Piano Works

~ Release by Liszt; Jorge Bolet (see all versions of this release, 1 available)

Annotation

There is one recording:0f44f163-b6ef-46cd-84e4-2ec088e02eee which appears twice on this compilation. According to https://www.deccaclassics.com/en/cat/4678012, they do have the same recording date and location.

Annotation last modified on 2018-10-05 16:10 UTC.

Tracklist

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#TitleArtistRatingLength
1Zwei Konzertetüden, S. 145: No. 1. Waldesrauschen
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1978-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London) (in 1978-12)
recording of:
Zwei Konzertetüden, S. 145, Nr. 1: Waldesrauschen (in 1978-12)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1862 until 1863)
part of:
Zwei Konzertetüden, S. 145
Franz Liszt3:59
2Zwei Konzertetüden, S. 145: No. 2. Gnomenreigen
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1978-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London) (in 1978-12)
recording of:
Zwei Konzertetüden, S. 145, Nr. 2: Gnomenreigen (in 1978-12)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1862 until 1863)
part of:
Zwei Konzertetüden, S. 145
Franz Liszt3:07
3Trois études de concert, S. 144: No. 1 in A‐flat major. Il lamento. A capriccio – Allegro cantabile
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1978-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London) (in 1978-12)
recording of:
Trois études de concert, S. 144: I. "Il lamento" in A-flat minor (in 1978-12)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Trois études de concert, S. 144
Franz Liszt10:21
4Trois études de concert, S. 144: No. 2 in F minor. La leggierezza. A capriccio – Quasi allegretto
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1978-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London) (in 1978-12)
recording of:
Trois études de concert, S. 144: II. "La leggierezza" in F minor (in 1978-12)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Trois études de concert, S. 144
Franz Liszt4:56
5Trois études de concert, S. 144: No. 3 in D‐flat major. Un sospiro. Allegro affettuoso
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1978-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London) (in 1978-12)
recording of:
Trois études de concert, S. 144: III. "Un sospiro" in D-flat major (in 1978-12)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Trois études de concert, S. 144
Franz Liszt5:35
6Consolations, S. 172: No. 1. Andante con moto
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1985-03)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986)
recorded at:
Kingsway Hall in London (Greater London) (in 1985-03)
recording of:
Consolation in E major, S. 172 no. 1: Andante con moto (in 1985-03)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in E major, S. 171a no. 1: Andante con moto (first, less common version)
Franz Liszt1:28
7Consolations, S. 172: No. 2. Un poco più mosso
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1985-03)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986)
recorded at:
Kingsway Hall in London (Greater London) (in 1985-03)
recording of:
Consolation in E major, S. 172 no. 2: Un poco più mosso (in 1985-03)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in E major, S. 171a no. 2: Un poco più mosso (first, less common version)
Franz Liszt3:19
8Consolations, S. 172: No. 3. Lento placido
producer:
Peter Wadland (producer) (from 1985-03 to present)
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1985-03)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley (in 1985-03)
recording of:
Consolation in D‐flat major, S. 172 no. 3: Lento placido (in 1985-03)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
Franz Liszt3:49
9Consolations, S. 172: No. 4. Quasi adagio
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1985-03)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986)
recorded at:
Kingsway Hall in London (Greater London) (in 1985-03)
recording of:
Consolation in D‐flat major, S. 172 no. 4: Quasi adagio (in 1985-03)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in D‐flat major, S. 171a no. 4: Quasi adagio (first, less common version)
Franz Liszt3:12
10Consolations, S. 172: No. 5. Andantino
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1985-03)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986)
recorded at:
Kingsway Hall in London (Greater London) (in 1985-03)
recording of:
Consolation in E major, S. 172 no. 5: Andantino (in 1985-03)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in E major, S. 171a no. 5: Andantino (first, less common version)
Franz Liszt2:54
11Consolations, S. 172: No. 6. Allegretto sempre cantabile
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1985-03)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986)
recorded at:
Kingsway Hall in London (Greater London) (in 1985-03)
recording of:
Consolation in E major, S. 172 no. 6: Allegretto sempre cantabile (in 1985-03)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in E major, S. 171a no. 6: Allegretto (first, less common version)
Franz Liszt3:19
12Réminiscences de Don Juan, S. 418
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1978-02, in 1978-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London) (in 1978-12)
recording of:
Réminiscences de Don Juan, S. 418 (for piano solo) (in 1978-02)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1841)
dedicated to:
King Christian VIII of Denmark
part of:
The Music of Liszt (number: S. 418)
is based on:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
is based on:
Il dissoluto punito, ossia il Don Giovanni, K. 527 (Don Giovanni)
recording of:
Réminiscences de Don Juan, S. 418 (for piano solo) (in 1978-12)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1841)
dedicated to:
King Christian VIII of Denmark
part of:
The Music of Liszt (number: S. 418)
is based on:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
is based on:
Il dissoluto punito, ossia il Don Giovanni, K. 527 (Don Giovanni)
Franz Liszt19:02
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