The Christmas Trilogy

~ Release by Trans‐Siberian Orchestra (see all versions of this release, 2 available)

Annotation

© «2009 Atlantic Records»
℗ «2014 Rhino Entertainment Company, A Warner Music Group Company.»

Countries where available (iTunes + Deezer + Spotify)

(As of 2020-10-30).

  • Northern America: 🇺🇸 United States (us) 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx)
Annotation last modified on 2020-10-30 03:32 UTC.

Tracklist

| |
1▼Digital Media: Christmas Eve and Other Stories
#TitleRatingLength
1An Angel Came Down
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, United States and Studio 900 in New York, United States
mixed at:
Sound Tracks in New York, United States
recording of:
An Angel Came Down
lyricist:
Paul O’Neill (US rock producer)
composer:
Paul O’Neill (US rock producer) and Jon Oliva
publisher:
Paul O’Neill Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
43:52
2O Come All Ye Faithful / O Holy Night (instrumental)
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, United States and Studio 900 in New York, United States
mixed at:
Sound Tracks in New York, United States
recording of:
O Come All Ye Faithful / O Holy Night
medley of:
O Come All Ye Faithful (Trans‐Siberian Orchestra arrangement)
medley of:
O Holy Night (Trans‐Siberian Orchestra arrangement)
54:19
3A Star to Follow
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
associate producer:
Zak Stevens
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, United States and Studio 900 in New York, United States
mixed at:
Sound Tracks in New York, United States
recording of:
A Star to Follow
lyricist and composer:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
is based on:
God Rest Ye Merry, Gentlemen (traditional, no arrangement credits here)
43:49
4First Snow (instrumental)
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, United States and Studio 900 in New York, United States
mixed at:
Sound Tracks in New York, United States
recording of:
First Snow
composer:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
53:53
5The Silent Nutcracker (instrumental)
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, United States and Studio 900 in New York, United States
mixed at:
Sound Tracks in New York, United States
recording of:
The Silent Nutcracker
arranger:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
medley of:
Stille Nacht, heilige Nacht
medley of:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (The Nutcracker, op. 71: March, March)
42:22
6A Mad Russian’s Christmas (instrumental)
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, United States and Studio 900 in New York, United States
mixed at:
Sound Tracks in New York, United States
recording of:
A Mad Russian’s Christmas
composer:
Robert Kinkel and Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing, Robert Steller Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
medley of:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (The Nutcracker, op. 71: March, March)
medley of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
medley of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12d. Дивертисмент (г) Трепак: русский танец (Trepak: Russian dance)
3.54:42
7The Prince of Peace
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, United States and Studio 900 in New York, United States
mixed at:
Sound Tracks in New York, United States
recording of:
The Prince of Peace
lyricist and composer:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
53:33
8Christmas Eve/Sarajevo 12/24 (instrumental)
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, United States and Studio 900 in New York, United States
mixed at:
Sound Tracks in New York, United States
recording of:
Christmas Eve/Sarajevo 12/24
composer:
Robert Kinkel and Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing, Robert Steller Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
43:25
9Good King Joy
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, United States and Studio 900 in New York, United States
mixed at:
Sound Tracks in New York, United States
recording of:
Good King Joy
lyricist:
Paul O’Neill (US rock producer)
composer:
Robert Kinkel and Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing (from 1997 to present), Robert Steller Publishing (from 1997 to present) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1997 to present)
is based on:
Good King Wenceslas
is based on:
Joy to the World (Christmas carol)
56:36
10Ornament
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, United States and Studio 900 in New York, United States
mixed at:
Sound Tracks in New York, United States
recording of:
Ornament
lyricist:
Paul O’Neill (US rock producer)
composer:
Paul O’Neill (US rock producer) and Jon Oliva
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3.653:37
11The First Noel (instrumental)
