Recollections of the Big Band Era

~ Release by Duke Ellington (see all versions of this release, 5 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Minnie the Moocher
engineer:
Fred Christie (task: original new york engineer) and Richard Mays (task: original new york engineer)
mixer:
Geoffrey Haslam and İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (on 1962-12-13)
bass:
Ernie Shepard (on 1962-12-13)
drums (drum set):
Sam Woodyard (on 1962-12-13)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1962-12-13)
reeds [alto sax, clarinet]:
Russell Procope (on 1962-12-13)
reeds [baritone sax, clarinet, bass clarinet]:
Harry Carney (on 1962-12-13)
reeds [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1962-12-13)
tenor saxophone:
Paul Gonsalves (on 1962-12-13)
trombone:
Lawrence Brown (jazz trombonist) (on 1962-12-13), Chuck Connors (trombonist) (on 1962-12-13) and Buster Cooper (on 1962-12-13)
trumpet:
Roy Burrowes (on 1962-12-13), Cat Anderson (on 1962-12-13) and Cootie Williams (on 1962-12-13)
orchestra:
Duke Ellington and His Orchestra (on 1962-12-13)
arranger:
Eddie Barefield
recorded at:
Fine Recording Studios in Manhattan, United States (on 1962-12-13)
instrumental recording of:
Minnie the Moocher (on 1962-12-13)
lyricist and composer:
Cab Calloway and Irving Mills
publisher:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and J. Albert & Son Pty. Ltd.
is based on:
Willie the Weeper
cover recording of:
Minnie the Moocher (on 1962-12-13)
lyricist and composer:
Cab Calloway and Irving Mills
publisher:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and J. Albert & Son Pty. Ltd.
is based on:
Willie the Weeper
2:46
2For Dancers Only
engineer:
Fred Christie (task: original new york engineer) and Richard Mays (task: original new york engineer)
mixer:
Geoffrey Haslam and İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (on 1962-12-14)
bass:
Ernie Shepard (on 1962-12-14)
drums (drum set):
Sam Woodyard (on 1962-12-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1962-12-14)
reeds [alto sax, clarinet]:
Russell Procope (on 1962-12-14)
reeds [baritone sax, clarinet, bass clarinet]:
Harry Carney (on 1962-12-14)
reeds [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1962-12-14)
tenor saxophone:
Paul Gonsalves (on 1962-12-14)
trombone:
Lawrence Brown (jazz trombonist) (on 1962-12-14), Chuck Connors (trombonist) (on 1962-12-14) and Buster Cooper (on 1962-12-14)
trumpet:
Bill Berry (Jazz trumpeter, cornetist and big band leader), Roy Burrowes (on 1962-12-14), Cat Anderson (on 1962-12-14) and Cootie Williams (on 1962-12-14)
orchestra:
Duke Ellington and His Orchestra (on 1962-12-14)
recorded at:
Fine Recording Studios in Manhattan, United States (on 1962-12-14)
instrumental recording of:
For Dancers Only (on 1962-12-14)
writer:
Sy Oliver, Don Raye and Vic Schoen
recording of:
For Dancers Only (on 1962-12-14)
writer:
Sy Oliver, Don Raye and Vic Schoen
3:04
3It’s a Lonesome Old Town When You’re Not Around
engineer:
Fred Christie (task: original new york engineer) and Richard Mays (task: original new york engineer)
mixer:
Geoffrey Haslam and İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (on 1962-12-11)
bass:
Ernie Shepard (on 1962-12-11)
drums (drum set):
Sam Woodyard (on 1962-12-11)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1962-12-11)
reeds [alto sax, clarinet]:
Russell Procope (on 1962-12-11)
reeds [baritone sax, clarinet, bass clarinet]:
Harry Carney (on 1962-12-11)
reeds [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1962-12-11)
tenor saxophone:
Paul Gonsalves (on 1962-12-11)
trombone:
