Leichte Klassik: Opern–Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Die Zauberflöte, KV 620: Ouvertüre
orchestra:
BBC Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart6:53
2Don Giovanni, KV 527: »Champagner–Arie« des Don Giovanni
harpsichord:
John Constable (pianist) (in 1973-05)
baritone vocals [Don Giovanni]:
Ingvar Wixell (baritone) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (in 1973-05)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:16
3Don Giovanni, KV 527: Duett Don Giovanni – Zerline »Reich mir die Hand, mein Leben«
baritone vocals [Don Giovanni]:
Ingvar Wixell (baritone)
soprano vocals [Zerlina]:
Mirella Freni (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:03
4Der Barbier von Sevilla: Ouverture
orchestra:
Academy of St Martin in the Fields (in 1982-06)
conductor:
Sir Neville Marriner (conductor) (in 1982-06)
recording of:
Il barbiere di Siviglia: Sinfonia (in 1982-06)
composer:
Gioacchino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini7:07
5Der Barbier von Sevilla: Kavatine des Figaro »Ich bin das Faktotum«
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Figaro]:
Thomas Allen (baritone) (in 1982-06)
vocals:
Thomas Allen (baritone)
orchestra:
Academy of St Martin in the Fields (in 1982-06)
conductor:
Neville Marriner (conductor) (in 1982-06)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (in 1982-06)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (in 1982-06)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:56
6Carmen: Vorspiel 4. Akt
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (in 1978-06)
conductor:
Sir Neville Marriner (conductor) (in 1978-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London) (in 1978-06)
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) (in 1978-06)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet2:16
7Der Troubadour: Zigeunerchor (»Seht, wie die Wolken«)
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 1983-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1983-12)
conductor:
Silvio Varviso (conductor) (in 1983-12)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (in 1983-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:51
8La Traviata: Vorspiel 1. Akt
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1983-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1983-12)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1984)
recorded at:
Sofiensaal in Landstraße (in 1983-12)
recording of:
La traviata: Preludio (in 1983-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi4:28
9Nabucco: Chor der Gefangenen (»Flieg, Gedanke«)
recorded in:
East Germany (historical, 1949-1990) (in 1983-12)
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 1983-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1983-12)
conductor:
Silvio Varviso (conductor) (in 1983-12)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (in 1983-12)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1983-12)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:06
10Rigoletto: Arie des Herzogs (3. Akt) (»O wie so trügerisch«)
tenor vocals [Duca]:
Neil Shicoff (tenor) (in 1984-09)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1984-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1984-09)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome) (in 1984-09)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1984-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi3:05
11La Bohème: Arie des Rudolf (1. Akt) (»Wie eiskalt ist dies Händchen«)
tenor vocals:
José Carreras (Spanish tenor) (in 1979-02)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1979-02)
conductor:
Sir Colin Davis (English conductor) (in 1979-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1979)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1979-02)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini24:48
12La Bohème: Arie der Mimi (1. Akt) (»Man nennt mich jetzt Mimi«)
soprano vocals and soprano vocals [Mimì]:
Katia Ricciarelli (soprano)
vocals:
Katia Ricciarelli (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:56
13Der Liebestrank: Arie des Nemorino (2. Akt) (»Heimlich aus ihrem Auge«)
tenor vocals and tenor vocals [Nemorino]:
José Carreras (Spanish tenor)
orchestra:
Orchestra Sinfonica di Torino della RAI
conductor:
Claudio Scimone (conductor)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:54
14Eugen Onegin, op. 24: Polonaise
recorded in:
London (Greater London) (in 1977-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1977-12)
conductor:
Sir Colin Davis (English conductor) (in 1977-12)
recording of:
Евгений Онегин, op. 24: Действие III, картина 1, no. 19. Полонез (Polonaise)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Eugen Onegin: Akt III
part of:
Евгений Онегин, op. 24: Действие третье (Eugene Onegin, op. 24: Act III)
Peter Tschaikowsky4:37