Aida (Les indispensables de Diapason)

~ Release by Giuseppe Verdi; Leontyne Price, Rita Gorr, Jon Vickers, Georg Solti (see all versions of this release, 10 available)

Annotation

Les indispensables de DIAPASON N° 164

Annotation last modified on 2023-12-25 16:50 UTC.

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Aida: Atto I. Preludio
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1961)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1961)
recording of:
Aida: Preludio (standard opening to the opera, ~4min) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Aida
part of:
Aida (German lyrics)
Giuseppe Verdi4:08
2Aida: Atto I. “Sì: corre voce che l’Etiope ardisca”
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
bass vocals [Ramfis]:
Giorgio Tozzi (operatic bass) (in 1962)
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1962)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1962)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1962)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1962)
recording of:
Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi1:41
3Aida: Atto I. “Se quel guerrier io fossi!” … “Celeste Aida”
engineer:
René Boux and Lewis Layton (engineer)
producer:
Richard Mohr (producer)
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1961)
orchestra:
Orchestra dell'Opera, Roma (in 1961)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1961)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1961)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi4:37
4Aida: Atto I. “Quale insolita gioia”
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1962)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1962)
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1962)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1962)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1962)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1962)
recording of:
Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” – “Dessa” (Amneris, Radamès)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:33
5Aida: Atto I. “Alta cagion v’aduna”
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
bass vocals [Il Re]:
Plinio Clabassi (operatic bass) (in 1962)
bass vocals [Ramfis]:
Giorgio Tozzi (operatic bass) (in 1962)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1962)
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1962)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1962)
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1962)
tenor vocals [Un messagero]:
Franco Ricciardi (Italian tenor) (in 1962)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1962)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1962)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1962)
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Il sacro suolo dell'Egitto” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi6:30
6Aida: Atto I. “Ritorna vincitor!”
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1962)
orchestra:
Orchestra del Teatro dell'Opera, Roma (in 1962)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1962)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1962)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi7:29
7Aida: Atto I. “Possente, possente Fthà”
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
bass vocals [Ramfis]:
Giorgio Tozzi (operatic bass) (in 1962)
choir vocals:
Coro del Teatro dell’Opera di Roma
soprano vocals [Sacerdotessa]:
Mietta Sighele (soprano) (in 1962)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1962)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1962)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1962)
recording of:
Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi5:56
8Aida: Atto I. “Mortal, diletto al Numi”
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
bass vocals [Ramfis]:
Giorgio Tozzi (operatic bass) (in 1961)
choir vocals:
Coro del Teatro dell’Opera di Roma
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1961)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1961)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1961)
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi5:32
9Aida: Atto II. Preludio
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
choir vocals:
Coro del Teatro dell’Opera di Roma
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1962)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1962)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1962)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1962)
recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi6:45
10Aida: Atto II. “Fu la sorte dell’armi a’ tuoi funesta”
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1962)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1962)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1962)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1962)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1962)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi7:44
11Aida: Atto II. “Sul del Nilo al sacro lido”
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
choir vocals:
Coro del Teatro dell’Opera di Roma
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1962)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1962)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1962)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1962)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1962)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:48
12Aida: Atto II. “Gloria all’Egitto”
engineer:
René Boux and Lewis Layton (engineer)
producer:
Richard Mohr (producer)
bass vocals [Ramfis]:
Giorgio Tozzi (operatic bass) (in 1961)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1961)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1961)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1961)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:17
13Aida: Atto II. Marcia trionfale e ballabile
engineer:
René Boux and Lewis Layton (engineer)
producer:
Richard Mohr (producer)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1961)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1961)
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi6:03
14Aida: Atto II. “Vieni, o guerriero vindice”
engineer:
René Boux and Lewis Layton (engineer)
producer:
Richard Mohr (producer)
bass vocals [Ramfis]:
Giorgio Tozzi (operatic bass) (in 1962)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1961)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961, in 1962)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1961, in 1962)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1962)
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:18
15Aida: Atto II. “Salvator della patria, io ti saluto”
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
bass vocals [Il Re]:
Plinio Clabassi (operatic bass) (in 1962)
bass vocals [Ramfis]:
Giorgio Tozzi (operatic bass) (in 1962)
choir vocals:
Coro del Teatro dell’Opera di Roma
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1962)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1962)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1962)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1962)
recording of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:02
16Aida: Atto II. “Che veggo! … Egli? … Mio padre!”
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
baritone vocals [Amonasro]:
Robert Merrill (American operatic baritone) (in 1962)
bass vocals [Il Re]:
Plinio Clabassi (operatic bass) (in 1962)
bass vocals [Ramfis]:
Giorgio Tozzi (operatic bass)
choir vocals:
Coro del Teatro dell’Opera di Roma
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1962)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1962)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1962)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1962)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1962)
partial recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:08
2▼CD
#TitleArtistRatingLength
1Aida: Atto II. “Quest’assisa ch’io vesto vi dica”
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
baritone vocals [Amonasro]:
Robert Merrill (American operatic baritone) (in 1962)
bass vocals [Ramfis]:
Giorgio Tozzi (operatic bass)
choir vocals:
Coro del Teatro dell’Opera di Roma
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano)
soprano vocals [Aida]:
Leontyne Price (soprano)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1962)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1962)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1962)
partial recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:06
2Aida: Atto II. “Ma tu, Re, tu signore possente”
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
