The Complete Sacred Music

~ Release by Vivaldi, Choir of the King’s Consort, The King’s Consort, Robert King (see all versions of this release, 2 available)

Tracklist

11▶Digital Media
12▶Digital Media
13▼Digital Media
#TitleArtistRatingLength
1In furore iustissimae irae, RV626: I. In furore iustissimae irae
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals:
Deborah York (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 1996-02-12 until 1996-02-14)
recording of:
In furore iustissimae irae, RV 626: I. Aria "In furore iustissimae" (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (from 1722 until 1724)
part of:
In furore iustissimae irae, RV 626
Antonio Vivaldi4:43
2In furore iustissimae irae, RV626: II. Miserationem Pater piissime
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals:
Deborah York (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 1996-02-12 until 1996-02-14)
recording of:
In furore iustissimae irae, RV 626: II. Recitative "Miserationem Pater piissime" (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (from 1722 until 1724)
part of:
In furore iustissimae irae, RV 626
Antonio Vivaldi0:35
3In furore iustissimae irae, RV626: III. Tunc meus fletus evadet laetus
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals:
Deborah York (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 1996-02-12 until 1996-02-14)
recording of:
In furore iustissimae irae, RV 626: III. Aria "Tunc meus fletus evadet laetus" (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (from 1722 until 1724)
part of:
In furore iustissimae irae, RV 626
Antonio Vivaldi5:54
4In furore iustissimae irae, RV626: IV. Alleluia
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals:
Deborah York (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 1996-02-12 until 1996-02-14)
recording of:
In furore iustissimae irae, RV 626: IV. Alleluia (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (from 1722 until 1724)
part of:
In furore iustissimae irae, RV 626
Antonio Vivaldi1:39
5Longe mala, umbrae, terrores, RV629: I. Longe mala, umbrae, terrores
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
alto vocals:
Catherine Denley (contralto, mezzo‐soprano) (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 1996-02-12 until 1996-02-14)
recording of:
Longe mala, umbrae, terrores, RV 629: I. Aria "Longe mala, umbrae, terrores" (Allegro) (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Longe mala, umbrae, terrores, RV 629
Antonio Vivaldi5:28
6Longe mala, umbrae, terrores, RV629: II. Recedite, nubes et fulgura
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
alto vocals:
Catherine Denley (contralto, mezzo‐soprano) (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 1996-02-12 until 1996-02-14)
recording of:
Longe mala, umbrae, terrores, RV 629: II. Recitativo "Recedite, nubes et fulgura" (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Longe mala, umbrae, terrores, RV 629
Antonio Vivaldi0:30
7Longe mala, umbrae, terrores, RV629: III. Descende, o coeli vox
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
alto vocals:
Catherine Denley (contralto, mezzo‐soprano) (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 1996-02-12 until 1996-02-14)
recording of:
Longe mala, umbrae, terrores, RV 629: III. Aria "Descende, o caeli vox" (Larghetto) (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Longe mala, umbrae, terrores, RV 629
Antonio Vivaldi6:53
8Longe mala, umbrae, terrores, RV629: IV. Alleluia
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
alto vocals:
Catherine Denley (contralto, mezzo‐soprano) (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 1996-02-12 until 1996-02-14)
recording of:
Longe mala, umbrae, terrores, RV 629: IV. Alleluia (Allegro) (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Longe mala, umbrae, terrores, RV 629
Antonio Vivaldi2:30
9Clarae stellae, scintillate, RV625: I. Clarae stellae, scintillate
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals:
James Bowman (UK countertenor) (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 1996-02-12 until 1996-02-14)
recording of:
Clarae stellae, scintillate, RV 625: I. "Clarae stellae scintillate" (Allegro) (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Clarae stellae, scintillate, RV 625
Antonio Vivaldi5:22
10Clarae stellae, scintillate, RV625: II. Coeli repleti iam novo splendore
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals:
James Bowman (UK countertenor) (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 1996-02-12 until 1996-02-14)
recording of:
Clarae stellae, scintillate, RV 625: II. Recitativo "Coeli repleti iam novo splendore" (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Clarae stellae, scintillate, RV 625
Antonio Vivaldi0:42
11Clarae stellae, scintillate, RV625: III. Nunc iubilare
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals:
James Bowman (UK countertenor) (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 1996-02-12 until 1996-02-14)
recording of:
Clarae stellae, scintillate, RV 625: III. "Nunc iubilare" (Allegro) (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Clarae stellae, scintillate, RV 625
