Luisa Miller

~ Release by Verdi; Moffo, Bergonzi, Verrett, MacNeil, Tozzi, Flagello, RCA Italiana Opera Orchestra and Chorus, Fausto Cleva (see all versions of this release, 6 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Luisa Miller: Sinfonia
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Sinfonia
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller
Giuseppe Verdi5:28
2Luisa Miller: Atto I, Scena I. "Ti desta, Luisa, regina de' cori" (Laura, Coro)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
choir vocals:
Coro della RCA Italiana
mezzo-soprano vocals:
Gabriella Carturan (mezzo-soprano)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
chorus master:
Nino Antonellini (Chorus master)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto I, Nº 1a. Coro “Ti desta, o Luisa, regina de' cori” (Laura, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
Giuseppe Verdi4:04
3Luisa Miller: Atto I, Scena I. "Ecco mia figlia" (Miller, Luisa, Coro)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
baritone vocals:
Cornell MacNeil (American baritone)
choir vocals:
Coro della RCA Italiana
soprano vocals:
Anna Moffo (soprano)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
chorus master:
Nino Antonellini (Chorus master)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto I, Nº 1b. Scena "Ecco mia figlia" (Miller, Luisa, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
Giuseppe Verdi2:12
4Luisa Miller: Atto I, Scena I. "Lo vidi, e'l primo palpito" (Luisa)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
soprano vocals:
Anna Moffo (soprano)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto I, Nº 1c. "Lo vidi, e 'l primo palpito" (Luisa)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
Giuseppe Verdi7:05
5Luisa Miller: Atto I, Scena I. "Ferma ed ascolta" (Wurm, Miller)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
baritone vocals:
Cornell MacNeil (American baritone)
bass vocals:
Ezio Flagello (operatic bass / baritone)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto I, Nº 2a. Scena "Ferma, ed ascolta" (Wurm, Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
Giuseppe Verdi1:11
6Luisa Miller: Atto I, Scena I. "Sacra la scelta è d'un consorte" (Miller)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
baritone vocals:
Cornell MacNeil (American baritone)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto I, Nº 2b. Aria "Sacra la scelta è d'un consorte" (Miller) (Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
Giuseppe Verdi3:33
7Luisa Miller: Atto I, Scena I. "Ah! fu giusto il mio sospetto!" (Miller)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
baritone vocals:
Cornell MacNeil (American baritone)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto I, Nº 2d. Cabaletta "Ah! fu giusto il mio sospetto!" (Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
Giuseppe Verdi2:54
8Luisa Miller: Atto I, Scena II. "Che mai narrasti!" (Walter, Wurm)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
bass vocals:
Ezio Flagello (operatic bass / baritone) and Giorgio Tozzi (operatic bass)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto I, Nº 3a. Scena "Che mai narrasti!" (Walter, Wurm)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
Giuseppe Verdi1:40
9Luisa Miller: Atto I, Scena II. "Il mio sangue, la vita darei" (Walter)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
bass vocals:
Giorgio Tozzi (operatic bass)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto I, Nº 3b. Aria "Il mio sangue, la vita darei" (Walter)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
Giuseppe Verdi3:20
10Luisa Miller: Atto I, Scena II. "Padre-M'abbraccia" (Rodolfo, Walter)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
bass vocals:
Giorgio Tozzi (operatic bass)
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto I, Nº 4a. Scena "Padre...M'abbraccia..." (Rodolfo, Walter)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
Giuseppe Verdi4:33
11Luisa Miller: Atto I, Scena II. "Duchessa tu m'appelli!" (Federica, Rodolfo)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
mezzo-soprano vocals:
Shirley Verrett (mezzo-soprano)
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto I, Nº 5a. Recitativo "Duchessa tu m'appelli!" (Federica, Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
Giuseppe Verdi0:41
12Luisa Miller: Atto I, Scena II. "Dall'aule raggianti di vano splendore" (Federica, Rodolfo)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
mezzo-soprano vocals:
Shirley Verrett (mezzo-soprano)
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto I, Nº 5b. Duetto "Dall'aule raggianti di vano splendore" (Federica, Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
Giuseppe Verdi5:53
13Luisa Miller: Atto I, Scena III. "Sciogliete i levrieri...Sponate i destrieri" (Coro)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
choir vocals:
Coro della RCA Italiana
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
chorus master:
Nino Antonellini (Chorus master)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto I, Nº 6a. Coro "Sciogliete i levriere...Sponate i destrieri" (Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
