German Masterworks

~ Release by Bach, Beethoven, Brahms, Bruckner; Saito Kinen Orchestra, Seiji Ozawa (see all versions of this release, 1 available)

Tracklist

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1▼CD: Bach: Mass in B minor
#TitleArtistRatingLength
1Mass in B minor, BWV 232: Kyrie eleison, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach9:32
2Mass in B minor, BWV 232: Christe eleison, Duet sopranos
alto vocals:
Angelika Kirchschlager (mezzo soprano) (from 2000-08-29 until 2000-09-04)
soprano vocals:
Barbara Bonney (soprano) (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:04
3Mass in B minor, BWV 232: Kyrie eleison, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:15
4Mass in B minor, BWV 232: Gloria in excelsis Deo, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:39
5Mass in B minor, BWV 232: Et in terra pax, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:16
6Mass in B minor, BWV 232: Laudamus te, Aria soprano II
soprano vocals:
Barbara Bonney (soprano) (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:10
7Mass in B minor, BWV 232: Gratias agimus tibi, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:49
8Mass in B minor, BWV 232: Domine Deus, Duet Soprano I, tenor
soprano vocals:
Barbara Bonney (soprano) (from 2000-08-29 until 2000-09-04)
tenor vocals:
John Mark Ainsley (tenor) (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:16
9Mass in B minor, BWV 232: Qui tollis peccata mundi, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:25
10Mass in B minor, BWV 232: Qui sedes ad dexteram Patris, Aria contra-alto
alto vocals:
Angelika Kirchschlager (mezzo soprano) (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:31
11Mass in B minor, BWV 232: Quoniam tu solus Sanctus, Aria bass
bass vocals:
Alastair Miles (operatic bass) (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:05
12Mass in B minor, BWV 232: Cum sancto spiritu, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:51
2▼CD: Bach: Mass in B minor
#TitleArtistRatingLength
1Mass in B minor, BWV 232: Credo in unum Deum, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:58
2Mass in B minor, BWV 232: Patrem omnipotentem, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:51
3Mass in B minor, BWV 232: Et in unum Dominum, Duet soprano I, contra-alto
alto vocals:
Angelika Kirchschlager (mezzo soprano) (from 2000-08-29 until 2000-09-04)
soprano vocals:
Barbara Bonney (soprano) (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:05
4Mass in B minor, BWV 232: Et incarnatus est, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:16
5Mass in B minor, BWV 232: Crucifixus, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:52
6Mass in B minor, BWV 232: Et resurrexit, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:49
7Mass in B minor, BWV 232: Et in Spiritum Sanctum, Aria bass
bass vocals:
Alastair Miles (operatic bass) (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:40
8Mass in B minor, BWV 232: Confiteor unum baptisma, Chorus
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:56
9Mass in B minor, BWV 232: Et expecto resurrectionem, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:06
10Mass in B minor, BWV 232: Sanctus, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:03
11Mass in B minor, BWV 232: Osanna, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:32
12Mass in B minor, BWV 232: Benedictus, Aria tenor
tenor vocals:
John Mark Ainsley (tenor) (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:55
13Mass in B minor, BWV 232: Osanna, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:31
14Mass in B minor, BWV 232: Agnus Dei, Aria contra-alto
alto vocals:
Angelika Kirchschlager (mezzo soprano) (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:47
15Mass in B minor, BWV 232: Dona nobis pacem, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:03
3▼CD: Bach: St. Matthew Passion
#TitleArtistRatingLength
1St. Matthew Passion, BWV 244 - Part One: no. 1 Chorus I/II: “Kommt, ihr Töchter, helft mir klagen”
choir vocals:
Tokyo Opera Singers (in 1997-09)
choir vocals [Soprano in ripieno]:
SKF Matsumoto Children’s Choir (in 1997-09)
orchestra:
Saito Kinen Orchestra (in 1997-09)
conductor:
Seiji Osawa (Seiji Ozawa, conductor and composer) (in 1997-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1997-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach7:02
2St. Matthew Passion, BWV 244 - Part One: no. 2 Evangelist, Jesus: “Da Jesus diese Rede vollendet hatte”
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:45
3St. Matthew Passion, BWV 244 - Part One: no. 3 Choral: “Herzliebster Jesu, was hast du verbrochen”
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen"
