The Warner Classics Remastered Edition Vol. 2: Operas & Sacred Works

~ Release by Otto Klemperer (see all versions of this release, 1 available)

Tracklist

1▼CD: Bach: Matthäus-Passion, BWV 244 [Disc 1]
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244: Teil I. Salbung in Bethanien: No. 1. Chorus: "Kommt, ihr Töchter, helft mir klagen" - Chorale: "O Lamm Gottes, unschuldig"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
soprano vocals [Soprano in ripieno]:
Hampstead Parish Church Choir (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach11:45
2Matthäus-Passion, BWV 244: Teil I. Salbung in Bethanien: No. 2. Recitative (Evangelista, Jesus): "Da Jesus diese Rede vollendet hatte"
baritone vocals:
Dietrich Fischer‐Dieskau (German lyric baritone and conductor)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (German lyric baritone and conductor) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:56
3Matthäus-Passion, BWV 244: Teil I. Salbung in Bethanien: No. 3. Chorale: "Herzliebster Jesu, was hast du verbrochen"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (from 1961-01-01 until 1961-01-12)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:29
4Matthäus-Passion, BWV 244: Teil I. Salbung in Bethanien: No. 4a. Recitative (Evangelista): "Da versammleten sich die Hohenpriester"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:32
5Matthäus-Passion, BWV 244: Teil I. Salbung in Bethanien: No. 4b. Chorus: "Ja nicht auf das Fest"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals:
Peter Pears (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:18
6Matthäus-Passion, BWV 244: Teil I. Salbung in Bethanien: No. 4c. Recitative (Evangelista): "Da nun Jesus war zu Bethanien"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:41
7Matthäus-Passion, BWV 244: Teil I. Salbung in Bethanien: No. 4d. Chorus: "Wozu Dienet dieser Unrat"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals:
Peter Pears (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:36
8Matthäus-Passion, BWV 244: Teil I. Salbung in Bethanien: No. 4e. Recitative (Evangelista, Jesus): "Da das Jesus merkete"
baritone vocals:
Dietrich Fischer‐Dieskau (German lyric baritone and conductor)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (German lyric baritone and conductor) (from 1961-01-01 until 1961-01-12)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach1:53
9Matthäus-Passion, BWV 244: Teil I. Salbung in Bethanien: No. 5. Recitative (Alto): "Du lieber Heiland du"
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:05
10Matthäus-Passion, BWV 244: Teil I. Salbung in Bethanien: No. 6. Aria (Alto): "Buß und Reu"
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:51
11Matthäus-Passion, BWV 244: Teil I. Verrat durch Judas: No. 7. Recitative (Evangelista, Judas): "Da ging hin der Zwölfen einer"
baritone vocals:
John Carol Case (English baritone)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:46
12Matthäus-Passion, BWV 244: Teil I. Verrat durch Judas: No. 8. Aria (Soprano): "Blute nur, du liebes Herz"
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:13
13Matthäus-Passion, BWV 244: Teil I. Das lezte Abendmahl: No. 9a. Recitative (Evangelista): "Aber am ersten Tage der süßen Brot"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:14
14Matthäus-Passion, BWV 244: Teil I. Das lezte Abendmahl: No. 9b. Chorus: "Wo willst du, dass wir dir bereiten"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:26
15Matthäus-Passion, BWV 244: Teil I. Das lezte Abendmahl: No. 9c-e. Recitative (Evangelista, Jesus): "Er sprach: Gehet hin in die Stadt" - Recitative: "Und sie wurden sehr betrübt" - Chorus: "Herr, bin ichs"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach2:03
16Matthäus-Passion, BWV 244: Teil I. Das lezte Abendmahl: No. 10. Chorale: "Ich bins, ich sollte büßen"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (from 1961-01-01 until 1961-01-12)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:34
17Matthäus-Passion, BWV 244: Teil I. Das lezte Abendmahl: No. 11. Recitative (Evangelista, Jesus, Judas): "Er antwortete und sprach"
baritone vocals:
John Carol Case (English baritone) and Dietrich Fischer‐Dieskau (German lyric baritone and conductor)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (German lyric baritone and conductor) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:58
18Matthäus-Passion, BWV 244: Teil I. Das lezte Abendmahl: No. 12. Recitative (Soprano): "Wiewohl mein Herz in Tränen schwimmt"
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:32
19Matthäus-Passion, BWV 244: Teil I. Das lezte Abendmahl: No. 13. Aria (Soprano): "Ich will dir mein Herze schenken"
