Mass in B minor

~ Release by Bach; Ruth Ziesak, Roberta Alexander, Jard van Nes, Keith Lewis, David Wilson‐Johnson, Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Carlo Maria Giulini (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 1. Chorus: "Credo in unum Deum"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich) (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:11
2Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 2. Chorus: "Patrem omnipotentem"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich) (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:18
3Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 3. Duet: "Et in unum Dominum"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
contralto vocals:
Jard van Nes (mezzo-soprano) (from 1994-06-02 until 1994-06-03)
soprano vocals:
Ruth Ziesak (soprano) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich) (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:10
4Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 4. Chorus: "Et incarnatus est"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich) (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:33
5Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 5. Chorus: "Crucifixus"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich) (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:46
6Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 6. Chorus "Et resurrexit"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich) (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:42
7Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 7. Aria "Es in Spiritum Sanctum"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
bass-baritone vocals:
David Wilson‐Johnson (baritone) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich) (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:04
8Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 8. Chorus: "Confiteor"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich) (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:26
9Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 9. Chorus: "Et exspecto"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich) (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:18
10Mass in B minor, BWV 232: Sanctus: Chorus: "Sanctus"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich) (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:40
11Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem: No. 1. Chorus I/II: "Osanna in excelsis"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich) (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:15
12Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem: No. 2. Aria: "Benedictus qui venit"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
tenor vocals:
Keith Lewis (tenor) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich) (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:00
13Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem: No. 3. Chorus I/II: "Osanna in excelsis" (da capo)
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich) (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:17
14Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem: No. 4. Aria: "Agnus Dei"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
contralto vocals:
Jard van Nes (mezzo-soprano) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich) (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:56
15Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem: No. 5. Chorus: "Dona nobis pacem"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich) (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:18

Credits

Release

copyrighted (©) by:Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
Discogs:https://www.discogs.com/release/11200883 [info]
ASIN:FR: B000002AR3 [info]
Allmusic:https://www.allmusic.com/album/release/mr0002669591 [info]

Release group

included in:The Complete Sony Recordings by Carlo Maria Giulini (conductor)