The Complete Works (Edition Bachakademie)

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

1▼CD: Vol 1. Cantatas CD 1
#TitleRatingLength
1Kantate, BWV 1 „Wie schön leuchtet der Morgenstern“: I. Coro „Wie schön leuchtet der Morgenstern“
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: I. Coro “Wie schön leuchtet der Morgenstern” (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
7:40
2Kantate, BWV 1 „Wie schön leuchtet der Morgenstern“: II. Recitativo (Tenore) „Du wahrer Gottes und Marien Sohn“
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: II. Recitativo (Tenore) “Du wahrer Gottes und Marien Sohn” (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
1:08
3Kantate, BWV 1 „Wie schön leuchtet der Morgenstern“: III. Aria (Soprano) „Erfüllet, ihr himmlischen göttlichen Flammen“
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
soprano vocals:
Inga Nielsen (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: III. Aria (Soprano) “Erfüllet, ihr himmlischen göttlichen Flammen” (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
4:40
4Kantate, BWV 1 „Wie schön leuchtet der Morgenstern“: IV. Recitativo (Basso) „Ein irdscher Glanz, ein leiblich Licht“
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: IV. Recitativo (Basso) “Ein irdscher Glanz, ein leiblich Licht” (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
0:59
5Kantate, BWV 1 „Wie schön leuchtet der Morgenstern“: V. Aria (Tenore) „Unser Mund und Ton der Saiten“
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: V. Aria (Tenore) “Unser Mund und Ton der Saiten” (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
6:56
6Kantate, BWV 1 „Wie schön leuchtet der Morgenstern“: VI. Choral „Wie bin ich doch so herzlich froh“
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
cornet:
Friedhelm Pütz and Johannes Ritzkowsky (hornist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: VI. Choral “Wie bin ich doch so herzlich froh” (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 378)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
1:36
7Kantate, BWV 2 „Ach Gott, vom Himmel sieh darein“: I. Coro „Ach Gott, vom Himmel sieh darein“
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": I. Coro "Ach Gott, vom Himmel sieh darein" (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1724-06-18)
composed in:
Leipzig (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
4:06
8Kantate, BWV 2 „Ach Gott, vom Himmel sieh darein“: II. Recitativo (Tenore) „Sie lehren eitel falsche List“
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": II. Recitativo (Tenore) "Sie lehren eitel falsche List" (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1724-06-18)
composed in:
Leipzig (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
1:20
9Kantate, BWV 2 „Ach Gott, vom Himmel sieh darein“: III. Aria (Alto) „Tilg, o Gott, die Lehren“
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": III. Aria (Alto) "Tilg, o Gott, die Lehren" (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1724-06-18)
composed in:
Leipzig (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
3:40
10Kantate, BWV 2 „Ach Gott, vom Himmel sieh darein“: IV. Recitativo (Basso) „Die Armen sind verstört“
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": IV. Recitativo (Basso) "Die Armen sind verstört" (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1724-06-18)
composed in:
Leipzig (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
1:46
11Kantate, BWV 2 „Ach Gott, vom Himmel sieh darein“: V. Aria (Tenore) „Durchs Feuer wird das Silber rein“
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": V. Aria (Tenore) "Durchs Feuer wird das Silber rein" (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1724-06-18)
composed in:
Leipzig (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
6:16
12Kantate, BWV 2 „Ach Gott, vom Himmel sieh darein“: VI. Choral „Das wollst du, Gott, bewahren rein“
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": VI. Choral "Das wollst du, Gott, bewahren rein" (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1724-06-18)
composed in:
Leipzig (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 7)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
1:01
13Kantate, BWV 3 „Ach Gott, wie manches Herzeleid“: I. Coro „Ach Gott, wie manches Herzeleid“
