Tracklist

1▶CD: Vol. 1 Kantaten - Cantatas
2▶CD: Vol. 2 Kantaten - Cantatas
3▶CD: Vo.l 3 Kantaten - Cantatas
4▶CD: Vol. 4 Kantaten - Cantatas
5▶CD: Vol. 5 Kantaten - Cantatas
6▶CD: Vol. 6 Kantaten - Cantatas
7▶CD: Vol. 7 Kantaten - Cantatas
8▶CD: Vol. 8 Kantaten - Cantatas
9▶CD: Vol. 9 Kantaten - Cantatas
10▶CD: Vol. 10 Kantaten - Cantatas
11▶CD: Vol. 11 Kantaten - Cantatas
12▶CD: Vol. 12 Kantaten - Cantatas
13▶CD: Vol. 13 Kantaten - Cantatas
14▶CD: Vol. 14 Kantaten - Cantatas
15▶CD: Vol. 15 Kantaten - Cantatas
16▶CD: Vol. 16 Kantaten - Cantatas
17▶CD: Vol. 17 Kantaten - Cantatas
18▶CD: Vol. 18 Kantaten - Cantatas
19▶CD: Vol. 19 Kantaten - Cantatas
20▶CD: Vol. 20 Kantaten - Cantatas
21▶CD: Vol. 21 Kantaten - Cantatas
22▶CD: Vol. 22 Kantaten - Cantatas
23▶CD: Vol. 23 Kantaten - Cantatas
24▶CD: Vol. 24 Kantaten - Cantatas
25▶CD: Vol. 25 Kantaten - Cantatas
26▶CD: Vol. 26 Kantaten - Cantatas
27▶CD: Vol. 27. Kantaten - Cantatas
28▶CD: Vol 28 Kantaten - Cantatas
29▶CD: Vol. 29 Kantaten - Cantatas
30▶CD: Vol. 30 Kantaten - Cantatas
31▶CD: Vol. 31 Kantaten - Cantatas
32▶CD: Vol. 32 Kantaten - Cantatas
33▶CD: Vol. 33 Kantaten - Cantatas
34▶CD: Vol 34. Kantaten - Cantatas
35▶CD: Vol. 35 Kantaten - Cantatas
36▶CD: Vol. 36 Kantaten - Cantatas
37▶CD: Vol. 37 Kantaten - Cantatas
38▶CD: Vol. 38 Kantaten - Cantatas
39▶CD: Vol. 39 Kantaten - Cantatas
40▶CD: Vol. 40 Kantaten - Cantatas
41▶CD: Vol. 41 Kantaten - Cantatas
42▶CD: Vol. 42 Kantaten - Cantatas
43▶CD: Vol. 43 Kantaten - Cantatas
44▶CD: Vol. 44 Kantaten - Cantatas
45▶CD: Vol. 45 Kantaten - Cantatas
46▶CD: Vol. 46 Kantaten - Cantatas
47▶CD: Vol. 47 Kantaten - Cantatas
48▶CD: Vol. 48 Kantaten - Cantatas
49▼CD: Vol. 49 Kantaten - Cantatas
#TitleRatingLength
1Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde"
alto vocals:
Hildegard Laurich (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (from 1975-12 until 1976-05)
premiered in:
Weimar (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
5:11
2Kantate, BWV 161 "Komm, du süße Todesstunde": II. Recitativo (Tenor) "Welt! deine Lust ist Last"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": II. Recitativo (Tenor) "Welt! deine Lust ist Last" (from 1975-12 until 1976-05)
premiered in:
Weimar (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
2:05
3Kantate, BWV 161 "Komm, du süße Todesstunde": III. Aria (Tenor) "Mein Verlangen ist, den Heiland zu umfangen"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": III. Aria (Tenor) "Mein Verlangen ist, den Heiland zu umfangen" (from 1975-12 until 1976-05)
premiered in:
Weimar (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
4:49
4Kantate, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alt) "Der Schluß ist schon gemacht"
alto vocals:
Hildegard Laurich (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alt) "Der Schluß ist schon gemacht" (from 1975-12 until 1976-05)
premiered in:
Weimar (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
3:04
5Kantate, BWV 161 "Komm, du süße Todesstunde": V. Coro "Wenn es meines Gottes Wille"
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": V. Coro "Wenn es meines Gottes Wille" (from 1975-12 until 1976-05)
premiered in:
Weimar (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
4:07
6Kantate, BWV 161 "Komm, du süße Todesstunde": VI. Choral "Der Leib zwar in der Erden"
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": VI. Choral "Der Leib zwar in der Erden" (from 1975-12 until 1976-05)
premiered in:
Weimar (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Christoph Knoll
part of:
Breitkopf 389 Choralgesänge (number: 161)
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