Lawrence Brown (jazz trombonist) (on 1962-12-11), Chuck Connors (trombonist) (on 1962-12-11) and Buster Cooper (on 1962-12-11)
trumpet:
Roy Burrowes (on 1962-12-11), Cat Anderson (on 1962-12-11) and Cootie Williams (on 1962-12-11)
orchestra:
Duke Ellington and His Orchestra (on 1962-12-11)
recorded at:
Fine Recording Studios in Manhattan, United States (on 1962-12-11)
instrumental recording of:
It’s a Lonesome Old Town (on 1962-12-11)
writer:
Charles Kisco and Harry Tobias
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Harry Tobias Music
cover recording of:
It’s a Lonesome Old Town (on 1962-12-11)
writer:
Charles Kisco and Harry Tobias
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Harry Tobias Music
2:21
4Cherokee
engineer:
Fred Christie (task: original new york engineer) and Richard Mays (task: original new york engineer)
mixer:
Geoffrey Haslam and İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (on 1962-12-14)
bass:
Ernie Shepard (on 1962-12-14)
drums (drum set):
Sam Woodyard (on 1962-12-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1962-12-14)
reeds [alto sax, clarinet]:
Russell Procope (on 1962-12-14)
reeds [baritone sax, clarinet, bass clarinet]:
Harry Carney (on 1962-12-14)
reeds [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1962-12-14)
tenor saxophone:
Paul Gonsalves (on 1962-12-14)
trombone:
Lawrence Brown (jazz trombonist) (on 1962-12-14), Chuck Connors (trombonist) (on 1962-12-14) and Buster Cooper (on 1962-12-14)
trumpet:
Roy Burrowes (on 1962-12-14), Cat Anderson (on 1962-12-14) and Cootie Williams (on 1962-12-14)
orchestra:
Duke Ellington and His Orchestra (on 1962-12-14)
recorded at:
Fine Recording Studios in Manhattan, United States (on 1962-12-14)
cover recording of:
Cherokee (on 1962-12-14)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
instrumental recording of:
Cherokee (on 1963-01-04)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
2:53
5The Midnight Sun Will Never Set
engineer:
Fred Christie (task: original new york engineer) and Richard Mays (task: original new york engineer)
mixer:
Geoffrey Haslam and İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (on 1963-01-03)
bass:
Ernie Shepard (on 1963-01-03)
drums (drum set):
Sam Woodyard (on 1963-01-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1963-01-03)
reeds [alto sax, clarinet]:
Russell Procope (on 1963-01-03)
reeds [baritone sax, clarinet, bass clarinet]:
Harry Carney (on 1963-01-03)
reeds [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1963-01-03)
tenor saxophone:
Paul Gonsalves (on 1963-01-03)
trombone:
Lawrence Brown (jazz trombonist) (on 1963-01-03), Chuck Connors (trombonist) (on 1963-01-03) and Buster Cooper (on 1963-01-03)
trumpet:
Roy Burrowes (on 1963-01-03), Cat Anderson (on 1963-01-03) and Cootie Williams (on 1963-01-03)
orchestra:
Duke Ellington and His Orchestra (on 1963-01-03)
recorded at:
Fine Recording Studios in Manhattan, United States (on 1963-01-03)
instrumental recording of:
The Midnight Sun Will Never Set (Sarah Vaughan) (on 1963-01-03)
lyricist:
Dorcas Cochran
composer:
Quincy Jones and Henri Salvador
cover recording of:
The Midnight Sun Will Never Set (Sarah Vaughan) (on 1963-01-03)
lyricist:
Dorcas Cochran
composer:
Quincy Jones and Henri Salvador
3:06
6Let’s Get Together
engineer:
Bernie Clapper (task: original chicago engineer)
mixer:
Geoffrey Haslam and İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (on 1962-11-29)
bass:
Ernie Shepard (on 1962-11-29)
drums (drum set):
Sam Woodyard (on 1962-11-29)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1962-11-29)
