Meisterwerke der Klassik

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

10 Jewel Cases in, I guess, a cardboard slipcase. The box itself does not have a barcode.

Individiual cat#s / barcodes:

CD 1: 442 8367 / 028944283679
CD 2: 442 8368 / 028944283686
CD 3: 442 8369 / 028944283693
CD 4: 442 8370 / 028944283709
CD 5: 442 8371 / 028944283716
CD 6: 442 8372 / 028944283723
CD 7: 442 8373 / 028944283730
CD 8: 442 8374 / 028944283747
CD 9: 442 8375 / 028944283754
CD 10: 442 8376 / 028944283761

Annotation last modified on 2025-01-02 16:46 UTC.

Tracklist

1▶CD: Meisterwerke des Barock
2▶CD: Meisterwerke der Wiener Klassik
3▶CD: Meisterwerke der Romantik I
4▶CD: Meisterwerke der Romantik II
5▶CD: Meisterwerke der Romantik III
6▼CD: Meisterwerke der Moderne
#TitleArtistRatingLength
1Also sprach Zarathustra, Op. 30: Einleitung
editor:
Christopher Alder (editor/engineer/producer)
solo violin:
Rainer Küchl (Austrian violinist) (in 1983-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1983-02)
conductor:
Lorin Maazel (conductor) (in 1983, in 1983-02)
recorded at:
Sofiensaal in Landstraße (in 1983-02)
live recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (in 1983-02)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss2:03
2Jupiter
orchestra:
Chicago Symphony Orchestra (in 1989-06)
conductor:
James Levine (US conductor and pianist) (in 1989-06)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1989-06)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (in 1989-06)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:39
3Sicilienne
recording engineer:
Stephan Flock
executive producer:
Alison Ames
producer:
Christian Gansch (conductor)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1995-04)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, United States (in 1995-04)
recording of:
Pelléas et Mélisande, op. 80: III. Sicilienne (in 1995-04)
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
Gabriel Fauré3:40
4Symphonie No.5 cis moll (4. Adagietto)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Günther Breest (producer for classical music)
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-01)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1985-01)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1985-01)
composer:
Gustav Mahler (Austro-Bohemian Romantic composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler10:30
5Concierto de Aranjuez 1. Allegro con spirito
guitar:
Narciso Yepes (classical guitarist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Luis Antonio García Navarro (conductor)
recording of:
Concierto de Aranjuez: I. Allegro con spirito
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo6:12
6Rhapsody in Blue
producer:
Christopher Alder (editor/engineer/producer)
piano:
James Levine (US conductor and pianist) (in 1990-07)
orchestra:
Chicago Symphony Orchestra (in 1990-07)
conductor:
James Levine (US conductor and pianist) (in 1990-07)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1990-07)
recording of:
Rhapsody in Blue (original 1924 jazz band version, less often performed) (in 1990-07)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1924)
composer:
George Gershwin (composer) (in 1924)
was commissioned by:
Paul Whiteman (in 1924)
publisher:
Harms, Inc. (in 1924)
premiered at:
Aeolian Hall in New York, United States (on 1924-02-12)
version of:
Rhapsody in Blue (original 1924 two-piano manuscript version)
George Gershwin16:07
7Gayaneh (Säbeltanz)
producer:
Thomas Mowrey
orchestra:
Boston Pops Orchestra (in 1971-06)
conductor:
Arthur Fiedler (conductor) (in 1971-06)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Symphony Hall (Boston) in Boston, United States (in 1971-06)
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance (in 1971-06)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1942)
version of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
part of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
E. Khachaturyan2:23
8Candide, Ouvertüre
recording of:
Candide: Overture
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
Candide
Leonard Bernstein4:32
9Pomp and Circumstance - Marsch No.1 D-dur
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1991-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1991-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1991-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (in 1991-02)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (in 1991-02)
premiered in:
Liverpool (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar6:33
10Boléro
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1974-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1974-04)
balance engineer:
Joachim Niss and Gernot Westhäuser (Engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Symphony Hall (Boston) in Boston, United States (in 1974-04)
recording of:
Boléro (in 1974-04)
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel15:00
7▶CD: Meisterwerke der Oper
8▶CD: Meisterwerke der geistlichen Musik
9▶CD: Meisterwerke für Solisten
10▶CD: Meisterwerke zur Ruhe