1:20
7Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": I. Aria (Bass) "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": I. Aria (Bass) "Ach! ich sehe, itzt, da ich zur Hochzeit gehe" (from 1975-12 until 1976-05)
premiered in:
Weimar (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
3:52
8Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": II. Recitativo (Tenor) "O großes Hochzeitsfest"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": II. Recitativo (Tenor) "O großes Hochzeitsfest" (from 1975-12 until 1976-05)
premiered in:
Weimar (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
1:44
9Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": III. Aria (Sopran) "Jesu, Brunnquell aller Gnaden"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": III. Aria (Sopran) "Jesu, Brunnquell aller Gnaden" (from 1975-12 until 1976-05)
premiered in:
Weimar (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
3:26
10Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": IV. Recitativo (Alt) "Mein Jesu, laß mich nicht"
alto vocals:
Alyce Rogers (American mezzo-soprano, contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": IV. Recitativo (Alt) "Mein Jesu, laß mich nicht" (from 1975-12 until 1976-05)
premiered in:
Weimar (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
1:51
11Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": V. Aria (Duetto Alt, Tenor) "In meinem Gott bin ich erfreut"
alto vocals:
Alyce Rogers (American mezzo-soprano, contralto)
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": V. Aria (Duetto Alt, Tenor) "In meinem Gott bin ich erfreut" (from 1975-12 until 1976-05)
premiered in:
Weimar (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
4:36
12Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": VI. Choral "Ach, ich habe schon erblicket"
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": VI. Choral "Ach, ich habe schon erblicket" (from 1975-12 until 1976-05)
premiered in:
Weimar (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Johann Rosenmüller (composer) (in 1652)
part of:
Breitkopf 389 Choralgesänge (number: 18)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
1:07
13Kantate, BWV 163 "Nur jedem das Seine": I. Aria (Tenor) "Nur jedem das Seine"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": I. Aria (Tenor) "Nur jedem das Seine" (from 1976-09 until 1977-04)
premiered in:
Weimar (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
4:34
14Kantate, BWV 163 "Nur jedem das Seine": II. Recitativo (Bass) "Du bist, mein Gott, der Geber aller Gaben"
bass vocals:
Niklaus Tuller (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": II. Recitativo (Bass) "Du bist, mein Gott, der Geber aller Gaben" (from 1976-09 until 1977-04)
premiered in:
Weimar (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
1:38
15Kantate, BWV 163 "Nur jedem das Seine": III. Aria (Bass) "Laß mein Herz die Münze sein"
bass vocals:
Niklaus Tuller (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": III. Aria (Bass) "Laß mein Herz die Münze sein" (from 1976-09 until 1977-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
3:40
16Kantate, BWV 163 "Nur jedem das Seine": IV. Recitativo (Sopran, Alt) "Ich wollte dir, o Gott, das Herze"
alto vocals:
Helen Watts (contralto)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": IV. Recitativo (Sopran, Alt) "Ich wollte dir, o Gott, das Herze" (from 1976-09 until 1977-04)
premiered in:
Weimar (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
3:07
17Kantate, BWV 163 "Nur jedem das Seine": V. Aria (Duetto Sopran, Alt) "Nimm mich mir und gib mich dir!"
