Bach 333: Sacred & secular vocal (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Cantatas 207, 204, 216a (1726-1728)
2▶CD: Cantatas 198, 201 (1727-1729)
3▶CD: Cantatas 213, 214 (1733)
4▼CD: Cantatas 211, 215 (1734)
#TitleRatingLength
1"Schweigt stille, plaudert nicht", BWV 211: 1. Recitative: "Schweigt stille, plaudert nicht"
producer:
Peter Wadland (producer)
bass vocals [bass - Schlendrian]:
David Thomas (British operatic bass) (in 1986-09)
soprano vocals [soprano - Liesgen]:
Emma Kirkby (soprano) (in 1986-09)
tenor vocals [tenor - Narrator]:
Rogers Covey‐Crump (tenor) (in 1986-09)
orchestra:
Academy of Ancient Music (in 1986-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1986-09)
balance engineer:
John Pellowe (audio engineer)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley (in 1986-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht"
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
0:39
2"Schweigt stille, plaudert nicht", BWV 211: 2. Aria: "Hat man nicht mit seinen Kindern"
producer:
Peter Wadland (producer)
bass vocals [bass - Schlendrian]:
David Thomas (British operatic bass) (in 1986-09)
soprano vocals [soprano - Liesgen]:
Emma Kirkby (soprano) (in 1986-09)
tenor vocals [tenor - Narrator]:
Rogers Covey‐Crump (tenor) (in 1986-09)
orchestra:
Academy of Ancient Music (in 1986-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1986-09)
balance engineer:
John Pellowe (audio engineer)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley (in 1986-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern"
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
2:54
3"Schweigt stille, plaudert nicht", BWV 211: 3. Recitative: "Du böses Kind, du loses Mädchen"
producer:
Peter Wadland (producer)
bass vocals [bass - Schlendrian]:
David Thomas (British operatic bass) (in 1986-09)
soprano vocals [soprano - Liesgen]:
Emma Kirkby (soprano) (in 1986-09)
tenor vocals [tenor - Narrator]:
Rogers Covey‐Crump (tenor) (in 1986-09)
orchestra:
Academy of Ancient Music (in 1986-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1986-09)
balance engineer:
John Pellowe (audio engineer)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley (in 1986-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen"
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
0:32
4"Schweigt stille, plaudert nicht", BWV 211: 4. Aria: "Ei! wie schmeckt der Coffee süße"
producer:
Peter Wadland (producer)
bass vocals [bass - Schlendrian]:
David Thomas (British operatic bass) (in 1986-09)
soprano vocals [soprano - Liesgen]:
Emma Kirkby (soprano) (in 1986-09)
tenor vocals [tenor - Narrator]:
Rogers Covey‐Crump (tenor) (in 1986-09)
orchestra:
Academy of Ancient Music (in 1986-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1986-09)
balance engineer:
John Pellowe (audio engineer)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley (in 1986-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße"
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
4:08
5"Schweigt stille, plaudert nicht", BWV 211: 5. Recitative: "Wenn du mir nicht den Coffee lässt"
producer:
Peter Wadland (producer)
bass vocals [bass - Schlendrian]:
David Thomas (British operatic bass) (in 1986-09)
soprano vocals [soprano - Liesgen]:
Emma Kirkby (soprano) (in 1986-09)
tenor vocals [tenor - Narrator]:
Rogers Covey‐Crump (tenor) (in 1986-09)
orchestra:
Academy of Ancient Music (in 1986-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1986-09)
balance engineer:
John Pellowe (audio engineer)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley (in 1986-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt"
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
1:01
6"Schweigt stille, plaudert nicht", BWV 211: 6. Aria: "Mädchen, die von harten Sinnen"
producer:
Peter Wadland (producer)
bass vocals [bass - Schlendrian]:
David Thomas (British operatic bass) (in 1986-09)
soprano vocals [soprano - Liesgen]:
Emma Kirkby (soprano) (in 1986-09)
tenor vocals [tenor - Narrator]:
Rogers Covey‐Crump (tenor) (in 1986-09)
orchestra:
Academy of Ancient Music (in 1986-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1986-09)
balance engineer:
John Pellowe (audio engineer)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley (in 1986-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen"
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
3:03
7"Schweigt stille, plaudert nicht", BWV 211: 7. Recitative: "Nun folge, was dein Vater spricht"
producer:
Peter Wadland (producer)
bass vocals [bass - Schlendrian]:
David Thomas (British operatic bass) (in 1986-09)
soprano vocals [soprano - Liesgen]:
Emma Kirkby (soprano) (in 1986-09)
tenor vocals [tenor - Narrator]:
Rogers Covey‐Crump (tenor) (in 1986-09)
orchestra:
Academy of Ancient Music (in 1986-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1986-09)
balance engineer:
John Pellowe (audio engineer)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley (in 1986-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht"
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
0:47
8"Schweigt stille, plaudert nicht", BWV 211: 8. Aria: "Heute noch, lieber Vater, tut es doch"
producer:
Peter Wadland (producer)
bass vocals [bass - Schlendrian]:
David Thomas (British operatic bass) (in 1986-09)
soprano vocals [soprano - Liesgen]:
