Bach Edition, V: Vocal Works

~ Release by Johann Sebastian Bach (see all versions of this release, 7 available)

Annotation

FIXME (see also Edit #25169889 for the disc order):

* These are CDs V-1-32 (107-138 in total) from the 2006 155-CD box.
* The rest will also be added (or has already been added) as pseudo-volumes to the same release group to avoid issues with the single 155-CD release being too large.
* Once there are no more 502 errors with large releases, all those pseudo-volumes should be merged into a single release.

Annotation last modified on 2015-02-10 07:54 UTC.

Tracklist

1▶CD: Mass in B Minor / Hohe Messe BWV 232 (disc 1)
2▶CD: Mass in B Minor / Hohe Messe BWV 232 (disc 2)
3▶CD: Messen, BWV 233 & 234
4▶CD: Messen, BWV 235 & 236
5▶CD: Geistliche Lieder und Arien aus "Musicalisches Gesangbuch G.C. Schemelli", BWV 439-507 (disc 1)
6▶CD: Geistliche Lieder und Arien aus "Musicalisches Gesangbuch G.C. Schemelli", BWV 439-507 (disc 2)
7▶CD: Motetten
8▶CD: Osteroratorium, BWV 249
9▶CD: Secular Cantatas: Schwingt freudig euch empor / Non sa che sia dolore / Amore traditore
10▶CD: Secular Cantata, BWV 201; Geschwinde, ihr wirbelnden Winde - Der Streit zwischen Phoebus und Pan
11▶CD: Zwei Hochzeitskantaten, BWV 202 & 210
12▶CD: Secular Cantatas, BWV 204 & 208; Was mir behagt, ist nur die muntre Jagd / Ich bin in mir vergnügt
13▶CD: Secular Cantatas, BWV 205 & 207: Zerreißet, zersprenget, zertrümmert die Gruft / Vereinigte Zwietracht der wechselnden Saiten
14▶CD: Secular Cantatas, BWV 206 & 215: Schleicht, spielende Wellen / Preise dein Glücke, gesegnetes Sachsen
15▶CD: Secular Cantatas, BWV 211 & 212: Schweigt stille, plaudert nicht (Kaffee-Kantate) / Mehr hahn en neue Oberkeet (Bauernkantate)
16▶CD: Secular Cantatas, BWV 213 & 214; Laßt uns sorgen, laßt uns wachen, Herkules auf dem Scheidewege / Tönet ihr Pauken! Erschallet, Trompeten!
17▶CD: Matthäus-Passion, BWV 244 (disc 1)
18▶CD: Matthäus-Passion, BWV 244 (disc 2)
19▶CD: Matthäus-Passion, BWV 244 (disc 3)
20▶CD: Johannes-Passion, BWV 245 (disc 1)
21▶CD: Johannes-Passion, BWV 245 (disc 2)
22▼CD: Weihnachtsoratorium, BWV 248 (disc 1)
#TitleRatingLength
1BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. I. Coro: "Jauchzet, frohlocket!"
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
performer:
The Sixteen (UK choir)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1993-01)
premiered in:
Leipzig (on 1734-12-25)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
7:55
2BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. II. Recitativo: "Es begab sich aber zu der Zeit"
tenor vocals [Evangelist]:
Mark Padmore (British tenor)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (in 1993-01)
premiered in:
Leipzig (on 1734-12-25)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:08
3BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. III. Recitativo: "Nun wird mein liebster Bräutigam"
alto vocals:
Catherine Wyn-Rogers (mezzo-soprano)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (in 1993-01)
premiered in:
Leipzig (on 1734-12-25)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:55
4BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. IV. Aria (Alto): "Bereite Dich, Zion"
alto vocals:
Catherine Wyn-Rogers (mezzo-soprano)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1993-01)
premiered in:
Leipzig (on 1734-12-25)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
5:25
5BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. V. Choral: "Wie soll ich dich empfangen"
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (in 1993-01)
premiered in:
Leipzig (on 1734-12-25)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:10
6BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. VI. Recitativo: "Und sie gebar ihren ersten Sohn"
tenor vocals [Evangelist]:
Mark Padmore (British tenor)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (in 1993-01)
premiered in:
Leipzig (on 1734-12-25)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:21
7BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. VII. Choral & Recitativo: "Er ist auf Erden kommen arm"
bass vocals:
Michael George (operatic bass)
soprano vocals:
Lynda Russell (soprano)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (in 1993-01)
premiered in:
Leipzig (on 1734-12-25)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
3:05
8BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. VIII. Aria (Basso): "Großer Herr und starker König"
bass vocals:
Michael George (operatic bass)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1993-01)
premiered in:
Leipzig (on 1734-12-25)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
4:45
9BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. IX. Choral: "Ach, mein herzliebes Jesulein!"
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (in 1993-01)
premiered in:
Leipzig (on 1734-12-25)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:31
10BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. I. Sinfonia: Hirtenmusik
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1993-01)
premiered in:
Leipzig (on 1734-12-26)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
4:55
11BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. II. Recitativo: "Und es waren Hirten in derselben Gegens"
tenor vocals [Evangelist]:
Mark Padmore (British tenor)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (in 1993-01)
premiered in:
Leipzig (on 1734-12-26)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:31
12BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. III. Choral: "Brich an, o schönes Morgenlicht"
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (in 1993-01)
premiered in:
Leipzig (on 1734-12-26)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
is based on:
Geistliches Lied, BWV 454: „Ermuntre dich, mein schwacher Geist“
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:06
13BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. IV. Recitativo: "Und der Engel sprach zu ihnen"
soprano vocals [Angelus]:
Libby Crabtree
tenor vocals [Evangelist]:
Mark Padmore (British tenor)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (in 1993-01)
premiered in:
Leipzig (on 1734-12-26)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:45
14BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. V. Recitativo: "Was Gott dem Abraham verheißen"
bass vocals:
Michael George (operatic bass)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (in 1993-01)
premiered in:
Leipzig (on 1734-12-26)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:45
15BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. VI. Aria (Tenore): "Frohe Hirten, eilt, ach eilet"
tenor vocals:
Mark Padmore (British tenor)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (in 1993-01)
premiered in:
Leipzig (on 1734-12-26)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
3:42
16BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. VII. Recitativo: "Und das habt zum Zeichen"
tenor vocals [Evangelist]:
Mark Padmore (British tenor)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (in 1993-01)
premiered in:
Leipzig (on 1734-12-26)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:19
17BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. VIII. Choral: "Schaut hin! dort liegt im finstern Stall"
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (in 1993-01)
premiered in:
Leipzig (on 1734-12-26)
composed in:
Leipzig (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:42
18BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. IX. Recitativo: "So geht denn hin! ihr Hirten, geht"
bass vocals:
Michael George (operatic bass)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (in 1993-01)
premiered in:
Leipzig (on 1734-12-26)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:49
19BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. X. Aria (Alto): "Schlafe, mein Liebster,geniesse der Ruh"
alto vocals:
Catherine Wyn-Rogers (mezzo-soprano)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (in 1993-01)
premiered in:
Leipzig (on 1734-12-26)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
9:15
20BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. XI. Recitativo: "Und alsobald war da bei dem Engel"
tenor vocals [Evangelist]:
Mark Padmore (British tenor)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (in 1993-01)
premiered in:
Leipzig (on 1734-12-26)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:11
21BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. XII. Coro: "Ehre sei Gott in der Höhe"
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (in 1993-01)
premiered in:
Leipzig (on 1734-12-26)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
2:37
22BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. XIII. Recitativo: "So recht, ihr Engel, jauchzt und singet"
bass vocals:
Michael George (operatic bass)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (in 1993-01)
premiered in:
Leipzig (on 1734-12-26)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:22
23BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. XIV. Choral: "Wir singen dir in deinem Heer"
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (in 1993-01)
premiered in:
Leipzig (on 1734-12-26)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:27
24BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. I. Coro: "Herrscher des Himmels, erhöre das Lallen"
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1993-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
2:03
25BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. II. Recitativo: "Und da die Engel von ihnen gen Himmel führen"
tenor vocals [Evangelist]:
Mark Padmore (British tenor)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (in 1993-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:08
26BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. III. Coro: "Lasset uns nun gehen gen Bethlehem"
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (in 1993-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:44
27BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. IV. Recitativo: "Er hat sein Volk getröst"
bass vocals:
Michael George (operatic bass)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ (in 1993-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:38
28BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. V. Choral: "Dies hat er alles uns getan"
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (in 1993-01)
composed in:
Leipzig (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:54
29BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. VI. Duetto (Soprano, Basso): "Herr, dein Mitleid, dein Erbarmen"
bass vocals:
Michael George (operatic bass)
soprano vocals:
Lynda Russell (soprano)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (in 1993-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
8:00
30BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. VII. Recitativo: "Und sie kamen eilend, und funden beide"
tenor vocals [Evangelist]:
Mark Padmore (British tenor)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (in 1993-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:02
31BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. VIII. Aria (Alto): "Schließe, mein Herze, dies selige Wunder"
alto vocals:
Catherine Wyn-Rogers (mezzo-soprano)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (in 1993-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
4:54
32BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. IX. Recitativo: "Ja,ja! mein Herz soll es bewahren"
alto vocals:
Catherine Wyn-Rogers (mezzo-soprano)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (in 1993-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:29
33BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. X. Choral: "Ich will dich mit Fleiß bewahren"
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (in 1993-01)
composed in:
Leipzig (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:59
34BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. XI. Recitativo: "Und die Hirten kehrten wieder um"
tenor vocals [Evangelist]:
Mark Padmore (British tenor)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (in 1993-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:20
35BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. XII. Choral: "Seid froh, dieweil dass euer Heil"
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (in 1993-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:45
36BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. XIII. Coro: "Herrscher des Himmels"
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1993-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
2:14
23▶CD: Weihnachtsoratorium, BWV 248 (disc 2)
24▶CD: Himmelfahrts-Oratorium, BWV 11; Ich habe genug, BWV 82a; Sanctus, BWV 238
25▶CD: Tilge, Höchster, meine Sünden, BWV 1083 (nach Pergolesis's Stabat Mater), BWV 1083; BWV 118, 200, 231
26▶CD: Magnificat, BWV 243; Choräle
27▶CD: Choräle (aus der Breitkopf-Edition "389 Choräle") (disc 1)
28▶CD: Choräle (aus der Breitkopf-Edition "389 Choräle") (disc 2)
29▶CD: Choräle (disc 1)
30▶CD: Choräle (disc 2)
31▶CD: Choräle (disc 3)
32▶CD: Choräle (disc 4)