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:46
4St. Matthew Passion, BWV 244 - Part One: no. 4 Evangelist, Chorus I/II, Jesus: “Da versammelten sich die Hohenpriester”
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:08
5St. Matthew Passion, BWV 244 - Part One: no. 5 Recitative (Alto): “Du lieber Heiland du”
alto vocals:
Nathalie Stutzmann (contralto and conductor) (in 1997-09)
orchestra:
Saito Kinen Orchestra (in 1997-09)
conductor:
Seiji Osawa (Seiji Ozawa, conductor and composer) (in 1997-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (in 1997-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:01
6St. Matthew Passion, BWV 244 - Part One: no. 6 Aria (Alto): “Buss und Reu”
alto vocals:
Nathalie Stutzmann (contralto and conductor) (in 1997-09)
orchestra:
Saito Kinen Orchestra (in 1997-09)
conductor:
Seiji Osawa (Seiji Ozawa, conductor and composer) (in 1997-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (in 1997-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:31
7St. Matthew Passion, BWV 244 - Part One: no. 7 Evangelist, Judas: “Da ging hin der Zwölfen einer”
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:37
8St. Matthew Passion, BWV 244 - Part One: no. 8 Aria (Soprano): “Blute nur, du liebes Herz”
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:32
9St. Matthew Passion, BWV 244 - Part One: no. 9 Evangelist, Chorus I, Jesus: “Aber am ersten Tage der süssen Brot”
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach2:02
10St. Matthew Passion, BWV 244 - Part One: no. 10 Choral: “Ich bin’s, ich sollte büssen”
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen"
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:45
11St. Matthew Passion, BWV 244 - Part One: no. 11 Evangelist, Jesus, Judas: “Er antwortete und sprach”
bass vocals [Jesus]:
Thomas Quasthoff (bass-baritone) (in 1997-09)
tenor vocals [Evangelist]:
John Mark Ainsley (tenor) (in 1997-09)
orchestra:
Saito Kinen Orchestra (in 1997-09)
conductor:
Seiji Osawa (Seiji Ozawa, conductor and composer) (in 1997-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (in 1997-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:14
12St. Matthew Passion, BWV 244 - Part One: no. 12 Recitative (Soprano): “Wiewohl mein Herz in Tränen schwimmt”
soprano vocals:
Christiane Oelze (German soprano) (in 1997-09)
orchestra:
Saito Kinen Orchestra (in 1997-09)
conductor:
Seiji Osawa (Seiji Ozawa, conductor and composer) (in 1997-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (in 1997-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:23
13St. Matthew Passion, BWV 244 - Part One: no. 13 Aria (Soprano): “Ich will dir mein Herz schenken”
soprano vocals:
Christiane Oelze (German soprano) (in 1997-09)
orchestra:
Saito Kinen Orchestra (in 1997-09)
conductor:
Seiji Osawa (Seiji Ozawa, conductor and composer) (in 1997-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (in 1997-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:09
14St. Matthew Passion, BWV 244 - Part One: no. 14 Evangelist, Jesus: “Und da sie den Lobgesang gesprochen hatten”
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:09
15St. Matthew Passion, BWV 244 - Part One: no. 15 Choral: “Erkenne mich, mein Hüter”
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter"
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:59
16St. Matthew Passion, BWV 244 - Part One: no. 16 Evangelist, Jesus, Petrus: “Petrus aber antwortete”
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:03
17St. Matthew Passion, BWV 244 - Part One: no. 17 Choral: “Ich will hier bei dir stehen”
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:57
18St. Matthew Passion, BWV 244 - Part One: no. 18 Evangelist, Jesus: “Da kam Jesus mit ihnen zu einem Hofe”
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:02
19St. Matthew Passion, BWV 244 - Part One: no. 19 Recitative (Tenor, Chorus II): “O Schmerz! hier zittert das gequälte Herz”
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:43
20St. Matthew Passion, BWV 244 - Part One: no. 20 Aria (Tenor, Chorus II): “Ich will bei meinem Jesu wachen”
choir vocals:
Tokyo Opera Singers (in 1997-09)
tenor vocals:
Stanford Olsen (tenor) (in 1997-09)
orchestra:
Saito Kinen Orchestra (in 1997-09)
conductor:
Seiji Osawa (Seiji Ozawa, conductor and composer) (in 1997-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (in 1997-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:50
21St. Matthew Passion, BWV 244 - Part One: no. 21 Evangelist, Jesus: “Und ging hin ein wenig”
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:49
22St. Matthew Passion, BWV 244 - Part One: no. 22 Recitative (Bass): “Der Heiland fällt vor seinem Vater nieder”
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:00
