Classic Rock Box, Vol. 3

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Up on the Catwalk
producer:
Peter Walsh (UK producer)
recording of:
Up on the Catwalk
lyricist and composer:
Simple Minds (Scottish rock band) (from 1983 until 2013)
writer:
Charlie Burchill (from 2013 to present), Derek Forbes (from 2013 to present), Jim Kerr (of Simple Minds) (from 2013 to present), Michael MacNeil (Primary keyboardist and a main songwriter/composer for Simple Minds from 1978 until 1990.) (from 2013 to present) and Mel Gaynor (from 2013 until 2015)
publisher:
EMI Publishing Ltd. (from 1983 until 2013), EMI Music Publishing Ltd. (PRS‐affiliated) (from 2013 until 2015), Hornall Music (limited company) (from 2013 until 2015), JKMC-Bucks Music Group Ltd (Bucks Music Group) (from 2013 until 2015) and BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (from 2015 to present)
Simple Minds4:06
2The Golden Age of Rock ’n’ Roll
Mott the Hoople3:25
3Generals and Majors
XTC3:42
4Adorations
recording of:
Adorations
writer:
Jaz Coleman, Paul Ferguson, Paul Raven (UK bassist) and Geordie Walker
publisher:
BMG Music Publishing Ltd. and BMG Songs Ltd.
Killing Joke4:40
5No More Heroes
recording of:
No More Heroes
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music Ltd.
The Stranglers3:28
6Tenement Steps
The Motors4:42
7Dum Dum Girl
recording of:
Dum Dum Girl
writer:
Tim Friese‐Greene and Mark Hollis
publisher:
Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Talk Talk3:48
8The Tide Is High
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
background vocals [girl-group backup vocals]:
The ‘B’ Girls and Deborah Harry
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, United States (in 1980) and United Western Recorders in Hollywood, United States (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett (in 1967) and Tyrone Evans (in 1967)
writer:
John Holt (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
Blondie4.154:40
9Glad to Be Gay
Tom Robinson Band4:49
10Dancing With Tears in My Eyes
engineer:
Rik Walton
producer:
Ultravox
mixer:
John Hudson (producer, recording and mixing engineer) (on 1984-03-19)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1984, in 2025)
recorded at:
Musicfest Studio (recording studio, located in Chiswick, London, UK) in Chiswick (on 1983-08-08)
mixed at:
Mayfair Studios (England) in London (Greater London) (on 1984-03-19)
music videos:
Dancing With Tears in My Eyes by Ultravox
recording of:
Dancing With Tears in My Eyes (on 1983-08-08)
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox44:05
11The Big Music
recording of:
The Big Music
lyricist and composer:
Mike Scott (The Waterboys)
writer:
The Waterboys (folk-rock)
The Waterboys4:40
12I Should Have Known Better
Wire3:51
13(I Can’t Gèt Mé Nö) Satisfactiön
engineer:
Conny Plank (German producer and sound engineer)
producer:
Brian Eno
recorded at and mixed at:
Conny’s Studio in Neunkirchen
part of:
New York Post: 100 Greatest Covers (2007) (number: 17)
cover recording of:
(I Can’t Get No) Satisfaction
writer:
Mick Jagger (The Rolling Stones) and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), BMG VM Music Ltd. and Essex Music International
recording of:
(I Can’t Get No) Satisfaction
writer:
Mick Jagger (The Rolling Stones) and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), BMG VM Music Ltd. and Essex Music International
DEVO4.62:41
14Life in the Air Age
recording of:
Life in the Air Age
lyricist and composer:
Bill Nelson (English experimental musician)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
Be Bop Deluxe4:01
15You Keep Me Hangin’ On
recorded in:
England
engineer:
Peter Wade Schwier (producer, mixing and recording engineer)
producer:
Ricky Wilde
guitar:
Steve Byrd
keyboard:
Ricky Wilde
lead vocals:
Kim Wilde
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1986), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
produced for:
Big M Productions (British record and publishing company)
recorded at and mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, United States, Select Sound Studios in Knebworth and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, United States
part of:
Cachitos Nochevieja 2022 (number: 108)
cover recording of:
You Keep Me Hangin’ On
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Kim Wilde3.454:16
16More Than This
recording of:
More Than This
lyricist and composer:
Bryan Ferry
publisher:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. and E.G. Music Ltd. (publisher) (in 1982)
Roxy Music4:09
17It’s the End of the World as We Know It (and I Feel Fine)
additional recording engineer:
Gary Laney
engineer:
Scott Litt (producer and engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
additional mixer:
Steve Catania
bass guitar:
Mike Mills (R.E.M. bass player)
drums (drum set):
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
lead vocals:
Michael Stipe
recorded at:
Sound Emporium Studios in Nashville, United States
mixed at:
Master Control in Burbank, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 69) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 69)
recording of:
It’s the End of the World as We Know It (and I Feel Fine)
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.4.24:04
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