Cantatas BWV 80, 140, 147, 227

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Cantata No. 147: Part I. I. Chorus "Herz und Mund und Tat und Leben"
trumpet:
Dennis Clift (trumpeter) (in 1957)
choir vocals:
Geraint Jones Singers
tenor vocals:
Wilfred Brown (tenor) (in 1957)
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (in 1957-05)
premiered in:
Leipzig (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
5:04
2Cantata No. 147: Part I. II. Recitative "Gebenedeiter Mund!"
tenor vocals:
Wilfred Brown (tenor) (in 1957)
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (in 1957-05)
premiered in:
Leipzig (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
1:51
3Cantata No. 147: Part I. III. Aria "Schäme dich, o Seele, nicht!"
oboe d'amore:
Edward Selwyn (oboist) (in 1957)
alto vocals:
Helen Watts (contralto)
contralto vocals:
Helen Watts (contralto) (in 1957)
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (in 1957-05)
premiered in:
Leipzig (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:41
4Cantata No. 147: Part I. IV. Recitative "Verstockung kann Gewaltige verblenden"
bass vocals:
Thomas Hemsley (baritone) (in 1957)
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (in 1957-05)
premiered in:
Leipzig (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
1:50
5Cantata No. 147: Part I. V. Aria "Bereite dir, Jesu"
soprano vocals:
Joan Sutherland (soprano) (in 1957)
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (in 1957-05)
premiered in:
Leipzig (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
4:51
6Cantata No. 147: Part I. VI. Chorus "Wohl mir, daß Ich Jesum habe"
trumpet:
Dennis Clift (trumpeter) (in 1957)
choir vocals:
Geraint Jones Singers
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (in 1957-05)
premiered in:
Leipzig (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:46
7Cantata No. 147: Part II. VII. Aria "Hilf, Jesu, hilf"
tenor vocals:
Wilfred Brown (tenor) (in 1957)
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (in 1957-05)
premiered in:
Leipzig (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:12
8Cantata No. 147: Part II. VIII. Recitative "Der höchsten Allmacht Wunderhand"
alto vocals:
Helen Watts (contralto)
contralto vocals:
Helen Watts (contralto) (in 1957)
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (in 1957-05)
premiered in:
Leipzig (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:23
9Cantata No. 147: Part II. IX. Aria "Ich will von Jesu Wundern singen"
bass vocals:
Thomas Hemsley (baritone) (in 1957)
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (in 1957-05)
premiered in:
Leipzig (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:06
10Cantata No. 147: Part II. X. Chorale "Jesus bleibet meine Freude"
trumpet:
Dennis Clift (trumpeter) (in 1957)
choir vocals:
Geraint Jones Singers
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1957-05)
premiered in:
Leipzig (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:55
11Jesu, meine Freunde, BWV 227: I. "Jesu, meine Freude"
choir vocals:
Geraint Jones Singers (in 1957)
orchestra:
Geraint Jones Orchestra (in 1957)
conductor:
Geraint Jones (conductor, organist / harpsichordist) (in 1957)
recording of:
Jesu, meine Freude, BWV 227: I. Corale „Jesu, meine Freude“ (in 1957)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 196)
is based on:
Jesu, meine Freude
part of:
Jesu, meine Freude, BWV 227
1:38
12Jesu, meine Freunde, BWV 227: II. "Es ist nun nichts"
choir vocals:
Geraint Jones Singers (in 1957)
orchestra:
Geraint Jones Orchestra (in 1957)
conductor:
Geraint Jones (conductor, organist / harpsichordist) (in 1957)
recording of:
Jesu, meine Freude, BWV 227: II. "Es ist nun nichts Verdammliches" (in 1957)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
3:27
13Jesu, meine Freunde, BWV 227: III. "Unter deinem Schirmen"
choir vocals:
Geraint Jones Singers (in 1957)
orchestra:
Geraint Jones Orchestra (in 1957)
conductor:
Geraint Jones (conductor, organist / harpsichordist) (in 1957)
recording of:
Jesu, meine Freude, BWV 227: III. Corale: "Unter deinem Schirmen" (in 1957)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 198)
part of:
Jesu, meine Freude, BWV 227
1:32
14Jesu, meine Freunde, BWV 227: IV. "Denn das Gesetz des Geistes"
choir vocals:
Geraint Jones Singers (in 1957)
orchestra:
Geraint Jones Orchestra (in 1957)
conductor:
Geraint Jones (conductor, organist / harpsichordist) (in 1957)
recording of:
Jesu, meine Freude, BWV 227: IV. "Denn das Gesetz des Geistes" (in 1957)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
1:04
15Jesu, meine Freunde, BWV 227: V."Trotz dem alten Drachen"
choir vocals:
Geraint Jones Singers (in 1957)
orchestra:
Geraint Jones Orchestra (in 1957)
conductor:
Geraint Jones (conductor, organist / harpsichordist) (in 1957)
recording of:
Jesu, meine Freude, BWV 227: V. Corale: "Trotz dem alten Drachen" (in 1957)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
2:36
16Jesu, meine Freunde, BWV 227: VI. "Ihr aber seid nicht fleischlich"
choir vocals:
Geraint Jones Singers (in 1957)
orchestra:
Geraint Jones Orchestra (in 1957)
conductor:
Geraint Jones (conductor, organist / harpsichordist) (in 1957)
recording of:
Jesu, meine Freude, BWV 227: VI. "Ihr aber seid nicht fleischlich" (in 1957)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
3:15
17Jesu, meine Freunde, BWV 227: VII. "Weg mit allen Schätzen"
choir vocals:
Geraint Jones Singers (in 1957)
orchestra:
Geraint Jones Orchestra (in 1957)
conductor:
Geraint Jones (conductor, organist / harpsichordist) (in 1957)
recording of:
Jesu, meine Freude, BWV 227: VII. Corale: "Weg mit allen Schätzen" (in 1957)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 199)
part of:
Jesu, meine Freude, BWV 227
1:28