alto vocals:
Helen Watts (contralto)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": V. Aria (Duetto Sopran, Alt) "Nimm mich mir und gib mich dir!" (from 1976-09 until 1977-04)
premiered in:
Weimar (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
3:01
18Kantate, BWV 163 "Nur jedem das Seine": VI. Choral "Führ auch mein Herz und Sinn"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": VI. Choral "Führ auch mein Herz und Sinn" (from 1976-09 until 1977-04)
premiered in:
Weimar (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Johann Heermann (in 1630)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
0:51
19Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": I. Aria (Tenor) "Ihr, die ihr euch von Christo nennet"
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1981-11 until 1982-10)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": I. Aria (Tenor) "Ihr, die ihr euch von Christo nennet" (from 1981-11 until 1982-10)
premiered in:
Leipzig (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
4:31
20Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": II. Recitativo (Bass) "Wir hören zwar, was selbst die Liebe spricht"
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1981-11 until 1982-10)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": II. Recitativo (Bass) "Wir hören zwar, was selbst die Liebe spricht" (from 1981-11 until 1982-10)
premiered in:
Leipzig (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
2:02
21Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": III. Aria (Alt) "Nur durch Lieb und durch Erbarmen"
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1981-11 until 1982-10)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": III. Aria (Alt) "Nur durch Lieb und durch Erbarmen" (from 1981-11 until 1982-10)
premiered in:
Leipzig (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
4:05
22Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": IV. Recitativo (Tenor) "Ach, schmelze doch dein Liebesstrahl"
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1981-11 until 1982-10)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": IV. Recitativo (Tenor) "Ach, schmelze doch dein Liebesstrahl" (from 1981-11 until 1982-10)
premiered in:
Leipzig (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
1:33
23Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": V. Aria (Duetto Sopran, Bass) "Händen, die sich nicht verschließen"
soprano vocals:
Edith Wiens (soprano)
vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1981-11 until 1982-10)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": V. Aria (Duetto Sopran, Bass) "Händen, die sich nicht verschließen" (from 1981-11 until 1982-10)
premiered in:
Leipzig (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
4:32
24Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": VI. Choral "Ertöt uns durch deine Güte"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1981-11 until 1982-10)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": VI. Choral "Ertöt uns durch deine Güte" (from 1981-11 until 1982-10)
premiered in:
Leipzig (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Elisabeth Creuziger (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 127)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