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, United States and Studio 900 in New York, United States
mixed at:
Sound Tracks in New York, United States
recording of:
The First Noel (Trans‐Siberian Orchestra arrangement)
composer:
[traditional] (special purpose artist)
arranger:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
arrangement of:
The First Nowell
30:55
12Old City Bar
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, United States and Studio 900 in New York, United States
mixed at:
Sound Tracks in New York, United States
recording of:
Old City Bar
lyricist and composer:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3.56:18
13Promises to Keep
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, United States and Studio 900 in New York, United States
mixed at:
Sound Tracks in New York, United States
recording of:
Promises to Keep
lyricist:
Paul O’Neill (US rock producer)
composer:
Robert Kinkel and Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing (from 1997 to present), Robert Steller Publishing (from 1997 to present) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1997 to present)
3.52:41
14This Christmas Day
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, United States and Studio 900 in New York, United States
mixed at:
Sound Tracks in New York, United States
recording of:
This Christmas Day
lyricist:
Paul O’Neill (US rock producer)
composer:
Paul O’Neill (US rock producer) and Jon Oliva
publisher:
John Oliva Pub Designee (from 1997 to ????), Paul O’Neill Publishing (from 1997 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1997 to present) and WB Music Corp. (1929–2019) (from 1997 to present)
54:20
15An Angel Returned
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, United States and Studio 900 in New York, United States
mixed at:
Sound Tracks in New York, United States
recording of:
An Angel Returned
lyricist:
Paul O’Neill (US rock producer)
composer:
Paul O’Neill (US rock producer) and Jon Oliva
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
43:52
16O Holy Night
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, United States and Studio 900 in New York, United States
mixed at:
Sound Tracks in New York, United States
recording of:
O Holy Night (Trans‐Siberian Orchestra arrangement)
composer:
Adolphe Adam (French composer) (in 1847)
arranger:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
arrangement of:
O Holy Night
52:40
17God Rest Ye Merry Gentlemen
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, United States and Studio 900 in New York, United States
mixed at:
Sound Tracks in New York, United States
recording of:
God Rest Ye Merry Gentlemen (Trans‐Siberian Orchestra arrangement)
composer:
[traditional] (special purpose artist)
arranger:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
arrangement of:
God Rest Ye Merry, Gentlemen (traditional, no arrangement credits here)
3.51:16
2▼Digital Media: The Christmas Attic
#TitleRatingLength
1The Ghosts of Christmas Eve
recording of:
The Ghosts of Christmas Eve
lyricist:
Paul O’Neill (US rock producer)
composer:
Bob Kinkel and Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing, Robert Steller Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3.52:15
2Boughs of Holly
recording of:
Boughs of Holly
composer:
Bob Kinkel and Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing, Robert Steller Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
is based on:
Deck the Halls
54:25
3The World That She Sees
solo vocals:
Jody Ashworth
edit of:
The World That She Sees (1998 original length version) by Trans‐Siberian Orchestra
recording of:
The World That She Sees
lyricist:
Paul O’Neill (US rock producer)
composer:
Paul O’Neill (US rock producer) and Jon Oliva
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:01
4The World That He Sees
recording of:
The World That He Sees
lyricist:
Paul O’Neill (US rock producer)
composer:
Bob Kinkel and Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing, Robert Steller Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
4:45
5Midnight Christmas Eve
recording of:
Midnight Christmas Eve
composer:
Paul O’Neill (US rock producer) and Jon Oliva
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
54:21
6March of the Kings / Hark the Herald Angel
recording of:
The March of the Kings / Hark the Herald Angels Sing
arranger:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
medley of:
Hark! The Herald Angels Sing (Christmas carol)
medley of:
The March of the Kings (Trans‐Siberian Orchestra arrangement)
53:52
7The Three Kings and I (What Really Happened)
solo vocals:
Marlene Danielle and Darryl Pediford (Soul singer - songwriter)
recording of:
The Three Kings and I (What Really Happened)
lyricist:
Paul O’Neill (US rock producer)
composer:
Bob Kinkel and Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing, Robert Steller Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
