My Baby Just Cares For Me

~ Release by Nina Simone (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1My Baby Just Cares for Me
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, United States (in 1957-12)
edit of:
My Baby Just Cares for Me (special extended version) by Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne‐Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
4.053:37
2Don’t Let Me Be Misunderstood
lead vocals:
Nina Simone
recorded at:
Montreux Casino (1st incarnation, 1881–1971) in Montreux (on 1968-06-16)
edit of:
Don’t Let Me Be Misunderstood (live, 1968‐06‐16: Montreux Jazz Festival, Montreux, Switzerland) by Nina Simone
live recording of:
Don’t Let Me Be Misunderstood (on 1968-06-16)
writer:
Bennie Benjamin, Gloria Caldwell, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
23:52
3I Want a Little Sugar in My Bowl
phonographic copyright (℗) by:
BMG Entertainment (in 1974)
live cover recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version) (in 1985)
writer:
James “Tim” Brymn, Nina Simone, Dally Small and Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
3:25
4I Loves You Porgy
recorded in:
New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at:
Beltone Studios in New York, United States (in 1957-12)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1957-12)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
34:10
5Mood Indigo
recorded in:
New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Phillips (publisher; do NOT use as release label) (in 1966)
recorded at:
Beltone Studios in New York, United States (in 1957-12)
cover recording of:
Mood Indigo (1930 jazz composition and song) (in 1957-12)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
included in:
The Real Book (compilation of jazz standards, volume I)
34:02
6Mississippi Goddamn
recorded in:
United States
phonographic copyright (℗) by:
Phillips (publisher; do NOT use as release label) (in 1964)
edit of:
Mississippi Goddam (live, 1985: USA) by Nina Simone
live recording of:
Mississippi Goddam (in 1985)
lyricist and composer:
Nina Simone
publisher:
Sam Fox Publishing Co. (LDN) Ltd. and Sam Fox Publishing Company (publisher; do NOT use as release label)
part of:
Martin Luther King Suite
4:37
7To Be Young, Gifted and Black
lead vocals:
Nina Simone
phonographic copyright (℗) by:
BMG Entertainment (in 1969)
recorded at:
University of California, Berkeley in Berkeley, United States (on 1969-04-26)
edit of:
To Be Young, Gifted and Black (live, 1969‐04‐26: University of California, Berkeley, CA, USA) by Nina Simone
live recording of:
To Be Young, Gifted and Black (on 1969-04-26)
lyricist:
Weldon Irvine
composer:
Nina Simone
5:10
8Little Girl Blue
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, United States (in 1957-12)
cover recording of:
Little Girl Blue (in 1957-12)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
44:18
9House of the Rising Sun
lead vocals:
Nina Simone
arranger:
Nina Simone
phonographic copyright (℗) by:
Colpix Records (a/k/a Colpix Records) (in 1962)
recorded at:
Montreux Casino (1st incarnation, 1881–1971) in Montreux (on 1968-06-16)
edit of:
The House of the Rising Sun (live, 1968‐06‐16: Montreux Jazz Festival, Montreux, Switzerland) by Nina Simone
live cover recording of:
House of the Rising Sun (on 1968-06-16)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music and Sonet Publishing Ltd.
1.56:56
10It’s Cold Out Here
phonographic copyright (℗) by:
VPI Records USA (in 1985)
recording of:
It’s Cold Out Here (Adams / Singleton)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
15:30
11Central Park Blues
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
edit of:
Central Park Blues (hi fidelity mono) by Nina Simone
recording of:
Central Park Blues
composer:
Nina Simone
publisher:
Memory Music Lane Ltd.
