Famous Cantatas vol. 2

~ Release by Johann Sebastian Bach, Philippe Herreweghe & Collegium Vocale Gent (see all versions of this release, 1 available)

Tracklist

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1▼CD: Cantates profanes BWV 207 & 214
#TitleArtistRatingLength
1Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": I. Chorale "Vereinigte Zwietracht der wechselnden Saiten"
recording engineer:
Markus Heiland (German recording engineer) (in 2004-06)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 2004-06)
orchestra:
Collegium Vocale Gent (in 2004-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2004-06)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2005)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": I. Chorus "Vereinigte Zwietracht der wechselnden Saiten" (in 2004-06)
premiered in:
Leipzig (on 1726-12-11)
composed in:
Leipzig (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
Johann Sebastian Bach4:33
2Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": II. Recitativo "Wen treibt ein edler Trieb"
recording engineer:
Markus Heiland (German recording engineer) (in 2004-06)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (task: direction artistique)
tenor vocals:
Mark Padmore (British tenor) (in 2004-06)
orchestra:
Collegium Vocale Gent (in 2004-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2004-06)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2005)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": II. Recitativo "Wen treibt ein edler Trieb zu dem, was Ehre heißt" (Tenore) (in 2004-06)
premiered in:
Leipzig (on 1726-12-11)
composed in:
Leipzig (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
Johann Sebastian Bach1:43
3Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": III. Aria "Zieht euren Fuß nur nicht zurücke"
recording engineer:
Markus Heiland (German recording engineer) (in 2004-06)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (task: direction artistique)
tenor vocals:
Mark Padmore (British tenor) (in 2004-06)
orchestra:
Collegium Vocale Gent (in 2004-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2004-06)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2005)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": III. Aria "Zieht euren Fuß nur nicht zurücke" (Tenore) (in 2004-06)
premiered in:
Leipzig (on 1726-12-11)
composed in:
Leipzig (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
Johann Sebastian Bach3:50
4Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": IV. Recitativo "Dem nur allein"
recording engineer:
Markus Heiland (German recording engineer) (in 2004-06)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (task: direction artistique)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2004-06)
soprano vocals:
Carolyn Sampson (soprano) (in 2004-06)
orchestra:
Collegium Vocale Gent (in 2004-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2004-06)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2005)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": IV. Recitativo "Dem nur allein" (Basso, Soprano) (in 2004-06)
premiered in:
Leipzig (on 1726-12-11)
composed in:
Leipzig (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
Johann Sebastian Bach2:01
5Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": V. Aria Duetto (e Ritornello) "Den soll mein Lorbeer schützend decken"
recording engineer:
Markus Heiland (German recording engineer) (in 2004-06)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (task: direction artistique)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2004-06)
soprano vocals:
Carolyn Sampson (soprano) (in 2004-06)
orchestra:
Collegium Vocale Gent (in 2004-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2004-06)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2005)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": V. Aria Duetto "Den soll mein Lorbeer" (Basso, Soprano) (in 2004-06)
premiered in:
Leipzig (on 1726-12-11)
composed in:
Leipzig (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": Va. Ritornello (from 2004 until 2004-06)
premiered in:
Leipzig (on 1726-12-11)
composed in:
Leipzig (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
Johann Sebastian Bach5:45
6Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": VI. Recitativo "Es ist kein leeres Wort"
recording engineer:
Markus Heiland (German recording engineer) (in 2004-06)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (task: direction artistique)
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2004-06)
orchestra:
Collegium Vocale Gent (in 2004-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2004-06)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2005)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": VI. Recitativo "Es ist kein leeres Wort " (Alto) (in 2004-06)
premiered in:
Leipzig (on 1726-12-11)
composed in:
Leipzig (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
Johann Sebastian Bach1:50
7Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": VII. Aria "Ätzet dieses Angedenken"
recording engineer:
Markus Heiland (German recording engineer) (in 2004-06)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (task: direction artistique)
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2004-06)
orchestra:
Collegium Vocale Gent (in 2004-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2004-06)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2005)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": VII. Aria "Ätzet dieses Angedenken" (Alto) (in 2004-06)
premiered in:
Leipzig (on 1726-12-11)
composed in:
Leipzig (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
Johann Sebastian Bach4:58
8Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": VIII. Recitativo "Ihr Schläfrigen, herbei!"
