The 80's Greatest Rock Hits, Volume 2: Leather & Lace

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1What's Love Got to Do With It
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
drums (drum set):
Graham Jarvis (UK session drummer)
guitar:
Terry Britten
keyboard:
Nick Glennie‐Smith and Billy Livsey
percussion:
Simon Morton
background vocals:
Terry Britten and Tessa Niles
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recorded at:
Mayfair Studios (England) in London (Greater London)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 309)
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Tina Turner4.153:48
2I Hate Myself for Loving You
associate producer:
Thom Panunzio
producer:
Desmond Child and Kenny Laguna
mixer:
Thom Panunzio
guest guitar:
Mick Taylor (in 1988)
phonographic copyright (℗) by:
PolyGram International Ltd. (in 1988)
recorded at:
The Hit Factory in Manhattan, United States (in 1988)
recording of:
I Hate Myself for Loving You (in 1988)
lyricist and writer:
Desmond Child and Joan Jett
publisher:
April Music Inc., Desmobile Music Co., Lagunatic Music, Lagunatic Music and Filmworks Inc., SBK Songs Ltd., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Virgin Music (Publishers) Ltd.
Joan Jett and the Blackhearts4.24:08
3We Belong
assistant engineer:
Dave Hernandez (Dave “Zulu” Hernandez, engineer)
producer:
Pete Coleman and Neil Giraldo (multi-instrumentalist, songwriter, producer)
assistant mixer:
Murray Dvorkin and Bino Espinoza
additional guest bass guitar:
Roger Capps
bass guitar:
Donnie Nossov
drums (drum set):
Myron Grombacher
guitar and harmonica:
Neil Giraldo (multi-instrumentalist, songwriter, producer)
keyboard:
Charles Giordano (American keyboardist and accordionist)
percussion:
Charles Giordano (American keyboardist and accordionist), Neil Giraldo (multi-instrumentalist, songwriter, producer) and Myron Grombacher
lead vocals:
Pat Benatar
phonographic copyright (℗) by:
Chrysalis (in 1981) and Chrysalis Records, Inc. (not for release label use!) (in 1984)
mixed at:
Soundcastle (Interactive Studios) in Santa Monica, United States and The Complex Studios in Los Angeles, United States
recording of:
We Belong
writer:
Eric Lowen and Dan Navarro (singer/songwriter/voice actor)
publisher:
Screen Gems–EMI Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Pat Benatar4.43:41
4We Got the Beat
additional assistant recording engineer:
James Ball, Eric Kortee and Darroll Gustamachio
assistant recording engineer:
Ted Blechta and John Terelle
recording engineer and mixer:
Rob Freeman (engineer)
producer:
Rob Freeman (engineer) and Richard Gottehrer (American songwriter and music executive)
assistant mixer:
Gray Russell
bass guitar and guitar:
Kathy Valentine
drums (drum set) and percussion:
Gina Schock
guitar [lead guitar] and keyboard:
Charlotte Caffey
guitar [rhythm guitar]:
Jane Wiedlin
lead vocals:
Belinda Carlisle
vocals:
Charlotte Caffey and Jane Wiedlin
phonographic copyright (℗) by:
I.R.S., Inc. (in 1981)
additionally recorded at:
Sound Mixers Studio in New York, United States and The Record Plant (New York) in Midtown Manhattan, United States
recorded at:
Pennylane Studios in New York, United States
mixed at:
Sound Mixers Studio in New York, United States
recording of:
We Got the Beat
lyricist and composer:
Charlotte Caffey
publisher:
Daddy-Oh Music and Universal Music–MGB Songs
The Go‐Go’s4.52:32
5Walk Like an Egyptian
producer:
David Kahne
mixer:
David Leonard (US producer and engineer)
bass guitar:
Michael Steele (American bassist, guitarist, songwriter, and singer)
drums (drum set):
Debbi Peterson (drummer for The Bangles)
guitar:
Susanna Hoffs and Vicki Peterson
lead vocals:
Susanna Hoffs, Vicki Peterson and Michael Steele (American bassist, guitarist, songwriter, and singer)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1985) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 14)
recording of:
Walk Like an Egyptian
lyricist and composer:
Liam Sternberg (until 1984-01)
publisher:
Peer International Corporation (BMI)
part of:
ジョジョの奇妙な冒険 Part3 スターダストクルセイダース (JoJo’s Bizarre Adventure Part 3: Stardust Crusaders, 2014 anime soundtrack)
Bangles4.153:25
6The Warrior
engineer:
William Wittman
producer:
Mike Chapman (Australian producer and songwriter)
performer:
Patty Smyth
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982)
recording of:
The Warrior
writer:
Nick Gilder and Holly Knight
publisher:
712 Stone Avenue Music, All Nations Music, Chrysalis Songs, Hebbes Music Group Pty. Ltd., Kobalt Music Publishing Ltd. (UK), Mike Chapman Publishing Enterprises, Music & Media International, Inc. and Red Admiral Music Inc. (publisher)
Scandal4.53:59
7Only the Lonely
producer:
Val Garay
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982)
recording of:
Only the Lonely
lyricist and composer:
Martha Davis (of The Motels)
The Motels4.53:17
8Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
producer:
Val Garay
electric guitar:
Waddy Wachtel (in 1981-01)
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
recorded at:
Record One in Sherman Oaks, United States (in 1981-01)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:48
9Solitaire
assistant engineer:
John Kovorek (Engineer) and John Van Nest
engineer and mixer:
Jürgen Koppers (engineer, producer)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
bass guitar:
Dennis Belfield (in 1982)
drums (drum set):
Doane Perry (in 1982) and Carlos Vega (in 1982)
guitar:
Michael Landau (in 1982)
percussion:
Lenny Castro (in 1982)
synthesizer:
Michael Boddicker (in 1982)
background vocals:
Jim Haas (James Edwin Haas, lead vocal “Happy Days” theme song) (in 1982), Jon Joyce (vocalist) (in 1982) and Joe Pizzulo (in 1982)
lead vocals:
Laura Branigan (in 1982)
recorded at:
Allen Zentz Mastering in San Clemente, United States (in 1982) and Rusk Sound Studios in Hollywood, United States (in 1982)
mixed at:
Allen Zentz Mastering in San Clemente, United States and Rusk Sound Studios in Hollywood, United States
music videos:
Solitaire (music video) by Laura Branigan
recording of:
Solitaire (in 1982)
lyricist:
Diane Warren (US songwriter)
composer:
Martine Clémenceau
is based on:
Solitaire
Laura Branigan4:05