1:10
50▶CD: Vol. 50 Kantaten - Cantatas
51▶CD: Vol. 51 Kantaten - Cantatas
52▶CD: Vol. 52 Kantaten - Cantatas
53▶CD: Vol. 53 Kantaten - Cantatas
54▶CD: Vol. 54 Kantaten - Cantatas
55▶CD: Vol. 55 Kantaten - Cantatas
56▶CD: Vol. 56 Kantaten - Cantatas
57▶CD: Vol. 57 Kantaten - Cantatas
58▶CD: Vol. 58 Kantaten - Cantatas
59▶CD: Vol. 59 Kantaten - Cantatas
60▶CD: Vol. 60 Kantaten - Cantatas
61▶CD: Vol. 61 Weltliche Kantaten - Secular Cantatas
62▶CD: Vol. 62 Weltliche Kantaten - Secular Cantatas
63▶CD: Vol. 63 Weltliche Kantaten - Secular Cantatas
64▶CD: Vol. 64 Weltliche Kantaten - Secular Cantatas
65▶CD: Vol. 65 Weltliche Kantaten - Secular Cantatas
66▶CD: Vol. 66 Weltliche Kantaten - Secular Cantatas
67▶CD: Vol. 67 Weltliche Kantaten - Secular Cantatas
68▶CD: Vol. 68 Weltliche Kantaten - Secular Cantatas
69▶CD: Vol 69 Motetten - Motets
70▶CD: Vol. 69 Motetten - Motets
71▶CD: Vol. 70 h-Moll-Messe - Mass in B Minor
72▶CD: Vol. 70 h-Moll-Messe - Mass in B Minor
73▶CD: Vol. 71 Lateinische Kirchenmusik 1 - Sacred Music in Latin 1
74▶CD: Vol. 72 Lateinische Kirchenmusik 2 - Sacred Music in Latin 2
75▶CD: Vol. 73 Magnificat D-Dur - Magnificat D Major
76▶CD: Vol. 74 Matthäus-Passion - St. Matthew Passion
77▶CD: Vol. 74 Matthäus-Passion - St. Matthew Passion
78▶CD: Vol. 74 Matthäus-Passion - St. Matthew Passion
79▶CD: Vol. 75 Johannes-Passion - St. John Passion
80▶CD: Vol. 75 Johannes-Passion - St. John Passion
81▶CD: Vol. 76 Weihnachts-Oratorium - Christmas Oratorio
82▶CD: Vol. 76 Weihnachts-Oratorium - Christmas Oratorio
83▶CD: Vol. 76 Weihnachts-Oratorium - Christmas Oratorio
84▶CD: Vol. 77 Oster-Oratorium - Easter Oratorio - Himmelfahrts-Oratorium - Ascension Oratorio
85▶CD: Vol. 78 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
86▶CD: Vol. 79 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
87▶CD: Vol. 80 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
88▶CD: Vol. 81 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
89▶CD: Vol. 82 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
90▶CD: Vol. 83 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
91▶CD: Vol. 84 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
92▶CD: Vol. 85 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
93▶CD: Vol. 85 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
94▶CD: Vol. 86 Orgelwerke - Organ Works
95▶CD: Vol. 86 Orgelwerke - Organ Works
96▶CD: Vol. 87 Orgelwerke - Organ Works
97▶CD: Vol. 87 Orgelwerke - Organ Works
98▶CD: Vol. 88 Orgelwerke - Organ Works
99▶CD: Vol. 89 Orgelwerke - Organ Works
100▶CD: Vol. 90 Orgelwerke - Organ Works
101▶CD: Vol. 91 Orgelwerke - Organ Works
102▶CD: Vol. 92 Orgelwerke - Organ Works
103▶CD: Vol. 93 Orgelwerke - Organ Works
104▶CD: Vol. 94 Orgelwerke - Organ Works
105▶CD: Vol. 95 Orgelwerke - Organ Works
106▶CD: Vol. 96 Orgelwerke - Organ Works
107▶CD: Vol. 97 Orgelwerke - Organ Works
108▶CD: Vol. 97 Orgelwerke - Organ Works
109▶CD: Vol. 98 Orgelwerke - Organ Works
110▶CD: Vol. 99 Orgelwerke - Organ Works
111▶CD: Vol. 100 Orgelwerke - Organ Works
112▶CD: Vol. 101 Orgelwerke - Organ Works
113▶CD: Vol. 101 Orgelwerke - Organ Works