recording engineer:
Markus Heiland (German recording engineer) (in 2004-06)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (task: direction artistique)
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2004-06)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2004-06)
soprano vocals:
Carolyn Sampson (soprano) (in 2004-06)
tenor vocals:
Mark Padmore (British tenor) (in 2004-06)
orchestra:
Collegium Vocale Gent (in 2004-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2004-06)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2005)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": VIII. Recitativo "Ihr Schläfrigen, herbei" (Tenore, Basso, Soprano, Alto) (in 2004-06)
premiered in:
Leipzig (on 1726-12-11)
composed in:
Leipzig (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
Johann Sebastian Bach2:58
9Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": IX. Chorale "Kortte lebe, Kortte blühe!"
recording engineer:
Markus Heiland (German recording engineer) (in 2004-06)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 2004-06)
orchestra:
Collegium Vocale Gent (in 2004-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2004-06)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2005)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": IX. Chorus "Kortte lebe, Kortte blühe" (in 2004-06)
premiered in:
Leipzig (on 1726-12-11)
composed in:
Leipzig (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
Johann Sebastian Bach3:37
10Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten": I. Chorale "Tönet, ihr Pauken! Erschallet, Trompeten!"
recording engineer:
Markus Heiland (German recording engineer) (in 2004-06)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 2004-06)
orchestra:
Collegium Vocale Gent (in 2004-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2004-06)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2005)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!" (in 2004-06)
premiered in:
Leipzig (on 1733-12-07)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Johann Sebastian Bach7:39
11Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten": II. Recitativo "Heut ist der Tag"
recording engineer:
Markus Heiland (German recording engineer) (in 2004-06)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (task: direction artistique)
tenor vocals:
Mark Padmore (British tenor) (in 2004-06)
orchestra:
Collegium Vocale Gent (in 2004-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2004-06)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2005)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": II. Recitativo (Tenor) "Heut ist der Tag" (in 2004-06)
premiered in:
Leipzig (on 1733-12-07)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Johann Sebastian Bach0:56
12Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten": III. Aria "Blast die wohlgegriffnen Flöten"
recording engineer:
Markus Heiland (German recording engineer) (in 2004-06)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (task: direction artistique)
soprano vocals:
Carolyn Sampson (soprano) (in 2004-06)
orchestra:
Collegium Vocale Gent (in 2004-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2004-06)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2005)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": III. Aria (Sopran) "Blast die wohlgegriffnen Flöten" (in 2004-06)
premiered in:
Leipzig (on 1733-12-07)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Johann Sebastian Bach3:18
13Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten": IV. Recitativo "Mein knallendes Metall"
recording engineer:
Markus Heiland (German recording engineer) (in 2004-06)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (task: direction artistique)
soprano vocals:
Carolyn Sampson (soprano) (in 2004-06)
orchestra:
Collegium Vocale Gent (in 2004-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2004-06)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2005)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": IV. Recitativo (Sopran) "Mein knallendes Metall" (in 2004-06)
premiered in:
Leipzig (on 1733-12-07)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Johann Sebastian Bach0:50
14Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten": V. Aria "Fromme Musen! meine Glieder!"
recording engineer:
Markus Heiland (German recording engineer) (in 2004-06)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (task: direction artistique)
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2004-06)
orchestra:
Collegium Vocale Gent (in 2004-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2004-06)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2005)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": V. Aria (Alt) "Fromme Musen! meine Glieder!" (in 2004-06)
premiered in:
Leipzig (on 1733-12-07)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Johann Sebastian Bach3:23
15Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten": VI. Recitativo "Unsre Königin im Lande"
recording engineer:
Markus Heiland (German recording engineer) (in 2004-06)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (task: direction artistique)
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2004-06)
orchestra:
Collegium Vocale Gent (in 2004-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2004-06)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2005)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": VI. Recitativo (Alt) "Unsre Königin im Lande" (in 2004-06)
premiered in:
Leipzig (on 1733-12-07)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Johann Sebastian Bach0:57
16Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten": VII. Aria "Kron und Preis gekrönter Damen"
recording engineer:
Markus Heiland (German recording engineer) (in 2004-06)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (task: direction artistique)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2004-06)
orchestra:
Collegium Vocale Gent (in 2004-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2004-06)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2005)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": VII. Aria (Bass) "Kron und Preis gekrönter Damen" (in 2004-06)
premiered in:
Leipzig (on 1733-12-07)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Johann Sebastian Bach4:29
17Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten": VIII. Recitativo "So dringe in das weite Erdenrund"
recording engineer:
Markus Heiland (German recording engineer) (in 2004-06)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (task: direction artistique)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2004-06)
orchestra:
Collegium Vocale Gent (in 2004-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2004-06)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2005)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": VIII. Recitativo (Bass) "So dringe in das weite Erdenrund" (in 2004-06)
premiered in:
Leipzig (on 1733-12-07)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Johann Sebastian Bach1:07
18Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten": IX. Chorale "Blühet, ihr Linden in Sachsen, wie Zedern!"
