach Compendium (number: BC E 8)
Johann Sebastian Bach1:49
18Credo in unum Deum, BWV 1081
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (in 1999-01)
recording of:
Credo in unum Deum, BWV 1081 (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 1081), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 1081 / 236‑>) and Bach Compendium (number: BC E 9)
Johann Sebastian Bach1:00