Archiv Produktion 1947-2013

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

55 CD set chronicling the history of Archiv Produktion.

Annotation last modified on 2014-05-02 23:43 UTC.

Tracklist

1▶CD: Bach: Organ Works
2▶CD: Bach: Kantaten: BWV 56 / BWV 82 / BWV 4
3▶CD: Bach: Kantaten: BWV 21 / BWV 19/ BWV 79
4▶CD: Gregorian Chant
5▶CD: De La Halle: Dances; Le Jeu De Robin Et De Marion
6▶CD: Bach: Brandenburg Concertos
7▶CD: Bach: Brandenburg Concertos
8▶CD: Gibbons/Morley: Anthems; Madrigals; Fantasies
9▶CD: Bach: Passio Secundum Matthaeum
10▶CD: Bach: Passio Secundum Matthaeum
11▶CD: Bach: Passio Secundum Matthaeum
12▼CD: Bach: Cantatas
#TitleArtistRatingLength
1Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 1. Chorus: Liebster Gott, wann werd' ich sterben?
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore I]:
Horst Schneider (oboist, conductor and composer) (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore II]:
Edgar Shann (oboist) (from 1959-07 until 1959-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": I. Coro "Liebster Gott, wenn werd ich sterben?" (from 1959-07 until 1959-08)
premiered in:
Leipzig (on 1724-09-24)
composed in:
Leipzig (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Caspar Neumann
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach8:27
2Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 2. Aria (Tenor): Was willst du dich, mein Geist, entsetzen
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore I]:
Horst Schneider (oboist, conductor and composer) (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore II]:
Edgar Shann (oboist) (from 1959-07 until 1959-08)
tenor vocals:
Ernst Haefliger (tenor) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Augustana-Hochschule in Neuendettelsau (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": II. Aria (Tenore) "Was willst du dich, mein Geist, entsetzen" (from 1959-07 until 1959-08)
premiered in:
Leipzig (on 1724-09-24)
composed in:
Leipzig (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach4:22
3Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 3. Recitative (Contralto): Zwar fühlt mein schwaches Herz
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore I]:
Horst Schneider (oboist, conductor and composer) (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore II]:
Edgar Shann (oboist) (from 1959-07 until 1959-08)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": III. Recitativo (Alto) "Zwar fühlt mein schwaches Herz" (from 1959-07 until 1959-08)
premiered in:
Leipzig (on 1724-09-24)
composed in:
Leipzig (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach1:29
4Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 4. Aria (Bass): Doch weichet, ihr tollen, vergeblichen Sorgen!
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore I]:
Horst Schneider (oboist, conductor and composer) (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore II]:
Edgar Shann (oboist) (from 1959-07 until 1959-08)
bass vocals:
Kieth Engen (operatic bass) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": IV. Aria (Basso) "Doch weichet, ihr tollen, vergeblichen Sorgen!" (from 1959-07 until 1959-08)
premiered in:
Leipzig (on 1724-09-24)
composed in:
Leipzig (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
version of:
Kantate, BWV 8 appendix "Liebster Gott, wenn werd ich sterben?": IV. Aria (Basso) "Doch weichet, ihr tollen, vergeblichen Sorgen!" (Alternative version)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach5:56
5Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 5. Recitative (Soprano): Behalte nur, o Welt, das Meine!
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore I]:
Horst Schneider (oboist, conductor and composer) (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore II]:
Edgar Shann (oboist) (from 1959-07 until 1959-08)
soprano vocals:
Ursula Buckel (soprano) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": V. Recitativo (Soprano) "Behalte nur, o Welt, das Meine!" (from 1959-07 until 1959-08)
premiered in:
Leipzig (on 1724-09-24)
composed in:
Leipzig (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach1:39
6Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 6. Chorale: Herrscher über Tod und Leben
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore I]:
Horst Schneider (oboist, conductor and composer) (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore II]:
Edgar Shann (oboist) (from 1959-07 until 1959-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": VI. Choral "Herrscher über Tod und Leben" (from 1959-07 until 1959-08)
premiered in:
Leipzig (on 1724-09-24)
composed in:
Leipzig (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Caspar Neumann
part of:
Breitkopf 389 Choralgesänge (number: 227)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach2:01
7Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 1. Chorus: Es ist dir gesagt, Mensch, was gut ist
recording engineer and balance engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": I. Coro "Es ist dir gesagt, Mensch, was gut ist" (from 1959-07 until 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach5:45
8Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 2. Recitative (Tenor): Der Höchste lässt mich seinen Willen wissen
recording engineer and balance engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
tenor vocals:
Ernst Haefliger (tenor) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": II. Recitativo (Tenore) "Der Höchste läßt mich seinen Willen wissen" (from 1959-07 until 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach1:28
9Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 3. Aria (Tenor): Weiß ich Gottes Rechte
recording engineer and balance engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
tenor vocals:
Ernst Haefliger (tenor) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": III. Aria (Tenore) "Weiß ich Gottes Rechte" (from 1959-07 until 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach3:47
10Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 4. Arioso (Bass): Es weden viele zu mir sagen