recording engineer:
Markus Heiland (German recording engineer) (in 2004-06)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 2004-06)
orchestra:
Collegium Vocale Gent (in 2004-06)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2004-06)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2005)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": IX. Coro "Blühet, ihr Linden in Sachsen, wie Zedern!" (in 2004-06)
premiered in:
Leipzig (on 1733-12-07)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Johann Sebastian Bach2:17
2▼CD: Bach Kantaten BWV 120, 119, 29
#TitleArtistRatingLength
1Kantate, BWV 120 "Gott, man lobet dich in der Stille": I. Arie "Gott, man lobet dich in der Stille zu Zion"
alto vocals:
Ingeborg Danz (mezzo soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (in 1999-01)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": I. Aria (Alt) "Gott, man lobet dich in der Stille" (former BWV 120) (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
Johann Sebastian Bach5:19
2Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Chor "Jauchzet, ihr erfreuten Stimmen"
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (in 1999-01)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120) (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
Johann Sebastian Bach6:24
3Kantate, BWV 120 "Gott, man lobet dich in der Stille": III. Rezitativ "Auf, du geliebte Lindenstadt!"
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (in 1999-01)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": III. Recitativo (Bass) "Auf, du geliebte Lindenstadt" (former BWV 120) (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
Johann Sebastian Bach1:15
4Kantate, BWV 120 "Gott, man lobet dich in der Stille": IV. Arie "Heil und Segen"
soprano vocals:
Deborah York
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (in 1999-01)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": IV. Aria (Sopran) "Heil und Segen" (former BWV 120) (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
Johann Sebastian Bach5:03
5Kantate, BWV 120 "Gott, man lobet dich in der Stille": V. Rezitativ "Nun, Herr, so weihe selbst das Regiment"
alto vocals:
Mark Padmore (British tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (in 1999-01)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": V. Recitativo (Tenor) "Nun, Herr, so weihe selbst" (former BWV 120) (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
Johann Sebastian Bach0:44
6Kantate, BWV 120 "Gott, man lobet dich in der Stille": VI. Choral "Nun hilf uns, Herr, den Dienern dein"
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (in 1999-01)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": VI. Choral "Nun hilf uns, Herr, den Dienern dein" (former BWV 120) (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Martin Luther (German theologian of the Reformation) (in 1529)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig
part of:
Breitkopf 389 Choralgesänge (number: 135)
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
Johann Sebastian Bach1:16
7Kantate, BWV 119 "Preise, Jerusalem, den Herrn": I. Chor "Preise, Jerusalem, den Herrn"
choir vocals:
Collegium Vocale Gent (in 1999-01)
orchestra:
Collegium Vocale Gent (in 1999-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1999-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (in 1999-01)
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": I. Coro "Preise, Jerusalem, den Herrn" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach4:59
8Kantate, BWV 119 "Preise, Jerusalem, den Herrn": II. Rezitativ "Gesegnet Land! Glückselge Stadt!"
alto vocals:
Mark Padmore (British tenor) (in 1999-01)
orchestra:
Collegium Vocale Gent (in 1999-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1999-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (in 1999-01)
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": II. Recitativo (Tenor) "Gesegnet Land! glückselge Stadt" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach1:17
9Kantate, BWV 119 "Preise, Jerusalem, den Herrn": III. Arie "Wohl dir, du Volk der Linden"
alto vocals:
Mark Padmore (British tenor) (in 1999-01)
orchestra:
Collegium Vocale Gent (in 1999-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1999-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (in 1999-01)
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": III. Aria (Tenor) "Wohl dir, du Volk der Linden" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach3:41
10Kantate, BWV 119 "Preise, Jerusalem, den Herrn": IV. Rezitativ "So herrlich stehst du, liebe Stadt!"
