Soli Deo Gloria - Meisterwerke in bedeutenden Aufnahmen

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Annotation

Apparently comes in 10 sets à 2 CDs.

Individual barcodes:

CDs 1&2:
CDs 3&4:
CDs 5&6:
CDs 7&8: 4011222045843
CDs 9&10: 4011222045850
CDs 11&12:
CDs 13&14:
CDs 15&16:
CDs 17&18:
CDs 19&20:

Annotation last modified on 2014-06-29 03:50 UTC.

Tracklist

1▶CD: Das wohltemperierte Klavier, Teil 1: Edwin Fischer (rec 1933-1936)
2▶CD: Das wohltemperierte Klavier, Teil 1+2: Edwin Fischer (rec 1933-1936)
3▶CD: Das wohltemperierte Klavier, Teil 2: Edwin Fischer (rec 1933-1936)
4▶CD: Klavierwerke
5▶CD: Kunst der Fuge, BWV 1080 (Orchester de Radio Beromünster feat. conductor: Hermann Scherchen (rec 1949))
6▶CD: Kunst der Fuge, BWV 1080 (Orchester de Radio Beromünster feat. conductor: Hermann Scherchen (rec 1949))
7▶CD: Orgelwerke: Albert Schweitzer (rec 1935, 1937)
8▶CD: Orgelwerke: Albert Schweitzer (rec 1935, 1937)
9▶CD: Goldberg Variations; Clavier Works
10▶CD: Werke für Cembalo und Violine (cembalo: Wanda Landowska, violin: Yehudi Menuhin)
11▼CD: Magnificat BWV 243 / Kantaten BWV 147 / BWV 82
#TitleRatingLength
1BWV 243, Magnificat in D-Dur: I. Chor "Magnificat" (rec 1949)
choir vocals:
Chor R. Lamy (in 1949-07)
orchestra:
Ansbach Bach Society Orchestra (in 1949-07)
conductor:
Ferdinand Leitner (conductor) (in 1949-07)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1949-07)
premiered in:
Leipzig (on 1733-07-02)
composed in:
Leipzig (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
3:46
2BWV 243, Magnificat in D-Dur: II. Arie "Et exsultavit spiritus meus" (rec 1949)
soprano vocals:
Martha Schilling (German soprano) (in 1949-07)
orchestra:
Ansbach Bach Society Orchestra (in 1949-07)
conductor:
Ferdinand Leitner (conductor) (in 1949-07)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (in 1949-07)
premiered in:
Leipzig (on 1733-07-02)
composed in:
Leipzig (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
3:22
3BWV 243, Magnificat in D-Dur: III. Arie "Quia respexit humilitatem" (rec 1949)
soprano vocals:
Martha Schilling (German soprano) (in 1949-07)
orchestra:
Ansbach Bach Society Orchestra (in 1949-07)
conductor:
Ferdinand Leitner (conductor) (in 1949-07)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1949-07)
premiered in:
Leipzig (on 1733-07-02)
composed in:
Leipzig (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1949-07)
premiered in:
Leipzig (on 1733-07-02)
composed in:
Leipzig (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
4:32
4BWV 243, Magnificat in D-Dur: IV. Arie "Quia fecit mihi magna" (rec 1949)
bass vocals:
Gerhard Gröschel (German bass) (in 1949-07)
orchestra:
Ansbach Bach Society Orchestra (in 1949-07)
conductor:
Ferdinand Leitner (conductor) (in 1949-07)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (in 1949-07)
premiered in:
Leipzig (on 1733-07-02)
composed in:
Leipzig (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:39
5BWV 243, Magnificat in D-Dur: V. Duett "Et misericordia" (rec 1949)
contralto vocals:
Gertrude Pitzinger (contralto) (in 1949-07)
tenor vocals:
Heinz Marten (Gerrman tenor) (in 1949-07)
orchestra:
Ansbach Bach Society Orchestra (in 1949-07)
conductor:
Ferdinand Leitner (conductor) (in 1949-07)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (in 1949-07)
premiered in:
Leipzig (on 1733-07-02)
composed in:
Leipzig (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
4:08
6BWV 243, Magnificat in D-Dur: VI. Chor "Fecit potentiam" (rec 1949)
choir vocals:
Chor R. Lamy (in 1949-07)
orchestra:
Ansbach Bach Society Orchestra (in 1949-07)
conductor:
Ferdinand Leitner (conductor) (in 1949-07)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (in 1949-07)
premiered in:
Leipzig (on 1733-07-02)
composed in:
