Mass in B minor (disc 2)

~ Release by Johann Sebastian Bach; Drottningholms Barockensemble, Eric Ericson, Eric Ericsons Kammarkör (see all versions of this release, 1 available)

Tracklist

1▼CD
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1h-Moll-Messe, BWV 232: Credo in Unum Deum
choir vocals:
Eric Ericsons Kammarkör
orchestra:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
conductor:
Eric Ericson
recorded at:
Berwaldhallen (Berwald Hall) in Stockholm
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1992-11)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:02
2h-Moll-Messe, BWV 232: Patrem Omnipotentem
choir vocals:
Eric Ericsons Kammarkör
orchestra:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
conductor:
Eric Ericson
recorded at:
Berwaldhallen (Berwald Hall) in Stockholm
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1992-11)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:02
3h-Moll-Messe, BWV 232: Et in Unum Dominum
alto vocals:
Monica Groop (mezzosoprano)
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
conductor:
Eric Ericson
recorded at:
Berwaldhallen (Berwald Hall) in Stockholm
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1992-11)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:17
4h-Moll-Messe, BWV 232: Et Incarnatus Est
choir vocals:
Eric Ericsons Kammarkör
orchestra:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
conductor:
Eric Ericson
recorded at:
Berwaldhallen (Berwald Hall) in Stockholm
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1992-11)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:35
5h-Moll-Messe, BWV 232: Crucifixus
choir vocals:
Eric Ericsons Kammarkör
orchestra:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
conductor:
Eric Ericson
recorded at:
Berwaldhallen (Berwald Hall) in Stockholm
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1992-11)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:43
6h-Moll-Messe, BWV 232: Et Ressurexit
choir vocals:
Eric Ericsons Kammarkör
orchestra:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
conductor:
Eric Ericson
recorded at:
Berwaldhallen (Berwald Hall) in Stockholm
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1992-11)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:58
7h-Moll-Messe, BWV 232: Et in Spiritum Sanctum Dominum
bass vocals:
Gunnar Lundberg (operatic bass)
orchestra:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
conductor:
Eric Ericson
recorded at:
Berwaldhallen (Berwald Hall) in Stockholm
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1992-11)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:02
8h-Moll-Messe, BWV 232: Confiteor
choir vocals:
Eric Ericsons Kammarkör
orchestra:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
conductor:
Eric Ericson
recorded at:
Berwaldhallen (Berwald Hall) in Stockholm
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1992-11)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:47
9h-Moll-Messe, BWV 232: Et Expecto
choir vocals:
Eric Ericsons Kammarkör
orchestra:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
conductor:
Eric Ericson
recorded at:
Berwaldhallen (Berwald Hall) in Stockholm
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1992-11)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:11
10h-Moll-Messe, BWV 232: Sanctus
choir vocals:
Eric Ericsons Kammarkör
orchestra:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
conductor:
Eric Ericson
recorded at:
Berwaldhallen (Berwald Hall) in Stockholm
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1992-11)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:12
11h-Moll-Messe, BWV 232: Osanna in Excelsis
choir vocals:
Eric Ericsons Kammarkör
orchestra:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
conductor:
Eric Ericson
recorded at:
Berwaldhallen (Berwald Hall) in Stockholm
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1992-11)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:35
12h-Moll-Messe, BWV 232: Benedictus
tenor vocals:
Klas Hedlund
orchestra:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
conductor:
Eric Ericson
recorded at:
Berwaldhallen (Berwald Hall) in Stockholm
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1992-11)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:17
13h-Moll-Messe, BWV 232: Ossana in Excelsis
choir vocals:
Eric Ericsons Kammarkör
orchestra:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
conductor:
Eric Ericson
recorded at:
Berwaldhallen (Berwald Hall) in Stockholm
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1992-11)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:41
14h-Moll-Messe, BWV 232: Agnus Dei
alto vocals:
Monica Groop (mezzosoprano)
orchestra:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
conductor:
Eric Ericson
recorded at:
Berwaldhallen (Berwald Hall) in Stockholm
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1992-11)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:57
15h-Moll-Messe, BWV 232: Dona Nobis Pacem
choir vocals:
Eric Ericsons Kammarkör
orchestra:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
conductor:
Eric Ericson
recorded at:
Berwaldhallen (Berwald Hall) in Stockholm
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1992-11)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:07