Giuseppe Verdi4:43
14Luisa Miller: Atto I, Scena III. "Tu, signor, fra queste soglie!" (Rodolfo, Walter, Miller, Luisa)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
baritone vocals:
Cornell MacNeil (American baritone)
bass vocals:
Giorgio Tozzi (operatic bass)
soprano vocals:
Anna Moffo (soprano)
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto I, Nº 6c. "Tu, signor, fra queste soglie!" (Rodolfo, Walter, Miller, Luisa)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
Giuseppe Verdi2:13
15Luisa Miller: Atto I, Scena III. "Fra' mortali ancora oppressa" (Miller, Rodolfo, Walter, Luisa, Laura, Coro)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
baritone vocals:
Cornell MacNeil (American baritone)
bass vocals:
Giorgio Tozzi (operatic bass)
choir vocals:
Coro della RCA Italiana
mezzo-soprano vocals:
Gabriella Carturan (mezzo-soprano)
soprano vocals:
Anna Moffo (soprano)
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
chorus master:
Nino Antonellini (Chorus master)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto I, Nº 6d. Quintetto "Fra' mortali ancora oppressa" (Miller, Rodolfo, Walter, Luisa, Laura, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
Giuseppe Verdi6:32
16Luisa Miller: Atto II, Scena I. "Ah! Luisa, Luisa, ove sei?" (Laura, Coro, Luisa, Wurm)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
bass vocals:
Ezio Flagello (operatic bass / baritone)
choir vocals:
Coro della RCA Italiana
mezzo-soprano vocals:
Gabriella Carturan (mezzo-soprano)
soprano vocals:
Anna Moffo (soprano)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
chorus master:
Nino Antonellini (Chorus master)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto II, Nº 7a. Coro "Ah! Luisa, Luisa, ove, sei?" (Laura, Coro, Luisa, Wurm)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi2:42
17Luisa Miller: Atto II, Scena I. "Il padre tuo...Finisci" (Wurm, Luisa)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
bass vocals:
Ezio Flagello (operatic bass / baritone)
soprano vocals:
Anna Moffo (soprano)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto II, Nº 7b. Scena "Il padre tuo...Finisci" (Wurm, Luisa)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi3:12
18Luisa Miller: Atto II, Scena I. "Tu puniscimi, o Signore" (Luisa)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
soprano vocals:
Anna Moffo (soprano)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto II, Nº 7c. Aria "Tu puniscimi, o Signore" (Luisa)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi2:32
19Luisa Miller: Atto II, Scena I. "Qui nulla s'attenata imporre al tuo dore" (Wurm, Luisa)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
bass vocals:
Ezio Flagello (operatic bass / baritone)
soprano vocals:
Anna Moffo (soprano)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto II, Nº 7d. "Qui nulla s'attenata imporre al tuo dore" (Wurm, Luisa)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi1:59
20Luisa Miller: Atto II, Scena I. "A brani, a brani, o perfido" (Luisa, Wurm)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
bass vocals:
Ezio Flagello (operatic bass / baritone)
soprano vocals:
Anna Moffo (soprano)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto II, Nº 7e. Cabaletta "A brani, a brani, o perfidio" (Luisa, Wurm)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi3:22
2▼CD
#TitleArtistRatingLength
1Luisa Miller: Atto II, Scena II. "Egli delira; sul mattin degli anni" (Walter)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
bass vocals:
Giorgio Tozzi (operatic bass)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto II, Nº 8a. Recitativo "Egli delira: sul mattin degli anni" (Walter)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi2:40
2Luisa Miller: Atto II, Scena II. "L'alto retaggio non ho bramato" (Walter, Wurm)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
bass vocals:
Ezio Flagello (operatic bass / baritone) and Giorgio Tozzi (operatic bass)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto II, Nº 8c. Duetto "L'alto retaggio non ho bramato" (Walter, Wurm)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi2:36
3Luisa Miller: Atto II, Scena II. "O meco incolume" (Walter, Wurm)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
bass vocals:
Ezio Flagello (operatic bass / baritone) and Giorgio Tozzi (operatic bass)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto II, Nº 8d."O meco incolume sarai, lo giuro" (Walter, Wurm)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi1:26
4Luisa Miller: Atto II, Scena II. "Vien la Duchessa!" (Walter, Federica)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
bass vocals:
Giorgio Tozzi (operatic bass)
mezzo-soprano vocals:
Shirley Verrett (mezzo-soprano)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto II, Nº 9a. Recitativo "Vien la duchessa!" (Walter, Federica)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi6:19
5Luisa Miller: Atto II, Scena III. "Il foglio dunque?" (Rodolfo, Farmer)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
tenor vocals:
