Easter Cantatas

~ Release by Johann Sebastian Bach; Bach-Ensemble, Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

1▼CD: BWV 182, 249
#TitleArtistRatingLength
1Kantate BWV 182, "Himmelskönig, sei willkommen": I. Sonata
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (in 1975-01)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: I. Sonata (in 1975-01)
premiered in:
Weimar (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach1:53
2Kantate BWV 182, "Himmelskönig, sei willkommen": II. Coro
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (in 1975-01)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: II. Chor „Himmelskönig, sei willkommen“ (in 1975-01)
premiered in:
Weimar (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach4:08
3Kantate BWV 182, "Himmelskönig, sei willkommen": III. Recitativo
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (in 1975-01)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: III. Rezitativ (Bass) „Siehe, ich komme“ (in 1975-01)
premiered in:
Weimar (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach0:42
4Kantate BWV 182, "Himmelskönig, sei willkommen": IV. Aria
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (in 1975-01)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: IV. Arie (Bass) „Starkes Lieben“ (in 1975-01)
premiered in:
Weimar (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach2:54
5Kantate BWV 182, "Himmelskönig, sei willkommen": V. Aria
alto vocals:
Doris Soffel (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (in 1975-01)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: V. Arie (Alt) „Leget euch dem Heiland unter“ (in 1975-01)
premiered in:
Weimar (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach6:36
6Kantate BWV 182, "Himmelskönig, sei willkommen": VI. Aria
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (in 1975-01)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VI. Arie (Tenor) „Jesu, laß durch Wohl und Weh“ (in 1975-01)
premiered in:
Weimar (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach4:05
7Kantate BWV 182, "Himmelskönig, sei willkommen": VII. Choral
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (in 1975-01)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VII. Choral „Jesu, deine Passion“ (in 1975-01)
premiered in:
Weimar (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Paul Stockmann (in 1633)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: VII. Choral "Jesu, deine Passion"
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach3:52
8Kantate BWV 182, "Himmelskönig, sei willkommen": VIII. Coro
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (in 1975-01)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VIII. Chor „So lasset uns gehen in Salem der Freuden“ (in 1975-01)
premiered in:
Weimar (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach5:25
9Kantate BWV 249, "Oster-Oratorium: Kommt, eilet und laufet": I. Sinfonia
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (from 1980-12 until 1981-05)
premiered in:
Leipzig (on 1725-04-01)
composed in:
Leipzig (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach4:03
10Kantate BWV 249, "Oster-Oratorium: Kommt, eilet und laufet": II. Adagio
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: II. Adagio (from 1980-12 until 1981-05)
premiered in:
Leipzig (on 1725-04-01)
composed in:
Leipzig (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach4:18
11Kantate BWV 249, "Oster-Oratorium: Kommt, eilet und laufet": III. Duetto e Coro
choir vocals:
Gächinger Kantorei Stuttgart
solo bass vocals:
Philippe Huttenlocher (baritone)
solo tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (from 1980-12 until 1981-05)
premiered in:
Leipzig (on 1725-04-01)
composed in:
Leipzig (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach4:43
12Kantate BWV 249, "Oster-Oratorium: Kommt, eilet und laufet": IV. Recitativo
alto vocals and solo mezzo-soprano vocals [Alt]:
Júlia Hamari (Hungarian mezzo-soprano)
bass vocals and solo bass vocals:
Philippe Huttenlocher (baritone)
solo soprano vocals and soprano vocals:
Arleen Augér (soprano)
solo tenor vocals and tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (from 1980-12 until 1981-05)
premiered in:
Leipzig (on 1725-04-01)
composed in:
Leipzig (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, IV. Recitativo (Alto) "Der Herold kömmt und meldt den König an"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach1:07
13Kantate BWV 249, "Oster-Oratorium: Kommt, eilet und laufet": V. Aria
solo soprano vocals and soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (from 1980-12 until 1981-05)
premiered in:
Leipzig (on 1725-04-01)
composed in:
Leipzig (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
recording of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": V. Aria (Tenor) "Kommt, eilet, stimmet Sait und Lieder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach8:22
14Kantate BWV 249, "Oster-Oratorium: Kommt, eilet und laufet": VI. Recitativo
alto vocals and solo mezzo-soprano vocals [Alt]:
Júlia Hamari (Hungarian mezzo-soprano)
bass vocals and solo bass vocals:
Philippe Huttenlocher (baritone)
solo tenor vocals and tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (from 1980-12 until 1981-05)
premiered in:
Leipzig (on 1725-04-01)
composed in:
Leipzig (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach0:48
15Kantate BWV 249, "Oster-Oratorium: Kommt, eilet und laufet": VII. Aria
solo tenor vocals and tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (from 1980-12 until 1981-05)
premiered in:
Leipzig (on 1725-04-01)
composed in:
Leipzig (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach6:11
16Kantate BWV 249, "Oster-Oratorium: Kommt, eilet und laufet": VIII. Recitativo
alto vocals and solo mezzo-soprano vocals [Alt]:
Júlia Hamari (Hungarian mezzo-soprano)
solo soprano vocals and soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir" (from 1980-12 until 1981-05)
premiered in:
Leipzig (on 1725-04-01)
composed in:
Leipzig (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach0:56
17Kantate BWV 249, "Oster-Oratorium: Kommt, eilet und laufet": IX. Aria
alto vocals and solo mezzo-soprano vocals [Alt]:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (from 1980-12 until 1981-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
recording of:
Oster-Oratorium, BWV 249: IX. Aria "Saget, saget mir geschwinde" (catch-all for arrangements)
premiered in:
Leipzig (on 1725-04-01)
composed in:
Leipzig (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde"
Johann Sebastian Bach6:58
18Kantate BWV 249, "Oster-Oratorium: Kommt, eilet und laufet": X. Recitativo
bass vocals and solo bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut" (from 1980-12 until 1981-05)
premiered in:
Leipzig (on 1725-04-01)
composed in:
Leipzig (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach0:42
19Kantate BWV 249, "Oster-Oratorium: Kommt, eilet und laufet": XI. Coro
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (from 1980-12 until 1981-05)
premiered in:
Leipzig (on 1725-04-01)
composed in:
Leipzig (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach2:45
2▶CD: BWV 31, 6, 42
3▶CD: BWV 108, 128, 43
4▶CD: BWV 171, 34, 184, 175

Credits

Release

ASIN:DE: B00005V10Q [info]