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1999-01)
orchestra:
Collegium Vocale Gent (in 1999-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1999-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (in 1999-01)
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": IV. Recitativo (Bass) "So herrlich stehst du, liebe Stadt" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach1:47
11Kantate, BWV 119 "Preise, Jerusalem, den Herrn": V. Arie "Die Obrigkeit ist Gottes Gabe"
alto vocals:
Ingeborg Danz (mezzo soprano) (in 1999-01)
orchestra:
Collegium Vocale Gent (in 1999-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1999-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (in 1999-01)
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": V. Aria (Alt) "Die Obrigkeit ist Gottes Gabe" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach2:48
12Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VI. Rezitativ "Nun, wir erkennen es und bringen dir"
soprano vocals:
Deborah York (in 1999-01)
orchestra:
Collegium Vocale Gent (in 1999-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1999-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (in 1999-01)
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VI. Recitativo (Sopran) "Nun! Wir erkennen es und bringen dir" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach0:53
13Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VII. Chor "Der Herr hat Guts an uns getan"
choir vocals:
Collegium Vocale Gent (in 1999-01)
orchestra:
Collegium Vocale Gent (in 1999-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1999-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (in 1999-01)
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VII. Coro "Der Herr hat Guts an uns getan" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach5:40
14Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VIII. Rezitativ "Zuletzt!"
alto vocals:
Ingeborg Danz (mezzo soprano) (in 1999-01)
orchestra:
Collegium Vocale Gent (in 1999-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1999-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (in 1999-01)
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VIII. Recitativo (Alt) "Zuletzt! Da du uns Herr, zu deinem Volk gesetzt" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach0:39
15Kantate, BWV 119 "Preise, Jerusalem, den Herrn": IX. Choral "Hilf deinem Volk, Herr Jesu Christ"
choir vocals:
Collegium Vocale Gent (in 1999-01)
orchestra:
Collegium Vocale Gent (in 1999-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1999-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (in 1999-01)
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": IX. Choral "Hilf deinem Volk, Herr Jesu Christ" (in 1999-01)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig (on 1723-08-30)
part of:
Breitkopf 389 Choralgesänge (number: 134)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach0:57
16Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": I. Sinfonia
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (in 1999-01)
recording of:
Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach3:14
17Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (in 1999-01)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach2:31
18Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": III. Aria (Tenore) "Halleluja, Stärk und Macht"
alto vocals:
Mark Padmore (British tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (in 1999-01)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": III. Aria (Tenore) "Halleluja, Stärk und Macht" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach5:51
19Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": IV. Recitativo (Basso) "Gottlob! es geht uns wohl!"
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (in 1999-01)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": IV. Recitativo (Basso) "Gottlob! es geht uns wohl!" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach0:55
20Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": V. Aria (Soprano) "Gedenk an uns mit deiner Liebe"
soprano vocals:
Deborah York
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (in 1999-01)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": V. Aria (Soprano) "Gedenk an uns mit deiner Liebe" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach5:28
21Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VI. Recitativo (Alto) e Coro "Vergiß es ferner nicht, mit deiner Hand"
alto vocals:
Ingeborg Danz (mezzo soprano)
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (in 1999-01)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VI. Recitativo (Alto) e Coro "Vergiß es ferner nicht, mit deiner Hand" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach0:27
22Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VII. Aria (Alto) "Halleluja, Stärk und Macht"
alto vocals:
Ingeborg Danz (mezzo soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (in 1999-01)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VII. Aria (Alto) "Halleluja, Stärk und Macht" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach1:37
23Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VIII. Choral "Sei Lob und Preis mit Ehren"
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (in 1999-01)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VIII. Choral "Sei Lob und Preis mit Ehren" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 272)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach1:55
3▼CD: Bach Trauerode BWV 198 & Cantate BWV 78
#TitleArtistRatingLength
1Trauerode, BWV 198: Coro: "Laß, Fürstin, laß noch einen Strahl"
choir vocals:
Ensemble vocal européen de la Chapelle royale
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": I. Coro "Laß, Fürstin, laß noch einen Strahl" (in 1987-11)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach5:58
2Trauerode, BWV 198: Recitativo (soprano): "Dein Sachsen"
soprano vocals:
Ingrid Schmithüsen (Sopran)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": II. Recitativo (Sopran) "Dein Sachsen, dein bestürztes Meißen" (in 1987-11)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:11
3Trauerode, BWV 198: Aria (soprano): "Verstummt!"