baritone vocals [Amonasro]:
Robert Merrill (American operatic baritone) (in 1962)
bass vocals [Il Re]:
Plinio Clabassi (operatic bass) (in 1962)
bass vocals [Ramfis]:
Giorgio Tozzi (operatic bass) (in 1962)
choir vocals:
Coro del Teatro dell’Opera di Roma
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1962)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1962)
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1962)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1962)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1962)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1962)
partial recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi4:10
3Aida: Atto II. “O Re: pei sacri numi”
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
bass vocals [Il Re]:
Plinio Clabassi (operatic bass) (in 1962)
bass vocals [Ramfis]:
Giorgio Tozzi (operatic bass) (in 1962)
choir vocals:
Coro del Teatro dell’Opera di Roma
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1962)
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1962)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1962)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1962)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1962)
partial recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:22
4Aida: Atto II. “Gloria all’Egitto”
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
baritone vocals [Amonasro]:
Robert Merrill (American operatic baritone) (in 1962)
bass vocals [Il Re]:
Plinio Clabassi (operatic bass) (in 1962)
bass vocals [Ramfis]:
Giorgio Tozzi (operatic bass) (in 1962)
choir vocals:
Coro del Teatro dell’Opera di Roma
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1962)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1962)
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1962)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1962)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1962)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1962)
partial recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:10
5Aida: Atto III. “O tu che sei d’Osiride”
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
bass vocals [Ramfis]:
Giorgio Tozzi (operatic bass) (in 1962)
choir vocals:
Coro del Teatro dell’Opera di Roma
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1962)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1962)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1962)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1962)
recording of:
Aida: Atto III: Introduzione; Preghiera “O tu che sei d’Osiride” (Sancerdotesse, Sacerdoti, Ramfis, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi4:57
6Aida: Atto III. “Qui Radames verrà!” … “O Patria mia”
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1962)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1962)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1962)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1962)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi7:16
7Aida: Atto III. “Cielo! mio padre!”
engineer:
René Boux and Lewis Layton (engineer)
producer:
Richard Mohr (producer)
baritone vocals [Amonasro]:
Robert Merrill (American operatic baritone) (in 1961)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1961)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1961)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1961)
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
recording of:
Aida: Atto III: Duetto: “Rivedrai le foreste imbalsamate” – “In armi ora si desta il popol nostro” – “Padre, a costoro schiava non sono” (Aida, Amonasro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi8:03
8Aida: Atto III. “Pur ti riveggo, mia dolce Aida”
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1962)
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1962)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1962)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1962)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1962)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:57
9Aida: Atto III. “Fuggiam gli ardori inospiti”
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1962)
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1962)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1962)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1962)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1962)
recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:42
10Aida: Atto III. “Tu! … Amonasro! … Tu!”
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
baritone vocals [Amonasro]:
Robert Merrill (American operatic baritone) (in 1962)
bass vocals [Ramfis]:
Giorgio Tozzi (operatic bass) (in 1962)
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1962)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1962)
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1962)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1962)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1962)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1962)
recording of:
Aida: Atto III: Finale III: “Ma dimmi; per qual via” – “Ah no! ti calma, ascoltami” –“Traditor! … Muori! … Arresta, insano” (Aida, Radamès, Amonasro, Amneris, Ramfis)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:42
11Aida: Atto IV. “L’aborrita rivale a me sfuggia”
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1962)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1962)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1962)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1962)
recording of:
Aida: Atto IV, scena 1: Scena: “L’abborrita rivale a me sfuggia” … “Io l'amo, io l'amo sempre” (Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:16
12Aida: Atto IV. “Già i Sacerdoti adunansi”
engineer:
René Boux and Lewis Layton (engineer)
producer:
Richard Mohr (producer)
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1961)
soprano vocals [Sacerdotessa]:
Mietta Sighele (soprano)
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1961)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1961)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1961)
recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi6:51
13Aida: Atto IV. “Ohimè! … morir mi sento!”
engineer:
René Boux and Lewis Layton (engineer)
producer:
Richard Mohr (producer)
bass vocals [Ramfis]:
Giorgio Tozzi (operatic bass)
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1961)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1961)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi4:51
14Aida: Atto IV. “Radamès! Radamès! Radamès!”
engineer:
René Boux and Lewis Layton (engineer)
producer:
Richard Mohr (producer)
bass vocals [Ramfis]:
Giorgio Tozzi (operatic bass) (in 1961)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1961)
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1961)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1961)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1961)
recording of:
Aida: Atto IV, scena 1. “Radamès! Radamès! Radamès! Tu rivelasti” (Amneris, Ramfis, Sacerdoti) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “A lui vivo, la tomba” / “Sacerdoti: compiste un delitto!” (Amneris, Ramfis, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 1. “Radamès! Radamès! Radamès! Tu rivelasti” (Amneris, Ramfis, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi7:01
15Aida: Atto IV. “La fatal pietra sovra me si chiuse”
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1962)
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1962)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1962)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1962)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1962)
partial recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi2:29
16Aida: Atto IV. “Presagio il core della tua condonna”
engineer:
René Boux and Lewis Layton (engineer)
producer:
Richard Mohr (producer)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1961)
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1961)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1961)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1961)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi4:19
17Aida: Atto IV. “O terra, addio”
engineer:
René Boux and Lewis Layton (engineer) (in 1961)
producer:
Richard Mohr (producer)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1961)
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1961)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1961)
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1961)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1961)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1961)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi5:47