reeds [alto sax, clarinet]:
Russell Procope (on 1962-11-29)
reeds [baritone sax, clarinet, bass clarinet]:
Harry Carney (on 1962-11-29)
reeds [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1962-11-29)
tenor saxophone:
Paul Gonsalves (on 1962-11-29)
trombone:
Lawrence Brown (jazz trombonist) (on 1962-11-29), Chuck Connors (trombonist) (on 1962-11-29) and Buster Cooper (on 1962-11-29)
trumpet:
Roy Burrowes (on 1962-11-29), Cat Anderson (on 1962-11-29) and Cootie Williams (on 1962-11-29)
orchestra:
Duke Ellington and His Orchestra (on 1962-11-29)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1962-11-29)
recording of:
Let's Get Together (on 1962-11-29)
composer:
Chick Webb
cover recording of:
Let's Get Together (on 1962-11-29)
composer:
Chick Webb
2:37
7I’m Gettin’ Sentimental Over You
engineer:
Bernie Clapper (task: original chicago engineer)
mixer:
Geoffrey Haslam and İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (on 1962-11-29)
bass:
Ernie Shepard (on 1962-11-29)
drums (drum set):
Sam Woodyard (on 1962-11-29)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1962-11-29)
reeds [alto sax, clarinet]:
Russell Procope (on 1962-11-29)
reeds [baritone sax, clarinet, bass clarinet]:
Harry Carney (on 1962-11-29)
reeds [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1962-11-29)
tenor saxophone:
Paul Gonsalves (on 1962-11-29)
trombone:
Lawrence Brown (jazz trombonist) (on 1962-11-29), Chuck Connors (trombonist) (on 1962-11-29) and Buster Cooper (on 1962-11-29)
trumpet:
Roy Burrowes (on 1962-11-29), Cat Anderson (on 1962-11-29) and Cootie Williams (on 1962-11-29)
orchestra:
Duke Ellington and His Orchestra (on 1962-11-29)
solo performer:
Ray Nance
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1962-11-29)
instrumental recording of:
I’m Getting Sentimental Over You (on 1962-11-29)
lyricist:
Ned Washington
composer:
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music, Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
cover recording of:
I’m Getting Sentimental Over You (on 1962-11-29)
lyricist:
Ned Washington
composer:
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music, Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:20
8Chant of the Weed
engineer:
Bernie Clapper (task: original chicago engineer)
mixer:
Geoffrey Haslam and İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (on 1962-11-29)
bass:
Ernie Shepard (on 1962-11-29)
drums (drum set):
Sam Woodyard (on 1962-11-29)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1962-11-29)
reeds [alto sax, clarinet]:
Russell Procope (on 1962-11-29)
reeds [baritone sax, clarinet, bass clarinet]:
Harry Carney (on 1962-11-29)
reeds [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1962-11-29)
tenor saxophone:
Paul Gonsalves (on 1962-11-29)
trombone:
Lawrence Brown (jazz trombonist) (on 1962-11-29), Chuck Connors (trombonist) (on 1962-11-29) and Buster Cooper (on 1962-11-29)
trumpet:
Roy Burrowes (on 1962-11-29), Cat Anderson (on 1962-11-29) and Cootie Williams (on 1962-11-29)
orchestra:
Duke Ellington and His Orchestra (on 1962-11-29)
solo performer:
Ray Nance
arranger:
Billy Strayhorn
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1962-11-29)
recording of:
Chant of the Weed (on 1962-11-29)
composer:
Don Redman
cover recording of:
Chant of the Weed (on 1962-11-29)
composer:
Don Redman
3:22
9Ciribiribin
engineer:
Fred Christie (task: original new york engineer) and Richard Mays (task: original new york engineer)
mixer:
Geoffrey Haslam and İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (on 1962-12-11)
bass:
Ernie Shepard (on 1962-12-11)
