Basso (BMG club edition)

~ Release by Händel, Bach; Thomas Quasthoff (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1The Messiah: Accompagnato "For Behold, Darkness Shall Cover the Earth"
bass vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Oregon Bach Festival Orchestra
conductor:
Helmuth Rilling (conductor)
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:03
2The Messiah: Aria "The People That Walked in Darkness"
bass vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Oregon Bach Festival Orchestra
conductor:
Helmuth Rilling (conductor)
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:27
3The Messiah: Aria "Why Do the Nations So Furiously Rage Together"
bass vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Oregon Bach Festival Orchestra
conductor:
Helmuth Rilling (conductor)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:43
4The Messiah: Recitativo - secco "Behold, I Tell You a Mystery"
bass vocals:
Thomas Quasthoff (bass-baritone)
choir vocals:
Oregon Bach Festival Choir
orchestra:
Oregon Bach Festival Orchestra
conductor:
Helmuth Rilling (conductor)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel0:39
5The Messiah: Aria "The Trumpet Shall Sound"
bass vocals:
Thomas Quasthoff (bass-baritone)
choir vocals:
Oregon Bach Festival Choir
orchestra:
Oregon Bach Festival Orchestra
conductor:
Helmuth Rilling (conductor)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel8:48
6Mass in A major, BWV 234: "Domine Deus"
bass vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg (in 1995-01)
recording of:
Messe A-Dur, BWV 234: III. Aria (Bass) "Domine Deus" (in 1995-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
Johann Sebastian Bach6:03
7Magnificat in D major, BWV 243: "Quia fecit mihi magna"
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1995-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1995-01)
conductor:
Helmuth Rilling (conductor) (in 1995-01)
recorded at:
Stadthalle Leonberg in Leonberg (in 1995-01)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (in 1995-01)
premiered in:
Leipzig (on 1733-07-02)
composed in:
Leipzig (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:06
8Mass in G minor, BWV 235: "Gratias agimus tibi"
engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1992-09)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1992-09)
conductor:
Helmuth Rilling (conductor) (in 1992-09)
recorded at:
Stadthalle Leonberg in Leonberg (in 1992-09)
recording of:
Messe g-Moll, BWV 235: III. Aria (Bass) "Gratias agimus tibi" (in 1992-09)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": IV. Aria (Bass) "Darum sollt ihr nicht sorgen"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach3:34
9"So heb ich denn main Auge sehnlich auf", BWV 1088
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1999-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-03)
conductor:
Helmuth Rilling (conductor) (in 1999-03)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (in 1999-03)
recording of:
So heb ich denn mein Auge sehnlich auf, BWV 1088 (in 1999-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 1088), Bach Compendium (number: BC D 10/2) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 1088 / 247‑>)
Johann Sebastian Bach2:14
10Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitativo "Der Herr ist gut"
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:27
11Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria "Ach, Her Schösser, geht nict gar zu schlimm"
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:09
12Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitativo "Und unsre gnädge Frau"
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:49
13Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria "Fünfzig Taler bares Geld"
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:52
14Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitativo "Das ist zu klug vor dich"
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:24
15Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria "Es nehme zehntausend Dukaten"
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:44
16Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitativo "Du has wohl recht"
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
17Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria "Dein Wachstum sei feste und lache vor Lust"
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach5:42
18Cantata "Schweigt stille, plaudert nicht", BWV 211: Aria "Hat man nicht mit seinen Kindern"
bass vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stiftskirche Herrenberg in Herrenberg (in 1996-05)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (in 1996-05)
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach2:47
19Cantata "Schweigt stille, plaudert nicht", BWV 211: Aria "Mädchen, die von harten Sinnen"
bass vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stiftskirche Herrenberg in Herrenberg (in 1996-05)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen" (in 1996-05)
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach2:48
20St. Matthew Passion, BWV 244: No. 22. Recitativo "Der Heiland fällt vor seinem Vater nieder"
bass vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:04
21St. Matthew Passion, BWV 244: No. 23. Aria "Gerne will ich mich bequemen"
bass vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:25
22St. Matthew Passion, BWV 244: No. 42. Aria "Gebt mir meinen Jesum wieder!"
bass vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:42
23St. Matthew Passion, BWV 244: No. 56. Recitativo "Ja freilich will in uns das Fleisch und Blut"
bass vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:42
24St. Matthew Passion, BWV 244: No. 57. Aria "Komm, süßes Kreuz"
bass vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:36
25St. Matthew Passion, BWV 244: No. 64. Recitativo "Am Abend, da es kühle war"
bass vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:15
26St. Matthew Passion, BWV 244: No. 65. Aria "Mache dich, mein Herze, rein"
bass vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:13