soprano vocals:
Ingrid Schmithüsen (Sopran)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": III. Aria (Sopran) "Verstummt, verstummt, ihr holden Saiten" (in 1987-11)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach3:52
4Trauerode, BWV 198: Recitativo (alto): "Der Glocken bebendes Getön"
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IV. Recitavo (Alt) "Der Glocken bebendes Getön" (in 1987-11)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach0:58
5Trauerode, BWV 198: Aria (alto): "Wie starb die Heldin so vergnügt"
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": V. Aria (Alt) "Wie starb die Heldin so vergnügt" (in 1987-11)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach7:23
6Trauerode, BWV 198: Recitativo (tenor): "Ihr Leben ließ die Kunst zu sterben"
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VI. Recitavo (Tenor) "Ihr Leben ließ die Kunst zu sterben" (in 1987-11)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:08
7Trauerode, BWV 198: Coro: "An dir, du Fürbild Großer Frauen"
choir vocals:
Ensemble vocal européen de la Chapelle royale
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VII. Coro "An dir, du Fürbild großer Frauen" (in 1987-11)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach2:09
8Trauerode, BWV 198: Aria (tenor): "Der Ewigkeit saphirnes Haus"
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VIII. Aria (Tenor) "Der Ewigkeit saphirnes Haus" (in 1987-11)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach4:07
9Trauerode, BWV 198: Recitativo (basso): "Was Wunder ist?"
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IX. Recitativo (Bass) "Was Wunder ists? Du bist es wert" (in 1987-11)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach2:28
10Trauerode, BWV 198: Chorus Ultimus: "Doch, Königin!"
choir vocals:
Collegium Vocale Gent and Ensemble vocal européen de la Chapelle royale
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": X. Coro "Doch Königin! du stirbest nicht" (in 1987-11)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach5:10
11Jesu, der du meine Seele, BWV 78: Coro: "Jesu, der du meine Seele"
choir vocals:
Ensemble vocal européen de la Chapelle royale
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": I. Coro "Jesu, der du meine Seele" (in 1987-11)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach5:31
12Jesu, der du meine Seele, BWV 78: Aria, duetto (soprano, alto): "Wir eilen"
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century)
soprano vocals:
Ingrid Schmithüsen (Sopran)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten" (in 1987-11)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach5:17
13Jesu, der du meine Seele, BWV 78: Recitativo (tenor): "Ach! ich bin ein Kind der Sünden"
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": III. Recitativo (Tenor) "Ach! ich bin ein Kind der Sünden" (in 1987-11)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach2:09
14Jesu, der du meine Seele, BWV 78: Aria (tenor): "Dein Blut"
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": IV. Aria (Tenor) "Das Blut, so meine Schuld durchstreicht" (in 1987-11)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach3:23
15Jesu, der du meine Seele, BWV 78: Recitativo (basso): "Die Wunden, Nägel, Kron und Grab"
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": V. Recitativo (Bass) "Die Wunden, Nägel, Kron und Grab" (in 1987-11)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach2:36
16Jesu, der du meine Seele, BWV 78: Aria (basso): "Nun du wirst mein Gewissen stillen"
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": VI. Aria (Bass) "Nun du wirst mein Gewissen stillen" (in 1987-11)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach3:10
17Jesu, der du meine Seele, BWV 78: Choral: "Herr, ich glaube"
choir vocals:
Ensemble vocal européen de la Chapelle royale
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": VII. Choral "Herr, ich glaube, hilf mir Schwachen" (in 1987-11)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 188)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach1:06