Emma Kirkby (soprano) (in 1986-09)
tenor vocals [tenor - Narrator]:
Rogers Covey‐Crump (tenor) (in 1986-09)
orchestra:
Academy of Ancient Music (in 1986-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1986-09)
balance engineer:
John Pellowe (audio engineer)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley (in 1986-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch"
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
6:21
9"Schweigt stille, plaudert nicht", BWV 211: 9. Recitative: "Nun geht und sucht der alte Schlendrian"
producer:
Peter Wadland (producer)
bass vocals [bass - Schlendrian]:
David Thomas (British operatic bass) (in 1986-09)
soprano vocals [soprano - Liesgen]:
Emma Kirkby (soprano) (in 1986-09)
tenor vocals [tenor - Narrator]:
Rogers Covey‐Crump (tenor) (in 1986-09)
orchestra:
Academy of Ancient Music (in 1986-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1986-09)
balance engineer:
John Pellowe (audio engineer)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley (in 1986-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian"
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
0:46
10"Schweigt stille, plaudert nicht", BWV 211: 10. Chorus: "Die Katze lässt das Mausen nicht"
producer:
Peter Wadland (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer) (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
4:30
11"Schweigt stille, plaudert nicht", BWV 211: 1. Recitative: "Schweigt stille, plaudert nicht"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Schlendrian]:
David Wilson‐Johnson (baritone) (in 1994-01)
soprano vocals [soprano - Liesgen]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Narrator]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1994-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht"
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
0:33
12"Schweigt stille, plaudert nicht", BWV 211: 2. Aria: "Hat man nicht mit seinen Kindern"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Schlendrian]:
David Wilson‐Johnson (baritone) (in 1994-01)
soprano vocals [soprano - Liesgen]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Narrator]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1994-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern"
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
2:58
13"Schweigt stille, plaudert nicht", BWV 211: 3. Recitative: "Du böses Kind, du loses Mädchen"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Schlendrian]:
David Wilson‐Johnson (baritone) (in 1994-01)
soprano vocals [soprano - Liesgen]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Narrator]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1994-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen"
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
0:40
14"Schweigt stille, plaudert nicht", BWV 211: 4. Aria: "Ei! wie schmeckt der Coffee süße"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Schlendrian]:
David Wilson‐Johnson (baritone) (in 1994-01)
soprano vocals [soprano - Liesgen]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Narrator]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1994-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße"
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
4:32
15"Schweigt stille, plaudert nicht", BWV 211: 5. Recitative: "Wenn du mir nicht den Coffee lässt"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Schlendrian]:
David Wilson‐Johnson (baritone) (in 1994-01)
soprano vocals [soprano - Liesgen]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Narrator]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1994-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt"
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
1:02
16"Schweigt stille, plaudert nicht", BWV 211: 6. Aria: "Mädchen, die von harten Sinnen"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Schlendrian]:
David Wilson‐Johnson (baritone) (in 1994-01)
soprano vocals [soprano - Liesgen]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Narrator]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1994-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen"
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
2:52
17"Schweigt stille, plaudert nicht", BWV 211: 7. Recitative: "Nun folge, was dein Vater spricht"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Schlendrian]:
David Wilson‐Johnson (baritone) (in 1994-01)
soprano vocals [soprano - Liesgen]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Narrator]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1994-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht"
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
0:49
18"Schweigt stille, plaudert nicht", BWV 211: 8. Aria: "Heute noch, lieber Vater, tut es doch"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Schlendrian]:
David Wilson‐Johnson (baritone) (in 1994-01)
soprano vocals [soprano - Liesgen]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Narrator]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1994-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch"
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
6:43
19"Schweigt stille, plaudert nicht", BWV 211: 9. Recitative: "Nun geht und sucht der alte Schlendrian"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Schlendrian]:
