Messiah

~ Release by George Frideric Handel; London Philharmonic Orchestra, Karl Richter (see all versions of this release, 5 available)

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Messiah, HWV 56: Pt. 1: Symphony
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:25
2Messiah, HWV 56: Pt. 1: No. 1 "Comfort Ye, My People"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
tenor vocals:
Stuart Burrows (tenor) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:30
3Messiah, HWV 56: Pt. 1: No. 2 "Ev'ry Valley Shall Be Exalted"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
tenor vocals:
Stuart Burrows (tenor) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:46
4Messiah, HWV 56: Pt. 1: No. 3 "And the Glory of the Lord"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:23
5Messiah, HWV 56: Pt. 1: No. 4 "Thus Saith the Lord of Hosts"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
bass vocals:
Donald McIntyre (bass-baritone) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:41
6Messiah, HWV 56: Pt. 1: No. 5 "But Who May Abide the Day of His Coming"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
bass vocals:
Donald McIntyre (bass-baritone) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer)
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:52
7Messiah, HWV 56: Pt. 1: No. 6 "And He Shall Purify"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:38
8Messiah, HWV 56: Pt. 1: No. 7 "Behold, a Virgin Shall Conceive" - No. 8 "O Thou That Tellest Good Tidings"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
alto vocals:
Anna Reynolds (alto) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
compilation of:
Messiah: 7. Behold, a virgin shall conceive. Recitative (Contralto) by Anna Reynolds (alto), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist) and Messiah: 8. O thou that tellest good tidings. Aria (Contralto) by Anna Reynolds (alto), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel5:31
9Messiah, HWV 56: Pt. 1: No. 9 "O Thou That Tellest Good Tidings"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:10
10Messiah, HWV 56: Pt. 1: No. 10 "For Behold, Darkness Shall Cover"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
bass vocals:
Donald McIntyre (bass-baritone) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:45
11Messiah, HWV 56: Pt. 1: No. 11 "The People That Walked in Darkness"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
bass vocals:
Donald McIntyre (bass-baritone) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:56
12Messiah, HWV 56: Pt. 1: No. 12 "For Unto Us a Child Is Born"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:11
13Messiah, HWV 56: Pt. 1: No. 13 "Pifa"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:03
14Messiah, HWV 56: Pt. 1: No. 14 "There Were Shepherds Abiding in the Fields"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
soprano vocals:
Helen Donath (soprano) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:08
15Messiah, HWV 56: Pt. 1: No. 15 "Glory to God in the Highest"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:57
16Messiah, HWV 56: Pt. 1: No. 16 "Rejoice Greatly, o Daughter of Zion"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:08
17Messiah, HWV 56: Pt. 1: No. 1. "Then Shall the Eyes of the Blind" - No. 18 "He Shall Feed His Flock"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
alto vocals:
Anna Reynolds (alto) (in 1972-11)
soprano vocals:
Helen Donath (soprano) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
compilation of:
Messiah: 18. He shall feed his flock. Duet (Contralto, Soprano) by Helen Donath (soprano), Anna Reynolds (alto), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel7:10
18Messiah, HWV 56: Pt. 1: No. 19 "His Yoke Is Easy"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:35
19Messiah, HWV 56: Pt. 2: No. 20 "Behold the Lamb of God"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:47
20Messiah, HWV 56: Pt. 2: No. 21 "He Was Despised"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
alto vocals:
Anna Reynolds (alto) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel12:45
21Messiah, HWV 56: Pt. 2: No. 22 "Surely He Hath Borne Our Griefs"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:29
2▼Digital Media
#TitleArtistRatingLength
1Messiah, HWV 56: Pt. 2: No. 23 "And With His Stripes We Are Healed"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:32
2Messiah, HWV 56: Pt. 2: No. 24 "All We Like Sheep Have Gone Astray"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:59
3Messiah, HWV 56: Pt. 2: No. 25 "All They That See Him"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
tenor vocals:
Stuart Burrows (tenor) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:49
4Messiah, HWV 56: Pt. 2: No. 26 "He Trusted in God"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:37
5Messiah, HWV 56: Pt. 2: No. 27 "Thy Rebuke Hath Broken His Heart"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
tenor vocals:
Stuart Burrows (tenor) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:39
6Messiah, HWV 56: Pt. 2: No. 28 "Behold and See"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
tenor vocals:
Stuart Burrows (tenor) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:30
7Messiah, HWV 56: Pt. 2: No. 29 "He Was Cut Off Out of the Land" - No. 30 "But Thou Didst Not Leave His Soul"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
tenor vocals:
Stuart Burrows (tenor) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:37
8Messiah, HWV 56: Pt. 2: No. 31 "Lift Up Your Heads, o Ye Gates"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:42
9Messiah, HWV 56: Pt. 2: No. 32 "Unto Which of the Angels" - No. 33 "Let All the Angels of God Worship Him"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
tenor vocals:
Stuart Burrows (tenor) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:58
10Messiah, HWV 56: Pt. 2: No. 34 "Thou Art Gone Up on High"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
alto vocals:
Anna Reynolds (alto) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:15
11Messiah, HWV 56: Pt. 2: No. 35 "The Lord Gave the Word"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:06
12Messiah, HWV 56: Pt. 2: No. 36 "How Beautiful Are the Feet"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
soprano vocals:
Helen Donath (soprano) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:26
13Messiah, HWV 56: Pt. 2: No. 37 "Their Sound Is Gone Out"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
tenor vocals:
Stuart Burrows (tenor) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:02
14Messiah, HWV 56: Pt. 2: No. 38 "Why Do the Nations So Furiously Rage"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
bass vocals:
Donald McIntyre (bass-baritone) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:57
15Messiah, HWV 56: Pt. 2: No. 39 "Let Us Break Their Bonds Asunder"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:50
16Messiah, HWV 56: Pt. 2: No. 40 "He That Dwelleth in Heaven" - No. 41 "Thou Shalt Break Them"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
tenor vocals:
Stuart Burrows (tenor) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (Tenor) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:23
17Messiah, HWV 56, Pt. 2: No. 44, Hallelujah Chorus
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
vocals:
The John Alldis Choir
orchestra:
London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) and London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:08
18Messiah, HWV 56: Pt. 3: No. 43 "I Know That My Redeemer Liveth"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
soprano vocals:
Helen Donath (soprano) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel7:16
19Messiah, HWV 56: Pt. 3: No. 44 "Since by Man Came Death"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:23
20Messiah, HWV 56: Pt. 3: No. 45 "Behold, I Tell You a Mystery" - No. 46 "The Trumpet Shall Sound"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
bass vocals:
Donald McIntyre (bass-baritone) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel10:40
21Messiah, HWV 56: Pt. 3: No. 47 "Then Shall Be Brought to Pass" - No. 48 "O Death, Where Is Thy Sting" - No. 49 "But Thanks Be to God"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
alto vocals:
Anna Reynolds (alto) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
tenor vocals:
Stuart Burrows (tenor) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel3:31
22Messiah, HWV 56: Pt. 3: No. 50 "If God Be for Us"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
soprano vocals:
Helen Donath (soprano) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:31
23Messiah, HWV 56: Pt. 3: No. 51 "Worthy Is the Lamb That Was Slain"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
partial recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel3:56
24Messiah, HWV 56: Pt. 3: No. 52 "Amen"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
partial recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel3:27