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": I. Coro "Ach Gott, wie manches Herzeleid" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Moller (german poet) (in 1587)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
5:31
14Kantate, BWV 3 „Ach Gott, wie manches Herzeleid“: II. Recitativo e choral (Tenore, Alto, Soprano, Basso) „Wie schwerlich lässt sich Fleisch und Blut“
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
alto vocals:
Gabriele Schreckenbach (contralto)
bass vocals:
Philippe Huttenlocher (baritone)
soprano vocals:
Arleen Augér (soprano)
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": II. Recitativo e choral (Tenore, Alto, Soprano, Basso) "Wie schwerlich lässt sich Fleisch und Blut" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Moller (german poet) (in 1587)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
2:53
15Kantate, BWV 3 „Ach Gott, wie manches Herzeleid“: III. Aria (Basso) „Empfind ich Höllenangst und Pein“
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": III. Aria (Basso) "Empfind ich Höllenangst und Pein" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
6:38
16Kantate, BWV 3 „Ach Gott, wie manches Herzeleid“: IV. Recitativo (Tenore) „Es mag mir Leib und Geist verschmachten“
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": IV. Recitativo (Tenore) "Es mag mir Leib und Geist verschmachten" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
1:16
17Kantate, BWV 3 „Ach Gott, wie manches Herzeleid“: V. Aria (Duetto: Soprano, Alto) „Wenn Sorgen auf mich dringen“
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
alto vocals:
Gabriele Schreckenbach (contralto)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": V. Aria (Duetto: Soprano, Alto) "Wenn Sorgen auf mich dringen" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist) (ended)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
7:48
18Kantate, BWV 3 „Ach Gott, wie manches Herzeleid“: VI. Choral „Erhalt mein Herz im Glauben“
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": VI. Choral "Erhalt mein Herz im Glauben" (from 1970-12-01 until 1971-04)
lyricist:
Martin Moller (german poet) (in 1587)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 8)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
0:42
2▶CD: Vol 1. Cantatas CD 2
3▶CD: Vol 1. Cantatas CD 3
4▶CD: Vol 1. Cantatas CD 4
5▶CD: Vol 2. Cantatas CD 1
6▶CD: Vol 2. Cantatas CD 2
7▶CD: Vol 2. Cantatas CD 3
8▶CD: Vol 2. Cantatas CD 4
9▶CD: Vol 3. Cantatas CD 1
10▶CD: Vol 3. Cantatas CD 2
11▶CD: Vol 3. Cantatas CD 3
12▶CD: Vol 3. Cantatas CD 4
13▶CD: Vol 4. Cantatas CD 1
14▶CD: Vol 4. Cantatas CD 2
15▶CD: Vol 4. Cantatas CD 3
16▶CD: Vol 4. Cantatas CD 4
17▶CD: Vol 5. Cantatas CD 1
18▶CD: Vol 5. Cantatas CD 2
19▶CD: Vol 5. Cantatas CD 3
20▶CD: Vol 5. Cantatas CD 4
21▶CD: Vol 6. Cantatas CD 1
22▶CD: Vol 6. Cantatas CD 2
23▶CD: Vol 6. Cantatas CD 3
24▶CD: Vol 6. Cantatas CD 4
25▶CD: Vol 7. Cantatas CD 1
26▶CD: Vol 7. Cantatas CD 2
27▶CD: Vol 7. Cantatas CD 3
28▶CD: Vol 7. Cantatas CD 4
29▶CD: Vol 8. Cantatas CD 1
30▶CD: Vol 8. Cantatas CD 2
31▶CD: Vol 8. Cantatas CD 3
32▶CD: Vol 8. Cantatas CD 4
33▶CD: Vol 9. Cantatas CD 1
34▶CD: Vol 9. Cantatas CD 2
35▶CD: Vol 9. Cantatas CD 3
36▶CD: Vol 9. Cantatas CD 4
37▶CD: Vol 10. Cantatas CD 1
38▶CD: Vol 10. Cantatas CD 2
39▶CD: Vol 10. Cantatas CD 3
40▶CD: Vol 10. Cantatas CD 4
41▶CD: Vol 11. Cantatas CD 1
42▶CD: Vol 11. Cantatas CD 2
43▶CD: Vol 11. Cantatas CD 3
44▶CD: Vol 11. Cantatas CD 4
45▶CD: Vol 12. Cantatas CD 1
46▶CD: Vol 12. Cantatas CD 2
47▶CD: Vol 12. Cantatas CD 3
48▶CD: Vol 12. Cantatas CD 4
49▶CD: Vol 13. Cantatas CD 1
50▶CD: Vol 13. Cantatas CD 2
51▶CD: Vol 13. Cantatas CD 3
52▶CD: Vol 13. Cantatas CD 4
53▶CD: Vol 14. Cantatas CD 1
54▶CD: Vol 14. Cantatas CD 2
55▶CD: Vol 14. Cantatas CD 3
56▶CD: Vol 14. Cantatas CD 4
57▶CD: Vol 15. Cantatas CD 1
58▶CD: Vol 15. Cantatas CD 2
59▶CD: Vol 15. Cantatas CD 3
60▶CD: Vol 15. Cantatas CD 4
61▶CD: Vol 16. Cantatas CD 1
62▶CD: Vol 16. Cantatas CD 2
63▶CD: Vol 16. Cantatas CD 3
64▶CD: Vol 16. Cantatas CD 4
65▶CD: Vol 17. Cantatas CD 1
66▶CD: Vol 17. Cantatas CD 2
67▶CD: Vol 17. Cantatas CD 3
68▶CD: Vol 17. Cantatas CD 4
69▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 1
70▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 2
71▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 3
72▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 4
73▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 1
74▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 2
75▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 3
76▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 4
77▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 1
78▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 2
79▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 3
80▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 4
81▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 1
82▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 2
83▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 3
84▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 4
85▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 1
86▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 2
87▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 3
88▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 4
89▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 1
90▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 2
91▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 3
92▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 4
93▶CD: Vol 24. A Book Of Chorale-Settings CD 1
94▶CD: Vol 24. A Book Of Chorale-Settings CD 2
95▶CD: Vol 24. A Book Of Chorale-Settings CD 3
96▶CD: Vol 24. A Book Of Chorale-Settings CD 4
97▶CD: Vol 25. Organ Works CD 1
98▶CD: Vol 25. Organ Works CD 2
99▶CD: Vol 25. Organ Works CD 3
100▶CD: Vol 25. Organ Works CD 4
101▶CD: Vol 26. Organ Works CD 1
102▶CD: Vol 26. Organ Works CD 2
103▶CD: Vol 26. Organ Works CD 3
104▶CD: Vol 26. Organ Works CD 4
105▶CD: Vol 27. Organ Works CD 1
106▶CD: Vol 27. Organ Works CD 2
107▶CD: Vol 27. Organ Works CD 3
108▶CD: Vol 27. Organ Works CD 4
109▶CD: Vol 28. Organ Works CD 1
110▶CD: Vol 28. Organ Works CD 2
111▶CD: Vol 28. Organ Works CD 3
112▶CD: Vol 28. Organ Works CD 4
113▶CD: Vol 29. Organ Works CD 1
114▶CD: Vol 29. Organ Works CD 2
115▶CD: Vol 29. Organ Works CD 3
116▶CD: Vol 29. Organ Works CD 4
117▶CD: Vol 30. Harpsichord Music CD 1
118▶CD: Vol 30. Harpsichord Music CD 2
119▶CD: Vol 30. Harpsichord Music CD 3
120▶CD: Vol 30. Harpsichord Music CD 4
121▶CD: Vol 31. Keyboard Works CD 1
122▶CD: Vol 31. Keyboard Works CD 2
123▶CD: Vol 31. Keyboard Works CD 3
124▶CD: Vol 31. Keyboard Works CD 4
125▶CD: Vol 32. Keyboard Works CD 1
126▶CD: Vol 32. Keyboard Works CD 2
127▶CD: Vol 32. Keyboard Works CD 3
128▶CD: Vol 32. Keyboard Works CD 4
129▶CD: Vol 33. Keyboard Works CD 1
130▶CD: Vol 33. Keyboard Works CD 2
131▶CD: Vol 33. Keyboard Works CD 3
132▶CD: Vol 33. Keyboard Works CD 4
133▶CD: Vol 34. Keyboard Works CD 1
134▶CD: Vol 34. Keyboard Works CD 2
135▶CD: Vol 34. Keyboard Works CD 3
136▶CD: Vol 34. Keyboard Works CD 4
137▶CD: Vol 35. Keyboard Works CD 1
138▶CD: Vol 35. Keyboard Works CD 2
139▶CD: Vol 35. Keyboard Works CD 3
140▶CD: Vol 35. Keyboard Works CD 4
141▶CD: Vol 36. Keyboard Works CD 1
142▶CD: Vol 36. Keyboard Works CD 2
143▶CD: Vol 36. Keyboard Works CD 3
144▶CD: Vol 36. Keyboard Works CD 4
145▶CD: Vol 37. Keyboard Works CD 1
146▶CD: Vol 37. Keyboard Works CD 2
147▶CD: Vol 37. Keyboard Works CD 3
148▶CD: Vol 37. Keyboard Works CD 4
149▶CD: Vol 38. Orchestral Music CD 1
150▶CD: Vol 38. Orchestral Music CD 2
151▶CD: Vol 38. Orchestral Music CD 3
152▶CD: Vol 38. Orchestral Music CD 4
153▶CD: Vol 39. Works For Violin CD 1
154▶CD: Vol 39. Works For Violin CD 2
155▶CD: Vol 39. Works For Violin CD 3
156▶CD: Vol 39. Works For Violin CD 4
157▶CD: Vol 40. Harpsichord Concertos CD 1
158▶CD: Vol 40. Harpsichord Concertos CD 2
159▶CD: Vol 40. Harpsichord Concertos CD 3
160▶CD: Vol 40. Harpsichord Concertos CD 4
161▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 1
162▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 2
163▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 3
164▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 4
165▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 1
166▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 2
167▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 3
168▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 4
169▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 1
170▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 2
171▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 3