43:06
12He’s Got the Whole World in His Hands
recorded in:
New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (in 1957-12)
vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1959)
cover recording of:
He’s Got the Whole World in His Hands (in 1957-12)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Thandewye Music (publisher; do NOT use as release label)
13:11
13I Sing Just to Know I’m Alive
recording of:
I Sing Just to Know That I’m Alive
lyricist and composer:
Nina Simone
publisher:
Thandewye Music (publisher; do NOT use as release label)
13:24
14Touching and Caring
recording of:
Touching and Caring
lyricist and composer:
Eddie Singleton
15:22
2▼CD
#TitleRatingLength
1No Opportunity Necessary, No Experience Needed
phonographic copyright (℗) by:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1977)
recorded at:
University of California, Berkeley in Berkeley, United States (on 1969-04-26)
edit of:
No Opportunity Necessary, No Experience Needed (live, 1969‐04‐26: University of California, Berkeley, CA, USA) by Nina Simone
live cover recording of:
No Opportunity Necessary, No Experience Needed (on 1969-04-26)
lyricist and composer:
Richie Havens
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Nicklewhistle Music
4:09
2Just in Time
double bass:
Gene Taylor (US jazz bassist) (on 1968-06-16)
drums (drum set) [drums]:
Buck Clarke (on 1968-06-16)
guitar:
Henry Young (Chinese-Ukrainian guitarist from Vancouver, B.C.; toured with Nina Simone) (on 1968-06-16)
organ and percussion:
Sam Waymon (on 1968-06-16)
piano:
Nina Simone (on 1968-06-16)
lead vocals:
Nina Simone
vocals:
Nina Simone (on 1968-06-16)
phonographic copyright (℗) by:
Colpix Records (a/k/a Colpix Records) (in 1962)
recorded at:
Montreux Casino (1st incarnation, 1881–1971) in Montreux (on 1968-06-16)
live cover recording of:
Just in Time (Bells Are Ringing) (on 1968-06-16)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
24:38
3Don’t Smoke in Bed
recorded in:
New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Philips (publisher; do NOT use as release label) (in 1964)
recorded at:
Beltone Studios in New York, United States (in 1957-12)
cover recording of:
Don’t Smoke in Bed (in 1957-12)
lyricist and composer:
Willard Robison
publisher:
MCA Music Ltd. and Oriole Music Corp.
33:11
4Do What You Gotta Do
recorded in:
United States
bass:
Al Shackman
drums (drum set):
Paul Robinson (UK drummer, also Turning Point member)
guitar:
Arthur Adams (US blues singer, guitarist & songwriter)
piano:
Nina Simone
phonographic copyright (℗) by:
BMG Entertainment (in 1968) and BMG Music (in 1968)
edit of:
Do What You Gotta Do (live, 1985: USA) by Nina Simone
live cover recording of:
Do What You Gotta Do (in 1985)
lyricist and composer:
Hazel O’Connor and Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing LLC (1995–2020) and Sosahamu Music Inc. (publisher; do NOT use as release label)
33:44
5Saratoga
5:08
6Four Women
recording of:
Four Women
lyricist and composer:
Nina Simone
publisher:
EMI Tunes Ltd
4:49
7Sea Line Woman
recorded at:
Montreux Casino (1st incarnation, 1881–1971) in Montreux (on 1968-06-16)
edit of:
See‐Line Woman (live, 1968‐06‐16: Montreux Jazz Festival, Montreux, Switzerland) by Nina Simone
live cover recording of:
See‐Line Woman (on 1968-06-16)
writer:
George Bass and Nina Simone
is based on:
Sea Lion Woman
3:46
8After You’ve Gone
lead vocals:
Nina Simone
phonographic copyright (℗) by:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1977)
live cover recording of:
After You’ve Gone
lyricist:
Henry Creamer (Lyricist) (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
5:40
9Love Me or Leave Me
recorded in:
New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, United States (in 1957-12)
cover recording of:
Love Me or Leave Me (in 1957-12)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
4.753:23
10You Must Have Another Lover
recording of:
You Must Have Another Lover
lyricist and composer:
Arthur Adams (US blues singer, guitarist & songwriter)
14:28
11Ain’t No Use
lead vocals:
Nina Simone
phonographic copyright (℗) by:
Phillips (publisher; do NOT use as release label) (in 1966)
edit of:
Ain’t No Use by Nina Simone
live cover recording of:
Ain’t No Use
writer:
Rudy Stevenson
publisher:
EMI Tunes Ltd
2:45
12Good Bait
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, United States (in 1957-12)
instrumental cover recording of:
Good Bait (in 1957-12)
lyricist:
Tadd Dameron
composer:
Count Basie (pianist) and Tadd Dameron
publisher:
Redwood Music Ltd. (Carlin) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
35:27
13You Took My Teeth
bass:
Al Shackman
drums (drum set):
Paul Robinson (UK drummer, also Turning Point member)
guitar:
Arthur Adams (US blues singer, guitarist & songwriter)
piano:
Nina Simone
phonographic copyright (℗) by:
VPI Records USA (in 1987)
live recording of:
You Took My Teeth (in 1985)
writer:
Nina Simone
publisher:
Thandewye Music (publisher; do NOT use as release label)
1:10
14You’ll Never Walk Alone
recorded in:
New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recorded at:
Beltone Studios in New York, United States (in 1957-12)
instrumental cover recording of:
You’ll Never Walk Alone (Carousel) (in 1957-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
33:46