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:03
20Matthäus-Passion, BWV 244: Teil I. Jesu Verzweilflung am Ölberg: No. 14. Recitative (Evangelista, Judas): "Und da sie den Lobgesang gesprochen hatten"
baritone vocals:
Dietrich Fischer‐Dieskau (German lyric baritone and conductor)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:24
21Matthäus-Passion, BWV 244: Teil I. Jesu Verzweilflung am Ölberg: No. 15. Chorale: "Erkenne mich, mein Hüter"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (from 1961-01-01 until 1961-01-12)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:52
22Matthäus-Passion, BWV 244: Teil I. Jesu Verzweilflung am Ölberg: No. 16. Recitative (Evangelista, Petrus, Jesus): "Petrus aber antwortete"
baritone vocals:
Dietrich Fischer‐Dieskau (German lyric baritone and conductor)
bass vocals:
Walter Berry (bass‐baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (German lyric baritone and conductor) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:19
23Matthäus-Passion, BWV 244: Teil I. Jesu Verzweilflung am Ölberg: No. 17. Chorale: "Ich will hier bei dir stehen"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:53
24Matthäus-Passion, BWV 244: Teil I. Jesu Verzweilflung am Ölberg: No. 18. Recitative (Evangelista, Jesus): "Da kam Jesus mit ihnen zu einem Hofe"
baritone vocals:
Dietrich Fischer‐Dieskau (German lyric baritone and conductor)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (German lyric baritone and conductor) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:07
25Matthäus-Passion, BWV 244: Teil I. Jesu Verzweilflung am Ölberg: No. 19. Recitative: "O Schmerz! Hier zittert das gequälte Herz"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals:
Nicolai Gedda (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:06
26Matthäus-Passion, BWV 244: Teil I. Jesu Verzweilflung am Ölberg: No. 20. Aria: "Ich will bei meinem Jesu wachen"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals:
Nicolai Gedda (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:15
27Matthäus-Passion, BWV 244: Teil I. Gebel am Ölberg: No. 21. Recitative (Evangelista, Jesus): "Und ging hin ein wenig"
baritone vocals:
Dietrich Fischer‐Dieskau (German lyric baritone and conductor)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (German lyric baritone and conductor) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:54
28Matthäus-Passion, BWV 244: Teil I. Gebel am Ölberg: No. 22. Recitative (Bass): "Der Heiland fällt vor seinem Vater nieder"
bass vocals:
Walter Berry (bass‐baritone) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:22
29Matthäus-Passion, BWV 244: Teil I. Gebel am Ölberg: No. 23. Aria (Bass): "Gerne will ich mich bequemen"
bass vocals:
Walter Berry (bass‐baritone) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:35
30Matthäus-Passion, BWV 244: Teil I. Gebel am Ölberg: No. 24. Recitative (Evangelista, Jesus): "Und er kam zu seinen Jüngern"
baritone vocals:
Dietrich Fischer‐Dieskau (German lyric baritone and conductor)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (German lyric baritone and conductor) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:36
31Matthäus-Passion, BWV 244: Teil I. Gebel am Ölberg: No. 25. Chorale: "Was mein Gott will, das g'scheh allzeit"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London) (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:09
2▶CD: Bach: Matthäus-Passion, BWV 244 [Disc 2]
3▶CD: Bach: Matthäus-Passion, BWV 244 [Disc 3]
4▶CD: Brahms: Ein deutsches Requiem, Op. 45
5▶CD: Bach: Mass in B Minor, BWV 232 [Choruses]
6▶CD: Beethoven: Fidelio, Op. 72 [Act 1]
7▶CD: Beethoven: Fidelio, Op. 72 [Act 2]
8▶CD: Handel: Messiah, HWV 56 [disc 1]
9▶CD: Handel: Messiah, HWV 56 [disc 2]
10▶CD: Mozart: Die Zauberflöte, K. 620 [Act 1]
11▶CD: Mozart: Die Zauberflöte, K. 620 [Act 2]
12▶CD: Beethoven: Missa Solemnis, Op. 123
13▶CD: Mozart: Don Giovanni, K. 527 [disc 1]
14▶CD: Mozart: Don Giovanni, K. 527 [disc 2]
15▶CD: Mozart: Don Giovanni, K. 527 [disc 3]
16▶CD: Klemperer's Don Giovanni: Behind the Scenes
17▶CD: Bach: Mass in B Minor, BWV 232 [disc 1]
18▶CD: Bach: Mass in B Minor, BWV 232 [disc 2]
19▶CD: Wagner: Der fliegende Holländer, WWV 63 [disc 1]
20▶CD: Wagner: Der fliegende Holländer, WWV 63 [disc 2]
21▶CD: Wagner: Die Walküre, WWV 86B [Act 1]
22▶CD: Wagner: Die Walküre, WWV 86B [Act 3]; Wesendonck-Lieder; Isoldes Liebestod
23▶CD: Mozart: Le nozze di Figaro, K. 492 [disc 1]
24▶CD: Mozart: Le nozze di Figaro, K. 492 [disc 2]
25▶CD: Mozart: Le nozze di Figaro, K. 492 [disc 3]
26▶CD: Mozart: Così fan tutte, K. 588 [disc 1]
27▶CD: Mozart: Così fan tutte, K. 588 [disc 2]
28▶CD: Mozart: Così fan tutte, K. 588 [disc 3]
29▶CD: An Opera Souvenir [Bonus disc]