Oratorio de Noël

~ Release by Jean-Sébastien Bach, Orchestre de chambre de Pforzheim - Fritz Werner (see all versions of this release, 2 available)

Tracklist

1▼12" Vinyl: STU 70140
#	Title	Artist	Rating	Length
1-1	Oratorio de Noël: Première cantate (pour le premier jour de la Nativité). N° 1 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ premiered in: Leipzig (on 1734-12-25) composed in: Leipzig (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!" part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-2	Oratorio de Noël: Première cantate (pour le premier jour de la Nativité). N° 2 organ [Continuo-Violoncello]: Eva Hölderlin (organist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) premiered in: Leipzig (on 1734-12-25) composed in: Leipzig (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-3	Oratorio de Noël: Première cantate (pour le premier jour de la Nativité). N° 3 oboe d'amore: Jacques Chambon (French oboist) and Pierre Pierlot (oboist) organ [Continuo-Violoncello]: Eva Hölderlin (organist) alto vocals: Claudia Hellmann (contralto) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ premiered in: Leipzig (on 1734-12-25) composed in: Leipzig (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-4	Oratorio de Noël: Première cantate (pour le premier jour de la Nativité). N° 4 oboe d'amore: Pierre Pierlot (oboist) organ [Continuo-Violoncello]: Eva Hölderlin (organist) violin: György Terebesi (violinist) alto vocals: Claudia Hellmann (contralto) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ premiered in: Leipzig (on 1734-12-25) composed in: Leipzig (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-5	Oratorio de Noël: Première cantate (pour le premier jour de la Nativité). N° 5 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ premiered in: Leipzig (on 1734-12-25) composed in: Leipzig (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Wie soll ich dich empfangen part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-6	Oratorio de Noël: Première cantate (pour le premier jour de la Nativité). N° 6 organ [Continuo-Violoncello]: Eva Hölderlin (organist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) premiered in: Leipzig (on 1734-12-25) composed in: Leipzig (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-7	Oratorio de Noël: Première cantate (pour le premier jour de la Nativité). N° 7 oboe: Pierre Pierlot (oboist) organ [Continuo-Violoncello]: Eva Hölderlin (organist) bass vocals: Barry McDaniel (baritone) choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ premiered in: Leipzig (on 1734-12-25) composed in: Leipzig (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-8	Oratorio de Noël: Première cantate (pour le premier jour de la Nativité). N° 8 flute: Hartmut Strebel organ [Continuo-Violoncello]: Eva Hölderlin (organist) trumpet: Maurice André (French trumpeter) bass vocals: Barry McDaniel (baritone) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ premiered in: Leipzig (on 1734-12-25) composed in: Leipzig (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-9	Oratorio de Noël: Première cantate (pour le premier jour de la Nativité). N° 9 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ premiered in: Leipzig (on 1734-12-25) composed in: Leipzig (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-1	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 10 organ [Continuo-Violoncello]: Eva Hölderlin (organist) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia premiered in: Leipzig (on 1734-12-26) composed in: Leipzig (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-2	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 11 organ [Continuo-Violoncello]: Eva Hölderlin (organist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) premiered in: Leipzig (on 1734-12-26) composed in: Leipzig (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-3	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 12 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ premiered in: Leipzig (on 1734-12-26) composed in: Leipzig (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Johann von Rist (in 1641) part of: Breitkopf 389 Choralgesänge (number: 80) is based on: Geistliches Lied, BWV 454: „Ermuntre dich, mein schwacher Geist“ part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-4	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 13 organ [Continuo-Violoncello]: Eva Hölderlin (organist) soprano vocals: Agnes Giebel (soprano) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) premiered in: Leipzig (on 1734-12-26) composed in: Leipzig (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-5	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 14 cor anglais and oboe d'amore: Jacques Chambon (French oboist) and Pierre Pierlot (oboist) organ [Continuo-Violoncello]: Eva Hölderlin (organist) bass vocals: Barry McDaniel (baritone) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ premiered in: Leipzig (on 1734-12-26) composed in: Leipzig (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-6	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 15 flute: Hartmut Strebel organ [Continuo-Violoncello]: Eva Hölderlin (organist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ premiered in: Leipzig (on 1734-12-26) composed in: Leipzig (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-7	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 16 organ [Continuo-Violoncello]: Eva Hölderlin (organist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) premiered in: Leipzig (on 1734-12-26) composed in: Leipzig (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-8	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 17 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ premiered in: Leipzig (on 1734-12-26) composed in: Leipzig (from 1734 until 1735) lyricist: Paul Gerhardt (17th century hymn writer) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Breitkopf 389 Choralgesänge (number: 323) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-9	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 18 cor anglais and oboe d'amore: Jacques Chambon (French oboist) and Pierre Pierlot (oboist) organ [Continuo-Violoncello]: Eva Hölderlin (organist) bass vocals: Barry McDaniel (baritone) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ premiered in: Leipzig (on 1734-12-26) composed in: Leipzig (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-10	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 19 organ [Continuo-Violoncello]: Eva Hölderlin (organist) alto vocals: Claudia Hellmann (contralto) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ premiered in: Leipzig (on 1734-12-26) composed in: Leipzig (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-11	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 20 organ [Continuo-Violoncello]: Eva Hölderlin (organist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) premiered in: Leipzig (on 1734-12-26) composed in: Leipzig (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-12	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 21 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ premiered in: Leipzig (on 1734-12-26) composed in: Leipzig (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-13	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 22 organ [Continuo-Violoncello]: Eva Hölderlin (organist) bass vocals: Barry McDaniel (baritone) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ premiered in: Leipzig (on 1734-12-26) composed in: Leipzig (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-14	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 23 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ premiered in: Leipzig (on 1734-12-26) composed in: Leipzig (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??

2▶12" Vinyl: STU 70141

3▶12" Vinyl: STU 70142

Oratorio de Noël

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