recording engineer and balance engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
bass vocals:
Kieth Engen (operatic bass) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": IV. Arioso (Basso) "Es werden viele zu mir sagen" (from 1959-07 until 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach3:24
11Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 5. Aria (Contralto): Wer Gott bekennt aus wahrem Herzensgrund
recording engineer and balance engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": V. Aria (Alto) "Wer Gott bekennt aus wahrem Herzensgrund" (from 1959-07 until 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach3:49
12Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 6. Recitative (Contralto): So wird denn Herz und Mund
recording engineer and balance engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": VI. Recitativo (Alto) "So wird denn Herz und Mund" (from 1959-07 until 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach1:33
13Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 7. Chorale: Gib, dass ich tu' mit Fleiß
recording engineer and balance engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": VII. Choral "Gib, daß ich tu mit Fleiß" (from 1959-07 until 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
translator:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 278)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach1:22
14Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 1. Chorus: Jesu, der du meine Seele
executive producer:
Prof. Dr. Hans Hickmann
instruments and orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Münster zu Heilsbronn in Heilsbronn (in 1961-07)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": I. Coro "Jesu, der du meine Seele" (in 1961-07)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach5:34
15Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 2. Aria (Soprano, Contralto): Wir eilen mit schwachen, doch emsigen Schritten
executive producer:
Prof. Dr. Hans Hickmann
alto vocals:
Hertha Töpper (mezzo soprano) (in 1961-07)
soprano vocals:
Ursula Buckel (soprano) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Münster zu Heilsbronn in Heilsbronn (in 1961-07)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten" (in 1961-07)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach5:42
16Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 3. Recitative (Tenor): Ach, ich bin ein Kind der Sünden
executive producer:
Prof. Dr. Hans Hickmann
tenor vocals:
John van Kesteren (tenor) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Münster zu Heilsbronn in Heilsbronn (in 1961-07)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": III. Recitativo (Tenor) "Ach! ich bin ein Kind der Sünden" (in 1961-07)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach2:40
17Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 4. Aria (Tenor): Das Blut, das meine Schuld durchstreicht
executive producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-07)
tenor vocals:
John van Kesteren (tenor) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Münster zu Heilsbronn in Heilsbronn (in 1961-07)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": IV. Aria (Tenor) "Das Blut, so meine Schuld durchstreicht" (in 1961-07)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach3:42
18Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 5. Recitative (Bass): Die Wunden, Nägel, Kron und Grab
executive producer:
Prof. Dr. Hans Hickmann
bass vocals:
Kieth Engen (operatic bass) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Münster zu Heilsbronn in Heilsbronn (in 1961-07)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": V. Recitativo (Bass) "Die Wunden, Nägel, Kron und Grab" (in 1961-07)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach3:04
19Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 6. Aria (Bass): Nun du wirst mein Gewissen stillen
executive producer:
Prof. Dr. Hans Hickmann
bass vocals:
Kieth Engen (operatic bass) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Münster zu Heilsbronn in Heilsbronn (in 1961-07)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": VI. Aria (Bass) "Nun du wirst mein Gewissen stillen" (in 1961-07)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach3:21
20Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 7. Chorale: Herr, ich glaube, hilf mir Schwachen
executive producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Münster zu Heilsbronn in Heilsbronn (in 1961-07)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": VII. Choral "Herr, ich glaube, hilf mir Schwachen" (in 1961-07)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 188)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach1:35
13▶CD: Praetorius / Widmann / Schein: Dances
14▶CD: Mouret / Delalande: Symphonies; Fanfares
15▶CD: Höfische Konzertmusik des österreichischen Barock
16▶CD: Musique de table
17▶CD: Vier Orchester-Sinfonien, wq 183
18▶CD: Israel in Egypt
19▶CD: Israel in Egypt
20▶CD: Sonaten für Cembalo
21▶CD: Canti amorosi
22▶CD: Ockeghem: Missa Pro Defunctis / Desprez: Déploration Sur La Mort De Ockeghem
23▶CD: Violinsonaten, op. 5 nos. 1, 7, 2, 8, 3, 9
24▶CD: Music of the Gothic Era
25▶CD: Pièces de Clavecin
26▶CD: Die Orchesterwerke
27▶CD: Goldberg-Variationen
28▶CD: Le quattro stagioni
29▶CD: Wassermusik / 3 Konzerte
30▶CD: Mass in B minor
31▶CD: Mass in B minor
32▶CD: Palestrina: Missa Papae Marcelli / Allegri: Misere
33▶CD: Piano Concertos nos. 18 & 19
34▶CD: Vespro Della Beata Vergine
35▶CD: Vespro Della Beata Vergine
36▶CD: The "Sturm & Drang" Symphonies - Volume 3 "Maria Theresia"
37▶CD: Symphonies nos. 5 & 6 "Pastoral"
38▶CD: Rebel: Les Élémens / Gluck: Alessandro
39▶CD: La Resurrezione
40▶CD: La Resurrezione
41▶CD: Music for San Rocco
42▶CD: Messiah
43▶CD: Messiah
44▶CD: Lamenti
45▶CD: A Flemish Feast / Flemish Renaissance Wind Music
46▶CD: Motets
47▶CD: Italian Cantatas
48▶CD: une symphonie imaginaire
49▶CD: il divino boemo
50▶CD: Concertos for Two Violins
51▶CD: Alcina
52▶CD: Alcina
53▶CD: Alcina
54▶CD: Motetes e himnos para el año litúrgico
55▶CD: Archiv Produktion 2013