18Jesu, meine Freunde, BWV 227: VIII. "So aber Christus in euch ist"
choir vocals:
Geraint Jones Singers (in 1957)
orchestra:
Geraint Jones Orchestra (in 1957)
conductor:
Geraint Jones (conductor, organist / harpsichordist) (in 1957)
recording of:
Jesu, meine Freude, BWV 227: VIII. "So aber Christus in euch ist" (in 1957)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
2:20
19Jesu, meine Freunde, BWV 227: IX. "Gute Nacht, o Wesen"
choir vocals:
Geraint Jones Singers (in 1957)
orchestra:
Geraint Jones Orchestra (in 1957)
conductor:
Geraint Jones (conductor, organist / harpsichordist) (in 1957)
recording of:
Jesu, meine Freude, BWV 227: IX. Corale: "Gute Nacht, o Wesen" (in 1957)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
3:48
20Jesu, meine Freunde, BWV 227: X. "So nun der Geiste"
choir vocals:
Geraint Jones Singers (in 1957)
orchestra:
Geraint Jones Orchestra (in 1957)
conductor:
Geraint Jones (conductor, organist / harpsichordist) (in 1957)
recording of:
Jesu, meine Freude, BWV 227: X. "So nun der Geist" (in 1957)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
1:42
21Jesu, meine Freunde, BWV 227: XI. "Weicht, ihr Trauergeister"
choir vocals:
Geraint Jones Singers (in 1957)
orchestra:
Geraint Jones Orchestra (in 1957)
conductor:
Geraint Jones (conductor, organist / harpsichordist) (in 1957)
recording of:
Jesu, meine Freude, BWV 227: XI. Corale: "Weicht, ihr Trauergeister" (in 1957)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
1:44
2▼CD
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1Cantata No. 140: I. Chorus "Wachet auf, ruft uns die Stimme"
choir vocals:
Süddeutscher Madrigalchor (in 1967-07)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (in 1967-07)
premiered in:
Leipzig (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
adaptations:
Prelude to Peace
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
8:10
2Cantata No. 140: II. Recitative "Er kommt, der Bräut'gam kommt!"
tenor vocals:
Theo Altmeyer (German tenor) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Recitativo (Tenor) “Er kommt, er kommt, der Bräutgam kommt!” (in 1967-07)
premiered in:
Leipzig (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
1:11
3Cantata No. 140: III. Duet "Wann kommst du, mein Heil?"
bass vocals:
Hans Sotin (operatic bass) (in 1967)
soprano vocals:
Elly Ameling (soprano) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (in 1967-07)
premiered in:
Leipzig (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
6:53
4Cantata No. 140: IV. Chorale "Zion hört die Wächter singen"
choir vocals:
South German Madrigal Choir
tenor vocals:
Theo Altmeyer (German tenor) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1967)
recorded at:
Marbach Stadthalle in Marbach am Neckar (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1967-07)
premiered in:
Leipzig (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
4:46
5Cantata No. 140: V. Recitative "So geh herein zu mir"
bass vocals:
Hans Sotin (operatic bass) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Recitativo (Bass) “So geh herein zu mir” (in 1967-07)
premiered in:
Leipzig (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
1:22
6Cantata No. 140: VI. Duet "Mein Frend ist mein!"
bass vocals:
Hans Sotin (operatic bass) (in 1967)
soprano vocals:
Elly Ameling (soprano) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein” (in 1967-07)
premiered in:
Leipzig (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
6:54
7Cantata No. 140: VI. Chorus "Gloria sei dir gesungen"
choir vocals:
Süddeutscher Madrigalchor (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (in 1967-07)
premiered in:
Leipzig (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
2:06
8Cantata No. 80: I. Chorus "Ein' feste Burg ist unser Gott"
choir vocals:
Süddeutscher Madrigalchor (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
7:26
9Cantata No. 80: II. Duet "Mit unsrer Macht"
bass vocals:
Hans Sotin (operatic bass) (in 1967)
soprano vocals:
Elly Ameling (soprano) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren" (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
4:12
10Cantata No. 80: III. Recitative "Erwäge doch, Kind Gottes"
bass vocals:
Hans Sotin (operatic bass) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": III. Recitativo (Bass) "Erwäge doch, Kind Gottes" (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
2:21
11Cantata No. 80: IV. Aria "Komm in mein Herzenshaus"
soprano vocals:
Elly Ameling (soprano) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Sopran) "Komm in mein Herzenshaus" (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
3:50
12Cantata No. 80: V. Chorus "Und wenn die Welt voll Teufel wär'"
choir vocals:
Süddeutscher Madrigalchor (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
4:17
13Cantata No. 80: VI. Recitative "So stehe denn bei Christi blutgefärbter Fahne"
tenor vocals:
Theo Altmeyer (German tenor) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitativo (Tenor) "So stehe dann bei Christi blutgefärbten Fahne" (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
1:34
14Cantata No. 80: VII. Duet "Wie selig sind doch sie"
alto vocals:
Dame Janet Baker (mezzo‐soprano and alto) (in 1967)
tenor vocals:
Theo Altmeyer (German tenor) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VII. Duetto (Alt, Tenor) "Wie selig sind doch die, die Gott im Munde tragen" (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
4:26
15Cantata No. 80: VIII. Chorus "Das Wort sie sollen lassen stahn"
instruments:
Consortium Musicum
choir vocals:
Süddeutscher Madrigalchor (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (in 1967-07)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
1:18

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ASIN:UK: B000B668WM [info]