Antonio Vivaldi2:21
12Clarae stellae, scintillate, RV625: IV. Alleluia
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals:
James Bowman (UK countertenor) (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 1996-02-12 until 1996-02-14)
recording of:
Clarae stellae, scintillate, RV 625: IV. Alleluia (Allegro) (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Clarae stellae, scintillate, RV 625
Antonio Vivaldi2:24
13Canta in prato, ride in monte, RV623: I. Canta in prato, ride in monte
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals:
Deborah York (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 1996-02-12 until 1996-02-14)
recording of:
Canta in prato, ride in monte, RV 623: I. Aria "Canta in prato, ride in monte" (Allegro) (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Canta in prato, ride in monte, RV 623
Antonio Vivaldi3:57
14Canta in prato, ride in monte, RV623: II. Saeva fulgescit nobis
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals:
Deborah York (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 1996-02-12 until 1996-02-14)
recording of:
Canta in prato, ride in monte, RV 623: II. Recitativo "Saeva fulgescit nobis" (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Canta in prato, ride in monte, RV 623
Antonio Vivaldi0:49
15Canta in prato, ride in monte, RV623: III. Avenae rusticae sinceri fervida amoris
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals:
Deborah York (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 1996-02-12 until 1996-02-14)
recording of:
Canta in prato, ride in monte, RV 623: III. Aria "Avenae rusticae sinceri fervida amoris" (Allegro) (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Canta in prato, ride in monte, RV 623
Antonio Vivaldi2:34
16Canta in prato, ride in monte, RV623: IV. Alleluia
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals:
Deborah York (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 1996-02-12 until 1996-02-14)
recording of:
Canta in prato, ride in monte, RV 623: IV. Alleluia (Allegro) (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Canta in prato, ride in monte, RV 623
Antonio Vivaldi1:11
17Filiae maestae Jerusalem, RV638: I. Filiae maestae Jerusalem
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals:
James Bowman (UK countertenor) (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 1996-02-12 until 1996-02-14)
recording of:
Filiae maestae Jerusalem, RV 638: I. "Filiae maestae Jerusalem" (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Filiae maestae Jerusalem, RV 638
Antonio Vivaldi2:08
18Filiae maestae Jerusalem, RV638: II. Sileant zephyri
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals:
James Bowman (UK countertenor) (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 1996-02-12 until 1996-02-14)
recording of:
Filiae maestae Jerusalem, RV 638: II. "Sileant Zephyri" (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Filiae maestae Jerusalem, RV 638
Antonio Vivaldi4:36
19Filiae maestae Jerusalem, RV638: III. Sed tenebris diffusis
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals:
James Bowman (UK countertenor) (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 1996-02-12 until 1996-02-14)
recording of:
Filiae maestae Jerusalem, RV 638: III. "Sed tenebris diffusis" (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Filiae maestae Jerusalem, RV 638
Antonio Vivaldi0:53
20Nulla in mundo pax sincera, RV630: I. Nulla in mundo pax sincera
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals:
Deborah York (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 1996-02-12 until 1996-02-14)
recording of:
Nulla in mundo pax sincera, RV 630: I. Aria “Nulla in mundo pax”. Larghetto (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Nulla in mundo pax sincera, RV 630
Antonio Vivaldi6:57
21Nulla in mundo pax sincera, RV630: II. Blando colore oculos mundus decepit
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals:
Deborah York (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 1996-02-12 until 1996-02-14)
recording of:
Nulla in mundo pax sincera, RV 630: II. Recitativo “Blande colore” (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Nulla in mundo pax sincera, RV 630
Antonio Vivaldi1:04
22Nulla in mundo pax sincera, RV630: III. Spirat anguis
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals:
Deborah York (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 1996-02-12 until 1996-02-14)
recording of:
Nulla in mundo pax sincera, RV 630: III. Aria “Spirat anguis inter flores”. Allegro (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Nulla in mundo pax sincera, RV 630
Antonio Vivaldi3:18
23Nulla in mundo pax sincera, RV630: IV. Alleluia
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals:
Deborah York (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 1996-02-12 until 1996-02-14)
recording of:
Nulla in mundo pax sincera, RV 630: IV. Alleluia. Allegro (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Nulla in mundo pax sincera, RV 630
Antonio Vivaldi2:12
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