23St. Matthew Passion, BWV 244 - Part One: no. 23 Aria (Bass): “Gerne will ich mich bequemen”
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:06
24St. Matthew Passion, BWV 244 - Part One: no. 24 Evangelist, Jesus: “Und er kam zu seinen Jüngern”
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:22
25St. Matthew Passion, BWV 244 / Part One: no. 25 Choral: “Was mein Gott will, das g’scheh allzeit”
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:55
26St. Matthew Passion, BWV 244 - Part One: no. 26 Evangelist, Jesus, Judas: “Und er kam und fand sie aber schlafend”
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:36
27St. Matthew Passion, BWV 244 - Part One: no. 27 Aria (Soprano, Alto, Chorus II): “So ist mein Jesus nun gefangen” - Chorus I/II: “Sind Blitze, sind Donner”
alto vocals:
Nathalie Stutzmann (contralto and conductor) (in 1997-09)
choir vocals:
Tokyo Opera Singers (in 1997-09)
soprano vocals:
Christiane Oelze (German soprano) (in 1997-09)
orchestra:
Saito Kinen Orchestra (in 1997-09)
conductor:
Seiji Osawa (Seiji Ozawa, conductor and composer) (in 1997-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (in 1997-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:34
28St. Matthew Passion, BWV 244 - Part One: no. 28 Evangelist, Jesus: “Und siehe, einer aus denen”
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:24
29St. Matthew Passion, BWV 244 - Part One: no. 29 Choral: “O Mensch, bewein dein Sünde groß”
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:35
4▼CD: Bach: St. Matthew Passion
#TitleArtistRatingLength
1St. Matthew Passion, BWV 244 - Part Two: no. 30 Aria (Alto, Chorus II): “Ach nun ist mein Jesu hin”
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:27
2St. Matthew Passion, BWV 244 - Part Two: no. 31 Evangelist: “Die aber Jesum gegriffen hatten”
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:06
3St. Matthew Passion, BWV 244 - Part Two: no. 32 Choral: “Mir hat die Welt trüglich gericht”
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'"
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:41
4St. Matthew Passion, BWV 244 - Part Two: no. 33 Evangelist, Pontifex, Testis I/II: “Und wiewohl viel falsche Zeugen herzutraten”
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:15
5St. Matthew Passion, BWV 244 - Part Two: no. 34 Recitative (Tenor): “Mein Jesus schweigt zu falschen Lügen stille”
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:48
6St. Matthew Passion, BWV 244 - Part Two: no. 35 Aria (Tenor): “Geduld”
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:25
7St. Matthew Passion, BWV 244 - Part Two: no. 36 Evangelist, Pontifex, Jesus, Chorus I/II: “Und der Hohepriester antwortete”
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:00
8St. Matthew Passion, BWV 244 - Part Two: no. 37 Choral: “Wer hat dich so geschlagen”
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen"
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:51
9St. Matthew Passion, BWV 244 - Part Two: no. 38 Evangelist, Ancilla I/II, Petrus, Chorus II: “Petrus aber sass draussen im Palast”
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:38
10St. Matthew Passion, BWV 244 - Part Two: no. 39 Aria (Alto): “Erbarme dich”
alto vocals:
Nathalie Stutzmann (contralto and conductor) (in 1997-09)
orchestra:
Saito Kinen Orchestra (in 1997-09)
conductor:
Seiji Osawa (Seiji Ozawa, conductor and composer) (in 1997-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1997-09)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:26
11St. Matthew Passion, BWV 244 - Part Two: no. 40 Choral: “Bin ich gleich von dir gewichen”
choir vocals:
Tokyo Opera Singers (in 1997-09)
orchestra:
Saito Kinen Orchestra (in 1997-09)
conductor:
Seiji Osawa (Seiji Ozawa, conductor and composer) (in 1997-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (in 1997-09)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:55
12St. Matthew Passion, BWV 244 - Part Two: no. 41 Evangelist, Judas, Chorus I/II, Pontifex I/II: “Des Morgens aber hielten alle Hohepriester”
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:42
13St. Matthew Passion, BWV 244 - Part Two: no. 42 Aria (Bass): “Gebt mir meinen Jesum wieder”
bass vocals:
Michael Volle (baritone) (in 1997-09)
orchestra:
Saito Kinen Orchestra (in 1997-09)
conductor:
Seiji Osawa (Seiji Ozawa, conductor and composer) (in 1997-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1997-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:57
14St. Matthew Passion, BWV 244 - Part Two: no. 43 Evangelist, Pilatus, Jesus: “Sie hielten aber einen Rat”
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:37
15St. Matthew Passion, BWV 244 - Part Two: no. 44 Choral: “Befiel du deine Wege”