David Wilson‐Johnson (baritone) (in 1994-01)
soprano vocals [soprano - Liesgen]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Narrator]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1994-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian"
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
0:46
20"Schweigt stille, plaudert nicht", BWV 211: 10. Chorus: "Die Katze lässt das Mausen nicht"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Schlendrian]:
David Wilson‐Johnson (baritone) (in 1994-01)
soprano vocals [soprano - Liesgen]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Narrator]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1994-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht"
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
5:02
21"Preise dein Glücke, gesegnetes Sachsen", BWV 215: 1. Chorus: "Preise dein Glücke"
producer:
Hein Dekker (recording producer)
baritone vocals:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals:
John Elwes (tenor) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
8:03
22"Preise dein Glücke, gesegnetes Sachsen", BWV 215: 2. Recitative: "Wie können wir, großmächtigster August"
producer:
Hein Dekker (recording producer)
baritone vocals:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals:
John Elwes (tenor) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": II. Recitativo (Tenor) "Wie können wir, großmächtigster August"
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
1:12
23"Preise dein Glücke, gesegnetes Sachsen", BWV 215: 3. Aria: "Freilich trotzt Augustus' Name"
producer:
Hein Dekker (recording producer)
baritone vocals:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals:
John Elwes (tenor) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": III. Aria (Tenor) "Freilich trotzt Augustus' Name"
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
7:59
24"Preise dein Glücke, gesegnetes Sachsen", BWV 215: 4. Recitative: "Was hat dich sonst, Sarmatien, bewogen"
producer:
Hein Dekker (recording producer)
baritone vocals:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals:
John Elwes (tenor) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": IV. Recitativo (Bass) "Was hat dich sonst, Sarmatien, bewogen"
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
1:35
25"Preise dein Glücke, gesegnetes Sachsen", BWV 215: 5. Aria: "Rase nur, verwegner Schwarm"
producer:
Hein Dekker (recording producer)
baritone vocals:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals:
John Elwes (tenor) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": V. Aria (Bass) "Rase nur, verwegner Schwarm"
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
3:52
26"Preise dein Glücke, gesegnetes Sachsen", BWV 215: 6. Recitative: "Ja, ja! Gott ist uns noch mit seiner Hülfe nah"
producer:
Hein Dekker (recording producer)
baritone vocals:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals:
John Elwes (tenor) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VI. Recitativo (Sopran) "Ja, ja! Gott ist uns noch mit seiner Hülfe nah"
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
1:16
27"Preise dein Glücke, gesegnetes Sachsen", BWV 215: 7. Aria: "Durch die von Eifer entflammeten Waffen"
producer:
Hein Dekker (recording producer)
baritone vocals:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals:
John Elwes (tenor) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
4:16
28"Preise dein Glücke, gesegnetes Sachsen", BWV 215: 8. Recitative: "Lass doch, o teurer Landesvater, zu"
producer:
Hein Dekker (recording producer)
baritone vocals:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals:
John Elwes (tenor) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VIII. Recitativo (Sopran, Tenor, Bass) "Laß doch, o teurer Landesvater, zu"
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
2:30
29"Preise dein Glücke, gesegnetes Sachsen", BWV 215: 9. Chorus: "Stifter der Reiche, Beherrscher der Kronen"
producer:
Hein Dekker (recording producer)
baritone vocals:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals:
John Elwes (tenor) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": IX. Coro I/II "Stifter der Reiche, Beherrscher der Kronen"
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
3:00
5▶CD: Cantatas 206, 30a (1736-1737)
6▶CD: Cantatas 209, 210, 212 (1730s-1740s)
7▶CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
8▶CD: Cantatas 56, 82, 4
9▶CD: Cantatas 31, 104, 57
10▶CD: Cantatas 199, 173, 74, 151
11▶CD: Easter Oratorio / Cantata 140
12▶CD: Cantatas 170, 159, 102
13▶CD: Cantatas 80, 52, 84, 209
14▶CD: Cantatas 82, 158, 56
15▶CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
16▶CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
17▶CD: Cantatas 92, 126, 182 (Easter)
18▶CD: Cantatas 1, 4, 67, 104 (Easter)
19▶CD: Cantatas 34, 68, 39 (Whitsun)
20▶CD: Cantatas 30, 147 (Whitsun)
21▶CD: Cantatas 76, 21 (Trinity)
22▶CD: Cantatas 135, 10, 45, 105 (Trinity)
23▶CD: Cantatas 51, 78, 8, 130 (Trinity)
24▶CD: Cantatas 27, 5, 60, 26 (Trinity)
25▶CD: St. Matthew Passion (1 Richter)
26▶CD: St. Matthew Passion (2 Richter)
27▶CD: St. Matthew Passion (3 Richter)
28▶CD: Great Singers (1952-1965)
29▶CD: Great Singers (1967-2011)
30▶CD: Great Singers (Period Instruments)

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]