drums (drum set):
Sam Woodyard (on 1962-12-11)
piano:
Billy Strayhorn and Duke Ellington (US composer, pianist & jazz bandleader) (on 1962-12-11)
reeds [alto sax, clarinet]:
Russell Procope (on 1962-12-11)
reeds [baritone sax, clarinet, bass clarinet]:
Harry Carney (on 1962-12-11)
reeds [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1962-12-11)
tenor saxophone:
Paul Gonsalves (on 1962-12-11)
trombone:
Lawrence Brown (jazz trombonist) (on 1962-12-11), Chuck Connors (trombonist) (on 1962-12-11) and Buster Cooper (on 1962-12-11)
trumpet:
Eddie Preston, Roy Burrowes (on 1962-12-11), Cat Anderson (on 1962-12-11) and Cootie Williams (on 1962-12-11)
orchestra:
Duke Ellington and His Orchestra (on 1962-12-11)
solo performer:
Ray Nance
recorded at:
Fine Recording Studios in Manhattan, United States (on 1962-12-11)
instrumental recording of:
Ciribiribin (They’re So in Love) (Harry James theme song) (on 1962-12-11)
lyricist:
Harry James (US big band leader, trumpeter & actor) and Jack Lawrence (US songwriter)
composer:
Alberto Pestalozza
is based on:
Ciribiribin (original Italian version)
part of:
Hit the Deck (1955 movie)
instrumental recording of:
Ciribiribin (original Italian version)
lyricist:
Carlo Tiochet
composer:
Alberto Pestalozza (in 1898)
3:29
10Contrasts
engineer:
Fred Christie (task: original new york engineer) and Richard Mays (task: original new york engineer)
mixer:
Geoffrey Haslam and İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (on 1962-12-20)
bass:
Ernie Shepard (on 1962-12-20)
drums (drum set):
Sam Woodyard (on 1962-12-20)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1962-12-20)
reeds [alto sax, clarinet]:
Russell Procope (on 1962-12-20)
reeds [baritone sax, clarinet, bass clarinet]:
Harry Carney (on 1962-12-20)
reeds [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1962-12-20)
tenor saxophone:
Paul Gonsalves (on 1962-12-20)
trombone:
Lawrence Brown (jazz trombonist) (on 1962-12-20), Chuck Connors (trombonist) (on 1962-12-20) and Buster Cooper (on 1962-12-20)
trumpet:
Roy Burrowes (on 1962-12-20), Cat Anderson (on 1962-12-20) and Cootie Williams (on 1962-12-20)
orchestra:
Duke Ellington and His Orchestra (on 1962-12-20)
recorded at:
Fine Recording Studios in Manhattan, United States (on 1962-12-20)
cover recording of:
Contrasts (on 1962-12-20)
composer:
Jimmy Dorsey
recording of:
Contrasts (on 1962-12-29)
composer:
Jimmy Dorsey
2:46
11Christopher Columbus
engineer:
Bernie Clapper (task: original chicago engineer)
mixer:
Geoffrey Haslam and İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (on 1962-11-29)
bass:
Ernie Shepard (on 1962-11-29)
drums (drum set):
Sam Woodyard (on 1962-11-29)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1962-11-29)
reeds [alto sax, clarinet]:
Russell Procope (on 1962-11-29)
reeds [baritone sax, clarinet, bass clarinet]:
Harry Carney (on 1962-11-29)
reeds [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1962-11-29)
tenor saxophone:
Paul Gonsalves (on 1962-11-29)
trombone:
Lawrence Brown (jazz trombonist) (on 1962-11-29), Chuck Connors (trombonist) (on 1962-11-29) and Buster Cooper (on 1962-11-29)
trumpet:
Roy Burrowes (on 1962-11-29), Cat Anderson (on 1962-11-29) and Cootie Williams (on 1962-11-29)
orchestra:
Duke Ellington and His Orchestra (on 1962-11-29)
solo performer:
Ray Nance
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1962-11-29)
instrumental recording of:
Christopher Columbus (on 1962-11-29)
lyricist:
Andy Razaf
composer:
Leon “Chu” Berry
cover recording of:
Christopher Columbus (on 1962-11-29)
lyricist:
Andy Razaf
composer:
Leon “Chu” Berry