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege"
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:13
5▼CD: Bach: St. Matthew Passion
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1St. Matthew Passion, BWV 244 - Part Two: no. 45 Evangelista: “Auf Das Fest Aber”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Chori)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
Johann Sebastian Bach2:30
2St. Matthew Passion, BWV 244 - Part Two: no. 46 Choral: “Wie Wunderbarlich Ist Doch Diese Strafe!”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe"
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:47
3St. Matthew Passion, BWV 244 - Part Two: no. 47 Evangelista: “Der Landpfleger Sagte”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:20
4St. Matthew Passion, BWV 244 - Part Two: no. 48 Recitativo: “Er Hat Uns Allen Wohlgetan”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:08
5St. Matthew Passion, BWV 244 - Part Two: no. 49 Aria: ”Aus Liebe Will Mein Heiland Sterben”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:06
6St. Matthew Passion, BWV 244 - Part Two: no. 50 Evangelista: “Sie Schrieen Aber Noch Mehr”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach1:38
7St. Matthew Passion, BWV 244 - Part Two: no. 51 Recitativo: “Erbarm Es Gott!”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:09
8St. Matthew Passion, BWV 244 - Part Two: no. 52 Aria: ”Konnen Tranen Meiner Wangen”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:20
9St. Matthew Passion, BWV 244 - Part Two: no. 53 Evangelista: “Da Nahmen Die Kriegsknechte”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
Johann Sebastian Bach1:04
10St. Matthew Passion, BWV 244 - Part Two: no. 54 Choral: “O Haupt Voll Blut Und Wunden”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden"
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:18
11St. Matthew Passion, BWV 244 - Part Two: no. 55 Evangelista: “Und Da Sie Ihn Verspottet Hatten”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:59
12St. Matthew Passion, BWV 244 - Part Two: no. 56 Recitativo: “Ja! Freilich Will In Uns Das Fleisch und Blut”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:39
13St. Matthew Passion, BWV 244 - Part Two: no. 57 Aria: ”Komm, Susses Kreuz”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:30
14St. Matthew Passion, BWV 244 - Part Two: no. 58 Evangelista: “Und Da Sie An Die Statte Kamen”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie and die Stätte kamen" (Evangelista)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach3:25
15St. Matthew Passion, BWV 244 - Part Two: no. 59 Recitativo: “Ach, Golgatha”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:29
16St. Matthew Passion, BWV 244 - Part Two: no. 60 Aria: ”Sehet, Jesus Hat Die Hand”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:16
17St. Matthew Passion, BWV 244 - Part Two: no. 61 Evangelista: “Und Von Der Sechsten Stunde An”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
Johann Sebastian Bach2:45
18St. Matthew Passion, BWV 244 - Part Two: no. 62 Choral: “Wenn Ich Einmal Soll Scheiden”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden"
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:33
19St. Matthew Passion, BWV 244 - Part Two: no. 63 Evangelista: “Und Siehe Da, Der Vorhang Im Tempel”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
Johann Sebastian Bach2:40
20St. Matthew Passion, BWV 244 - Part Two: no. 64 Recitativo: “Am Abend Da Es Kuhle War”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:47
21St. Matthew Passion, BWV 244 - Part Two: no. 65 Aria: ”Mache Dich, Mein Herze, Rein”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:14
22St. Matthew Passion, BWV 244 - Part Two: no. 66 Evangelista: “Und Joseph Nahm Den Leib”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
Johann Sebastian Bach2:28
23St. Matthew Passion, BWV 244 - Part Two: no. 67 Recitativo: “Nun Ist Der Herr Zur Ruh Gebracht”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:00
24St. Matthew Passion, BWV 244 - Part Two: no. 68 Choral: “Wir setzen uns mit Tränen nieder”
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:09
6▶CD: Beethoven: Symphony no. 1 / Leonore Overture nos. 2 & 3
7▶CD: Beethoven: Symphonies nos. 2 & 7 / Leonore Overture
8▶CD: Beethoven: Symphony no. 3 “Eroica” / Egmont Overture
9▶CD: Beethoven: Symphonies nos. 4 & 8 / Leonore Overture
10▶CD: Beethoven: Symphony no. 6 “Pastoral” / Leonore Overture no. 3
11▶CD: Beethoven: Symphony no. 9 “Choral”
12▶CD: Symphony no. 1 / Hungarian Dances nos. 1, 3 & 10
13▶CD: Brahms: Symphonies nos. 2 & 3
14▶CD: Symphony no. 4 / Hungarian Dances nos. 5 & 6
15▶CD: Bruckner: Symphony no. 7