Leipzig (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:26
7BWV 243, Magnificat in D-Dur: VII. Arie "Desposuit potentes" (rec 1949)
tenor vocals:
Heinz Marten (Gerrman tenor) (in 1949-07)
orchestra:
Ansbach Bach Society Orchestra (in 1949-07)
conductor:
Ferdinand Leitner (conductor) (in 1949-07)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (in 1949-07)
premiered in:
Leipzig (on 1733-07-02)
composed in:
Leipzig (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:45
8BWV 243, Magnificat in D-Dur: VIII. Arie "Esurientes implevit bonis" (rec 1949)
contralto vocals:
Gertrude Pitzinger (contralto) (in 1949-07)
orchestra:
Ansbach Bach Society Orchestra (in 1949-07)
conductor:
Ferdinand Leitner (conductor) (in 1949-07)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (in 1949-07)
premiered in:
Leipzig (on 1733-07-02)
composed in:
Leipzig (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
3:25
9BWV 243, Magnificat in D-Dur: IX. Chor "Suscepit Israel" (rec 1949)
choir vocals:
Chor R. Lamy (in 1949-07)
contralto vocals:
Gertrude Pitzinger (contralto) (in 1949-07)
orchestra:
Ansbach Bach Society Orchestra (in 1949-07)
conductor:
Ferdinand Leitner (conductor) (in 1949-07)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 1949-07)
premiered in:
Leipzig (on 1733-07-02)
composed in:
Leipzig (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:19
10BWV 243, Magnificat in D-Dur: X. Chor "Sicut locutus est" (rec 1949)
choir vocals:
Chor R. Lamy (in 1949-07)
orchestra:
Ansbach Bach Society Orchestra (in 1949-07)
conductor:
Ferdinand Leitner (conductor) (in 1949-07)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (in 1949-07)
premiered in:
Leipzig (on 1733-07-02)
composed in:
Leipzig (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
1:47
11BWV 243, Magnificat in D-Dur: XI. Chor "Gloria Patri" (rec 1949)
choir vocals:
Chor R. Lamy (in 1949-07)
orchestra:
Ansbach Bach Society Orchestra (in 1949-07)
conductor:
Ferdinand Leitner (conductor) (in 1949-07)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1949-07)
premiered in:
Leipzig (on 1733-07-02)
composed in:
Leipzig (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:52
12BWV 147, Kantate "Herz und Mund und Tat und Leben" ; Bach Cantata Club, Kennedy Scott (rec 1931)
conductor:
Charles Kennedy Scott (English organist and choral conductor) (in 1931)
performer:
The Bach Cantata Club (Instrumentalists and singers) (in 1931)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1931)
premiered in:
Leipzig (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:31
13BWV 82, Kantate "Ich habe genug" : I. Arie "Ich habe genug" ; Philharmonia Orchestra, Anthony Bernard (Conductor) (rec 1950)
sound engineer:
Arthur Clarke (engineer) (from 1950-03-22 until 1950-03-24)
producer:
Walter Legge (British classical producer)
oboe:
Sidney Sutcliffe (oboist) (from 1950-03-22 until 1950-03-24)
organ:
Geraint Jones (conductor, organist / harpsichordist) (from 1950-03-22 until 1950-03-24)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1950-03-22 until 1950-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1950-03-22 until 1950-03-24)
conductor:
Anthony Bernard (from 1950-03-22 until 1950-03-24)
recorded at:
Kingsway Hall in London (Greater London) (from 1950-03-22 until 1950-03-24)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (from 1950-03-22 until 1950-03-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
8:08
14BWV 82, Kantate "Ich habe genug" : II. Rezitativ "Ich habe genug" ; Philharmonia Orchestra, Anthony Bernard (Conductor) (rec 1950)
sound engineer:
Arthur Clarke (engineer) (from 1950-03-22 until 1950-03-24)
producer:
Walter Legge (British classical producer)
oboe:
Sidney Sutcliffe (oboist) (from 1950-03-22 until 1950-03-24)
organ:
Geraint Jones (conductor, organist / harpsichordist) (from 1950-03-22 until 1950-03-24)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1950-03-22 until 1950-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1950-03-22 until 1950-03-24)
conductor:
Anthony Bernard (from 1950-03-22 until 1950-03-24)
recorded at:
Kingsway Hall in London (Greater London) (from 1950-03-22 until 1950-03-24)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (from 1950-03-22 until 1950-03-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
1:31
15BWV 82, Kantate "Ich habe genug" : III. Arie "Schlummert ein, Ihr matten Augen" ; Philharmonia Orchestra, Anthony Bernard (Conductor) (rec 1950)
sound engineer:
Arthur Clarke (engineer) (from 1950-03-22 until 1950-03-24)
producer:
Walter Legge (British classical producer)
oboe:
Sidney Sutcliffe (oboist) (from 1950-03-22 until 1950-03-24)
organ:
Geraint Jones (conductor, organist / harpsichordist) (from 1950-03-22 until 1950-03-24)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1950-03-22 until 1950-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1950-03-22 until 1950-03-24)
conductor:
Anthony Bernard (from 1950-03-22 until 1950-03-24)
recorded at:
Kingsway Hall in London (Greater London) (from 1950-03-22 until 1950-03-24)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (from 1950-03-22 until 1950-03-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
10:42
16BWV 82, Kantate "Ich habe genug" : VI. Rezitativ "Mein Gott! Wann kommt der schöne Nun!" ; Philharmonia Orchestra, Anthony Bernard (Conductor) (rec 1950)
sound engineer:
Arthur Clarke (engineer) (from 1950-03-22 until 1950-03-24)
producer:
Walter Legge (British classical producer)
oboe:
Sidney Sutcliffe (oboist) (from 1950-03-22 until 1950-03-24)
organ:
Geraint Jones (conductor, organist / harpsichordist) (from 1950-03-22 until 1950-03-24)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1950-03-22 until 1950-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1950-03-22 until 1950-03-24)
conductor:
Anthony Bernard (from 1950-03-22 until 1950-03-24)
recorded at:
Kingsway Hall in London (Greater London) (from 1950-03-22 until 1950-03-24)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (from 1950-03-22 until 1950-03-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
1:17
17BWV 82, Kantate "Ich habe genug" : V. Arie "Ich freue mich auf meinen Tod" ; Philharmonia Orchestra, Anthony Bernard (Conductor) (rec 1950)
sound engineer:
Arthur Clarke (engineer) (from 1950-03-22 until 1950-03-24)
producer:
Walter Legge (British classical producer)
oboe:
Sidney Sutcliffe (oboist) (from 1950-03-22 until 1950-03-24)
organ:
Geraint Jones (conductor, organist / harpsichordist) (from 1950-03-22 until 1950-03-24)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1950-03-22 until 1950-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1950-03-22 until 1950-03-24)
conductor:
Anthony Bernard (from 1950-03-22 until 1950-03-24)
recorded at:
Kingsway Hall in London (Greater London) (from 1950-03-22 until 1950-03-24)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (from 1950-03-22 until 1950-03-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
3:58
12▶CD: Vokalwerke: Lieder und Arien
13▶CD: Matthäuspassion, BWV 244, Teil 1 (Gewandhausorchester feat. conductor: Günther Ramin)
14▶CD: Matthäuspassion, BWV 244, Teil 2 (Gewandhausorchestra feat. conductor: Günther Ramin)
15▶CD: Brandenburgische Konzerte (Ensemble de Solistes feat. conductor: Fritz Reiner)
16▶CD: Brandenburgische Konzerte (Ensemble de Solistes feat. conductor: Fritz Reiner)
17▶CD: Orchesterwerke und Konzerte
18▶CD: Orchesterwerke und Konzerte
19▶CD: Kammermusik: Suiten für Violincello (Pablo Casals)
20▶CD: Kammermusik: Bearbeitungen für Gitarre (Andrés Segovia)