is based on:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
is based on:
O Holy Night
36:29
8Christmas Canon
recording engineer and mixer:
Dave Wittman
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
recorded at and mixed at:
Soundtrack in New York, United States
recording of:
Christmas Canon (original version)
lyricist:
Paul O’Neill (US rock producer)
composer:
Paul O’Neill (US rock producer) and Johann Pachelbel (composer)
publisher:
Paul O’Neill Publishing (from 1998 to present) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1998 to present)
is based on:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
54:19
9Joy of Man’s Desire / Angels We Have Heard on High
solo vocals:
Peggy Harley
recording of:
Joy / Angels We Have Heard on High
arranger:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
medley of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
medley of:
Les Anges dans nos campagnes
53:56
10Find Our Way Home
solo vocals:
Tommy Farese
recording of:
Find Our Way Home
lyricist:
Paul O’Neill (US rock producer)
composer:
Paul O’Neill (US rock producer) and Jon Oliva
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
53:46
11Appalachian Snowfall
recording of:
Appalachian Snowfall
composer:
Bob Kinkel and Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing, Robert Steller Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
54:13
12The Music Box
solo vocals:
Katrina Chester
recording of:
The Music Box
lyricist and composer:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
53:01
13The Snow Came Down
solo vocals:
Tommy Farese
recording of:
The Snow Came Down
lyricist:
Paul O’Neill (US rock producer)
composer:
Bob Kinkel and Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing, Robert Steller Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
55:43
14Christmas in the Air
recording of:
Christmas in the Air
lyricist:
Paul O’Neill (US rock producer)
composer:
Paul O’Neill (US rock producer) and Jon Oliva
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
54:13
15Dream Child (A Christmas Dream)
solo vocals:
Joe Cerisano
recording of:
Dream Child (A Christmas Dream)
lyricist:
Jon Oliva
composer:
Paul O’Neill (US rock producer) and Jon Oliva
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
57:05
16An Angel’s Share
solo vocals:
Marlene Danielle
recording of:
An Angel’s Share
lyricist:
Paul O’Neill (US rock producer)
composer:
Bob Kinkel and Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing, Robert Steller Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
53:05
17Music Box Blues
recording of:
Music Box Blues
lyricist and composer:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing (from 1998 to present) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1998 to present)
55:36
3▼Digital Media: The Lost Christmas Eve (disc 1)
#TitleRatingLength
1Faith Noel
recording of:
Faith Noel
composer:
[traditional] (special purpose artist), Robert Kinkel and Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing, Robert Steller Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
is based on:
Adeste fideles (original latin version)
is based on:
The First Nowell
54:32
2The Lost Christmas Eve Narration
5:21
3The Lost Christmas Eve
lead vocals:
J. Mark McVey
solo other vocals [child vocal]:
Gretchen Kinkel (choir) and Kelsey Surdan
recording of:
The Lost Christmas Eve
lyricist:
Paul O’Neill (US rock producer)
composer:
Paul O’Neill (US rock producer) and Al Pitrelli
publisher:
A ’n’ J Publishing, Paul O’Neill Publishing, Tenyor Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
55:33
4Christmas Dreams Narration
1:24
5Christmas Dreams
lead vocals:
Michael Lanning
recording of:
Christmas Dreams
lyricist:
Paul O’Neill (US rock producer)
composer:
Robert Kinkel and Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing (from 2004 to present), Robert Steller Publishing (from 2004 to present) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 2004 to present)
53:54
6Wizards in Winter Narration
0:53
7Wizards in Winter (instrumental)
recording of:
Wizards in Winter
composer:
Robert Kinkel and Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing, Robert Steller Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
53:06
8Remember Narration
1:02
9Remember
recording of:
Remember
lyricist:
Paul O’Neill (US rock producer)
composer:
Robert Kinkel and Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing, Robert Steller Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3.53:25
10Anno Domine Narration
0:45
11Anno Domine
recording of:
Anno Domine
lyricist and composer:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
52:13
12Christmas Concerto Narration
1:47
13Christmas Concerto (instrumental)
recording of:
Christmas Concerto
composer:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
30:42
14Queen of the Winter Night Narration
4:00
15Queen of the Winter Night
additional producer:
Paul Silverstein