3:03
12Auld Lang Syne
engineer:
Fred Christie (task: original new york engineer) and Richard Mays (task: original new york engineer)
mixer:
Geoffrey Haslam and İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (on 1962-12-29)
bass:
Ernie Shepard (on 1962-12-29)
drums (drum set):
Sam Woodyard (on 1962-12-29)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1962-12-29)
reeds [alto sax, clarinet]:
Russell Procope (on 1962-12-29)
reeds [baritone sax, clarinet, bass clarinet]:
Harry Carney (on 1962-12-29)
reeds [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1962-12-29)
tenor saxophone:
Paul Gonsalves (on 1962-12-29)
trombone:
Lawrence Brown (jazz trombonist) (on 1962-12-29), Chuck Connors (trombonist) (on 1962-12-29) and Buster Cooper (on 1962-12-29)
trumpet:
Roy Burrowes (on 1962-12-29), Cat Anderson (on 1962-12-29) and Cootie Williams (on 1962-12-29)
orchestra:
Duke Ellington and His Orchestra (on 1962-12-29)
recorded at:
Fine Recording Studios in Manhattan, United States (on 1962-12-29)
instrumental recording of:
Auld Lang Syne (original Scots version, lyrics by Robert Burns) (on 1962-12-29)
lyricist:
Robert Burns (18th century Scottish poet/lyricist) (in 1788)
composer:
[traditional] (special purpose artist)
publisher:
Songs of Universal, Inc. (BMI)
part of:
Roud Folk Song Index (number: 6294)
recording of:
Auld Lang Syne (original Scots version, lyrics by Robert Burns)
lyricist:
Robert Burns (18th century Scottish poet/lyricist) (in 1788)
composer:
[traditional] (special purpose artist)
publisher:
Songs of Universal, Inc. (BMI)
part of:
Roud Folk Song Index (number: 6294)
12:19
13Tuxedo Junction
engineer:
Fred Christie (task: original new york engineer) and Richard Mays (task: original new york engineer)
trumpet:
Eddie Preston and Cootie Williams
solo performer:
Johnny Hodges
arranger:
Duke Ellington (US composer, pianist & jazz bandleader)
instrumental recording of:
Tuxedo Junction (on 1962-12-11)
lyricist:
Buddy Feyne
writer:
Dash, Feyne, Hawkins and Johnson (US jazz alto saxophonist, clarinetist & arranger)
composer:
Bill Johnson (US jazz alto saxophonist, clarinetist & arranger), Julian Dash, Buddy Feyne and Erskine Hawkins
3:29
14Smoke Rings
engineer:
Fred Christie (task: original new york engineer) and Richard Mays (task: original new york engineer)
piano:
Billy Strayhorn
trumpet:
Cootie Williams
solo performer:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) and Johnny Hodges
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
instrumental recording of:
Smoke Rings (on 1963-01-04)
lyricist:
Ned Washington
composer:
Gene Gifford
2:53
15Artistry In Rhythm
engineer:
Fred Christie (task: original new york engineer) and Richard Mays (task: original new york engineer)
trumpet:
Cootie Williams
solo performer:
Harry Carney, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Ray Nance, Billy Strayhorn and Sam Woodyard
arranger:
Duke Ellington (US composer, pianist & jazz bandleader)
recording of:
Artistry in Rhythm (on 1963-01-03)
composer:
Stan Kenton
publisher:
Sierra Music Publications and Robbins Music Corp. (from 1945 to present)
3:18
16The Waltz You Saved for Me
engineer:
Fred Christie (task: original new york engineer) and Richard Mays (task: original new york engineer)
trumpet:
Cootie Williams
solo performer:
Harry Carney, Duke Ellington (US composer, pianist & jazz bandleader), Paul Gonsalves and Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader)
instrumental recording of:
The Waltz You Saved for Me (on 1963-01-04)
lyricist:
Gus Kahn
composer:
Emil Flindt and Wayne King
publisher:
Leo Feist, Inc.