114▶CD: Vol. 102 Werke für Tasteninstrumente - Keyboard Works
115▶CD: Vol. 103 Werke für Tasteninstrumente - Keyboard Works
116▶CD: Vol. 103 Werke für Tasteninstrumente - Keyboard Works
117▶CD: Vol. 104 Werke für Tasteninstrumente - Keyboard Works
118▶CD: Vol. 105 Werke für Tasteninstrumente - Keyboard Works
119▶CD: Vol. 106 Werke für Tasteninstrumente - Keyboard Works
120▶CD: Vol. 107 Werke für Tasteninstrumente - Keyboard Works
121▶CD: Vol. 107 Werke für Tasteninstrumente - Keyboard Works
122▶CD: Vol. 108 Werke für Tasteninstrumente - Keyboard Works
123▶CD: Vol. 109 Werke für Tasteninstrumente - Keyboard Works
124▶CD: Vol. 110 Werke für Tasteninstrumente - Keyboard Works
125▶CD: Vol. 110 Werke für Tasteninstrumente - Keyboard Works
126▶CD: Vol. 111 Werke für Tasteninstrumente - Keyboard Works
127▶CD: Vol. 111 Werke für Tasteninstrumente - Keyboard Works
128▶CD: Vol. 112 Werke für Tasteninstrumente - Keyboard Works
129▶CD: Vol. 112 Werke für Tasteninstrumente - Keyboard Works
130▶CD: Vol. 113 Werke für Tasteninstrumente - Keyboard Works
131▶CD: Vol. 113 Werke für Tasteninstrumente - Keyboard Works
132▶CD: Vol. 114 Werke für Tasteninstrumente - Keyboard Works
133▶CD: Vol. 114 Werke für Tasteninstrumente - Keyboard Works
134▶CD: Vol. 115 Werke für Tasteninstrumente - Keyboard Works
135▶CD: Vol. 115 Werke für Tasteninstrumente - Keyboard Works
136▶CD: Vol. 116 Werke für Tasteninstrumente - Keyboard Works
137▶CD: Vol. 116 Werke für Tasteninstrumente - Keyboard Works
138▶CD: Vol. 117 Werke für Tasteninstrumente - Keyboard Works
139▶CD: Vol. 117 Werke für Tasteninstrumente - Keyboard Works
140▶CD: Vol. 118 Kammermusik - Chamber Music
141▶CD: Vol. 119 Kammermusik - Chamber Music
142▶CD: Vol. 119 Kammermusik - Chamber Music
143▶CD: Vol. 120 Kammermusik - Chamber Music
144▶CD: Vol. 120 Kammermusik - Chamber Music
145▶CD: Vol. 121 Kammermusik - Chamber Music
146▶CD: Vol. 121 Kammermusik - Chamber Music
147▶CD: Vol. 122 Kammermusik - Chamber Music
148▶CD: Vol. 123 Kammermusik - Chamber Music
149▶CD: Vol. 124 Kammermusik - Chamber Music
150▶CD: Vol. 125 Orchesterwerke - Orchestral Works
151▶CD: Vol. 126 Orchesterwerke - Orchestral Works
152▶CD: Vol. 126 Orchesterwerke - Orchestral Works
153▶CD: Vol. 127 Orchesterwerke - Orchestral Works
154▶CD: Vol. 128 Orchesterwerke - Orchestral Works
155▶CD: Vol. 129 Orchesterwerke - Orchestral Works
156▶CD: Vol. 130 Orchesterwerke - Orchestral Works
157▶CD: Vol. 131 Orchesterwerke - Orchestral Works
158▶CD: Vol. 132 Orchesterwerke - Orchestral Works
159▶CD: Vol. 132 Orchesterwerke - Orchestral Works
160▶CD: Vol. 133 Kammermusik - Chamber Music
161▶CD: Vol. 134 Werke für Tasteninstrumente - Keyboard Works
162▶CD: Vol. 134 Werke für Tasteninstrumente - Keyboard Works
163▶CD: Vol. 135 Werke für Tasteninstrumente - Keyboard Works
164▶CD: Vol. 136 Werke für Tasteninstrumente - Keyboard Works
165▶CD: Vol. 136 Werke für Tasteninstrumente - Keyboard Works
166▶CD: Vol. 137 Werke für Tasteninstrumente - Keyboard Works
167▶CD: Vol. 137 Werke für Tasteninstrumente - Keyboard Works
168▶CD: Vol. 138 Orchesterwerke - Orchestral Works
169▶CD: Vol. 139 Kantaten - Cantatas
170▶CD: Vol. 139 Kantaten - Cantatas
171▶CD: Vol. 140 Kantaten - Cantatas
172▶CD: Vol. 140 Kantaten - Cantatas