lead vocals:
Wendy Eggers
recording of:
Queen of the Winter Night
composer:
Wolfgang Amadeus Mozart (classical composer) and Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
is based on:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
53:12
16Christmas Nights in Blue Narration
3:07
17Christmas Nights in Blue
lead vocals:
James Lewis (Trans-Siberian Orchestra vocalist)
recording of:
Christmas Nights in Blue
lyricist:
Paul O’Neill (US rock producer)
composer:
Paul O’Neill (US rock producer) and Al Pitrelli
publisher:
A ’n’ J Publishing, Paul O’Neill Publishing, Tenyor Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3.354:18
18Christmas Jazz Narration
0:17
19Christmas Jazz (instrumental)
recording of:
Christmas Jazz
composer:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
is based on:
Tempus adest floridum (13th-century carol)
32:17
20Christmas Jam Narration Short
0:15
21Christmas Jam
lead vocals:
Gary Giles
recording of:
Christmas Jam
composer:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
4.53:48
22Siberian Sleigh Ride Narration
0:15
23Siberian Sleigh Ride (instrumental)
recording of:
Siberian Sleigh Ride
composer:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
53:08
24What Is Christmas? Narration
1:55
25What Is Christmas? (vocals up)
lead vocals:
Rob Evan
recording of:
What Is Christmas?
lyricist:
Paul O’Neill (US rock producer)
composer:
Paul O’Neill (US rock producer) and Jon Oliva
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3.52:51
26For the Sake of Our Brother Narration
1:17
27For the Sake of Our Brother
lead vocals:
Darryl Pediford (Soul singer - songwriter)
recording of:
For the Sake of Our Brother
lyricist and composer:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
53:09
4▼Digital Media: The Lost Christmas Eve (disc 2)
#TitleRatingLength
1The Wisdom of Snow Narration
9:45
2The Wisdom of Snow (instrumental)
recording of:
The Wisdom of Snow
composer:
Robert Kinkel, Paul O’Neill (US rock producer) and Jon Oliva
publisher:
Paul O’Neill Publishing, Robert Steller Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
52:01
3Wish Liszt (Toy Shop Madness) Narration
0:54
4Wish Liszt (Toy Shop Madness) (instrumental)
recording of:
Wish Liszt (Toy Shop Madness)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) and Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
is based on:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C‐sharp minor (original piano solo version)
43:42
5Back to a Reason, Pt. II Narration
4:01
6Back to a Reason, Pt. II
lead vocals:
Rob Evan
recording of:
Back to a Reason, Part II
lyricist:
Jon Oliva
composer:
Paul O’Neill (US rock producer) and Jon Oliva
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
4.54:53
7Christmas Bells, Carousels & Time Narration
0:48
8Christmas Bells, Carousels & Time (instrumental)
recording of:
Christmas Bells, Carousels & Time
composer:
Paul O’Neill (US rock producer) and Jon Oliva
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
41:04
9What Child Is This? Narration
7:59
10What Child Is This?
lead vocals:
Rob Evan
recording of:
What Child Is This? (Trans-Siberian Orchestra version)
lyricist:
Paul O’Neill (US rock producer)
composer:
[traditional] (special purpose artist), Robert Kinkel and Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing (from 2004 to present), Robert Steller Publishing (from 2004 to present) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 2004 to present)
revision of:
What Child Is This?
55:57
11O’ Come All Ye Faithful Narration
4:15
12O’ Come All Ye Faithful (instrumental)
recording of:
O Come All Ye Faithful (Trans‐Siberian Orchestra arrangement)
arranger:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
arrangement of:
Adeste fideles (original latin version)
41:26
13O Come All Ye Faithful / O Holy Night Narration
3:37
14O Come All Ye Faithful / O Holy Night (instrumental)
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, United States and Studio 900 in New York, United States
mixed at:
Sound Tracks in New York, United States
recording of:
O Come All Ye Faithful / O Holy Night
medley of:
O Come All Ye Faithful (Trans‐Siberian Orchestra arrangement)
medley of:
O Holy Night (Trans‐Siberian Orchestra arrangement)
54:19
15Christmas Canon Rock Narration
4:56
16Christmas Canon Rock
lead vocals:
Jennifer Cella
recording of:
Christmas Canon Rock
lyricist and composer:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
is based on:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
version of:
Christmas Canon (original version)
3.55:03
17Different Wings Narration
1:13
18Different Wings
lead vocals:
Jennifer Cella
recording of:
Different Wings
lyricist:
Paul O’Neill (US rock producer)
composer:
Paul O’Neill (US rock producer) and Al Pitrelli
publisher:
A ’n’ J Publishing, Paul O’Neill Publishing, Tenyor Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
52:44
19Final Narration
0:27