2:28
17Woodchopper’s Ball
engineer:
Fred Christie (task: original new york engineer) and Richard Mays (task: original new york engineer)
trumpet:
Cootie Williams
solo performer:
Lawrence Brown (jazz trombonist), Chuck Connors (trombonist), Buster Cooper, Duke Ellington (US composer, pianist & jazz bandleader), Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges and Ray Nance
arranger:
Duke Ellington (US composer, pianist & jazz bandleader)
recording of:
Woodchopper’s Ball (on 1963-01-03)
composer:
Joe Bishop and Woody Herman
included in:
The Real Book (compilation of jazz standards, volume I)
3:16
18Sentimental Journey
engineer:
Fred Christie (task: original new york engineer) and Richard Mays (task: original new york engineer)
trumpet:
Cootie Williams
solo performer:
Johnny Hodges, Ernie Shepard and Sam Woodyard
arranger:
Duke Ellington (US composer, pianist & jazz bandleader)
instrumental recording of:
Sentimental Journey (on 1962-01-13)
lyricist:
Bud Green (in 1944)
composer:
Les Brown (American big band & jazz musician) (in 1944) and Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc. and Morley Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
2:30
19When It’s Sleepy Time Down South
engineer:
Fred Christie (task: original new york engineer) and Richard Mays (task: original new york engineer)
trumpet:
Bill Berry (Jazz trumpeter, cornetist and big band leader)
solo performer:
Ray Nance and Russell Procope
arranger:
Duke Ellington (US composer, pianist & jazz bandleader)
instrumental recording of:
When It’s Sleepy Time Down South (on 1962-01-14)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
3:16
20One O’Clock Jump
engineer:
Bernie Clapper (task: original chicago engineer)
solo tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
trumpet:
Cootie Williams
solo performer:
Buster Cooper, Duke Ellington (US composer, pianist & jazz bandleader) and Ray Nance
arranger:
Dick Vance (US jazz trumpeter and arranger)
recording of:
One O’Clock Jump (on 1962-11-29)
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
7:17
21Goodbye
engineer:
Bernie Clapper (task: original chicago engineer)
trumpet:
Cootie Williams
solo performer:
Johnny Hodges
arranger:
Duke Ellington (US composer, pianist & jazz bandleader)
instrumental recording of:
Goodbye (on 1962-11-29)
lyricist and composer:
Gordon Jenkins
writer:
Benny Goodman (clarinetist and bandleader)
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
3:04
22Sleep, Sleep, Sleep
engineer:
Fred Christie (task: original new york engineer) and Richard Mays (task: original new york engineer)
trumpet:
Cootie Williams
solo performer:
William “Cat” Anderson, Duke Ellington (US composer, pianist & jazz bandleader), Johnny Hodges and Ray Nance
arranger:
Duke Ellington (US composer, pianist & jazz bandleader)
recording of:
Sleep, Sleep, Sleep
writer:
Earl Burtnett and Adam Geibel (Composer, songwriter, conductor, organist, teacher & publisher)
2:46
23Rhapsody in Blue
engineer:
Fred Christie (task: original new york engineer) and Richard Mays (task: original new york engineer)
trumpet:
Cootie Williams
solo performer:
Harry Carney, Duke Ellington (US composer, pianist & jazz bandleader), Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) and Johnny Hodges
arranger:
Duke Ellington (US composer, pianist & jazz bandleader)
instrumental recording of:
Rhapsody in Blue (standard 1942 orchestration) (on 1962-12-20)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Classic 100: Feel Good (2024) (number: 5)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
14:48