Cantatas, BWV 1–3

~ Release by Johann Sebastian Bach; Helmuth Rilling, Bach‐Collegium Stuttgart (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: I. Coro “Wie schön leuchtet der Morgenstern”
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: I. Coro “Wie schön leuchtet der Morgenstern” (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach7:40
2Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: II. Recitativo (Tenore) “Du wahrer Gottes und Marien Sohn”
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: II. Recitativo (Tenore) “Du wahrer Gottes und Marien Sohn” (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach1:08
3Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: III. Aria (Soprano) “Erfüllet, ihr himmlischen göttlichen Flammen”
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
soprano vocals:
Inga Nielsen (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: III. Aria (Soprano) “Erfüllet, ihr himmlischen göttlichen Flammen” (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach4:40
4Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: IV. Recitativo (Basso) “Ein irdscher Glanz, ein leiblich Licht”
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: IV. Recitativo (Basso) “Ein irdscher Glanz, ein leiblich Licht” (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach0:59
5Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: V. Aria (Tenore) “Unser Mund und Ton der Saiten”
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: V. Aria (Tenore) “Unser Mund und Ton der Saiten” (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach6:56
6Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: VI. Choral “Wie bin ich doch so herzlich froh”
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
cornet:
Friedhelm Pütz and Johannes Ritzkowsky (hornist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: VI. Choral “Wie bin ich doch so herzlich froh” (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 378)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach1:36
7Kantate, BWV 2 “Ach Gott, vom Himmel sieh darein”: I. Coro “Ach Gott, vom Himmel sieh darein”
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": I. Coro "Ach Gott, vom Himmel sieh darein" (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1724-06-18)
composed in:
Leipzig (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach4:06
8Kantate, BWV 2 “Ach Gott, vom Himmel sieh darein”: II. Recitativo (Tenore) “Sie lehren eitel falsche List”
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": II. Recitativo (Tenore) "Sie lehren eitel falsche List" (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1724-06-18)
composed in:
Leipzig (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach1:20
9Kantate, BWV 2 “Ach Gott, vom Himmel sieh darein”: III. Aria (Alto) “Tilg, o Gott, die Lehren”
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": III. Aria (Alto) "Tilg, o Gott, die Lehren" (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1724-06-18)
composed in:
Leipzig (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach3:40
10Kantate, BWV 2 “Ach Gott, vom Himmel sieh darein”: IV. Recitativo (Basso) “Die Armen sind verstört”
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": IV. Recitativo (Basso) "Die Armen sind verstört" (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1724-06-18)
composed in:
Leipzig (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach1:46
11Kantate, BWV 2 “Ach Gott, vom Himmel sieh darein”: V. Aria (Tenore) “Durchs Feuer wird das Silber rein”
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": V. Aria (Tenore) "Durchs Feuer wird das Silber rein" (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1724-06-18)
composed in:
Leipzig (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach6:16
12Kantate, BWV 2 “Ach Gott, vom Himmel sieh darein”: VI. Choral “Das wollst du, Gott, bewahren rein”
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": VI. Choral "Das wollst du, Gott, bewahren rein" (from 1980-02 until 1980-04)
premiered in:
Leipzig (on 1724-06-18)
composed in:
Leipzig (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 7)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach1:01
13Kantate, BWV 3 “Ach Gott, wie manches Herzeleid”: I. Coro “Ach Gott, wie manches Herzeleid”
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": I. Coro "Ach Gott, wie manches Herzeleid" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Moller (german poet) (in 1587)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach5:31
14Kantate, BWV 3 “Ach Gott, wie manches Herzeleid”: II. Recitativo e choral (Tenore, Alto, Soprano, Basso) “Wie schwerlich lässt sich Fleisch und Blut”
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
alto vocals:
Gabriele Schreckenbach (contralto)
bass vocals:
Philippe Huttenlocher (baritone)
soprano vocals:
Arleen Augér (soprano)
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": II. Recitativo e choral (Tenore, Alto, Soprano, Basso) "Wie schwerlich lässt sich Fleisch und Blut" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Moller (german poet) (in 1587)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach2:53
15Kantate, BWV 3 “Ach Gott, wie manches Herzeleid”: III. Aria (Basso) “Empfind ich Höllenangst und Pein”
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": III. Aria (Basso) "Empfind ich Höllenangst und Pein" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach6:38
16Kantate, BWV 3 “Ach Gott, wie manches Herzeleid”: IV. Recitativo (Tenore) “Es mag mir Leib und Geist verschmachten”
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": IV. Recitativo (Tenore) "Es mag mir Leib und Geist verschmachten" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach1:16
17Kantate, BWV 3 “Ach Gott, wie manches Herzeleid”: V. Aria (Duetto: Soprano, Alto) “Wenn Sorgen auf mich dringen”
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
alto vocals:
Gabriele Schreckenbach (contralto)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": V. Aria (Duetto: Soprano, Alto) "Wenn Sorgen auf mich dringen" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist) (ended)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach7:48
18Kantate, BWV 3 “Ach Gott, wie manches Herzeleid”: VI. Choral “Erhalt mein Herz im Glauben”
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": VI. Choral "Erhalt mein Herz im Glauben" (from 1970-12-01 until 1971-04)
lyricist:
Martin Moller (german poet) (in 1587)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 8)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach0:42

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 1) (order: 1)