Carlo Bergonzi (tenor) and Piero de Palma (tenor)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto II, Nº 10a. Scena “Il foglio dunque?” – “Oh! Fede negar potessi” (Rodolfo, Farmer)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi2:44
6Luisa Miller: Atto II, Scena III. "Quando le sere al placido" (Rodolfo)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
tenor vocals:
Carlo Bergonzi (tenor) (in 1964)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto II, Nº 10b. Aria "Quando la sere al placido" (Rodolfo) (in 1964)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi3:39
7Luisa Miller: Atto II, Scena III. "Di mi chiedeste?" (Wurm, Rodolfo, Servi, Walter)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
bass vocals:
Ezio Flagello (operatic bass / baritone) and Giorgio Tozzi (operatic bass)
choir vocals:
Coro della RCA Italiana
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
chorus master:
Nino Antonellini (Chorus master)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto II, Nº 10c."Di me chiedeste?" (Wurm, Rodolfo, Servi, Walter)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi2:34
8Luisa Miller: Atto II, Scena III. "L'ara, o l'avello apprestami" (Rodolfo, Walter, Coro)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
bass vocals:
Giorgio Tozzi (operatic bass)
choir vocals:
Coro della RCA Italiana
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
chorus master:
Nino Antonellini (Chorus master)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto II, Nº 10d. Cabaletta "L'ara, o l'avello apprestami" (Rodolfo, Walter, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi3:33
9Luisa Miller: Atto II, Scena III. "Come in un giorno solo" (Laura, Coro)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
choir vocals:
Coro della RCA Italiana
mezzo-soprano vocals:
Gabriella Carturan (mezzo-soprano)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
chorus master:
Nino Antonellini (Chorus master)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto III, Nº 11. Coro "Come in un giorno solo" (Laura, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
Giuseppe Verdi4:44
10Luisa Miller: Atto II, Scena III. "Pallida... mesta sei!" (Miller, Luisa)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
baritone vocals:
Cornell MacNeil (American baritone)
soprano vocals:
Anna Moffo (soprano)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto III, Nº 12a. Recitativo "Pallida...mesta sei!..." (Miller, Luisa)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
Giuseppe Verdi2:47
11Luisa Miller: Atto II, Scena III. "La tomba è un letto sparso di fiori" (Luisa, Miller)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
baritone vocals:
Cornell MacNeil (American baritone) (in 1964)
soprano vocals:
Anna Moffo (soprano) (in 1964)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto III, Nº 12b. Duetto “La tomba è un letto sparso di fiori” (Luisa, Miller) (in 1964)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
Giuseppe Verdi5:20
12Luisa Miller: Atto II, Scena III. "Andrem, raminghi e poveri" (Luisa, Miller)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
baritone vocals:
Cornell MacNeil (American baritone) (in 1964)
soprano vocals:
Anna Moffo (soprano) (in 1964)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto III, Nº 12d. Cabaletta "Andrem, raminghi e poveri" (Luisa, Miller) (in 1964)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
Giuseppe Verdi3:31
13Luisa Miller: Atto II, Scena III. "Ah! l'ultima preghiera" (Luisa, Rodolfo)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
soprano vocals:
Anna Moffo (soprano)
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto III, Nº 13a. Scena "Ah! l'ultima preghiera" (Luisa, Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
Giuseppe Verdi10:00
14Luisa Miller: Atto II, Scena III. "Donna, per noi terribile" (Rodolfo, Luisa, Miller)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
baritone vocals:
Cornell MacNeil (American baritone)
soprano vocals:
Anna Moffo (soprano)
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto III, Nº 13b. "Donna, per noi terrible" (Rodolfo, Luisa, Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
Giuseppe Verdi5:32
15Luisa Miller: Atto II, Scena III. "Padre, ricevi l'estremo addio" (Miller, Luisa, Rodolfo)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
baritone vocals:
Cornell MacNeil (American baritone)
soprano vocals:
Anna Moffo (soprano)
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma (Rome) (in 1964)
recording of:
Luisa Miller: Atto III, Nº 13c. Terzetto "Quai grida intesi!...Padre ricevi l'estremo addio" (Miller, Luisa, Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
Giuseppe Verdi4:16

Credits

Release

manufactured in:Germany
printed in:Germany
rights society:BIEM (international rights organization representing member societies from 58 countries)
GEMA (German rights society; do not use this as a label or work publisher!)
distributed by:BMG Records (not for release label use! primarily named as distributor in the UK)
part of:The RCA Victor Opera Series (Release) (order: 6)
Discogs:https://www.discogs.com/release/8928527 [info]
ASIN:DE: B000025O82 [info]