The Great Choral Masterpieces

~ Release by Johann Sebastian Bach; (see all versions of this release, 2 available)

Tracklist

1▶Digital Media
2▶Digital Media
3▼Digital Media
#TitleArtistRatingLength
1Christmas Oratorio, BWV 248: Part Five "For the 1st Sunday in the New Year": No. 43 Chor: "Ehre sei dir, Gott, gesungen"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (from 1986-11 until 1987-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:55
2Christmas Oratorio, BWV 248: Part Five "For the 1st Sunday in the New Year": No. 44 Evangelist, No. 45 Chor
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (from 1986-11 until 1987-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:27
3Christmas Oratorio, BWV 248: Part Five "For the 1st Sunday in the New Year": No. 46 Choral: "Dein Glanz all Finsternis verzehrt"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (from 1986-11 until 1987-01)
composed in:
Leipzig (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:51
4Christmas Oratorio, BWV 248: Part Five "For the 1st Sunday in the New Year": No. 47 Aria (Bass): "Erleucht auch meine finstre Sinnen"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (from 1986-11 until 1987-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:45
5Christmas Oratorio, BWV 248: Part Five "For the 1st Sunday in the New Year": No. 48 Evangelist, No. 49 Rezitativ (Alt)
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (from 1986-11 until 1987-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:47
6Christmas Oratorio, BWV 248: Part Five "For the 1st Sunday in the New Year": No. 50 Evangelist: "Und ließ versammeln alle Hohepriester"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:19
7Christmas Oratorio, BWV 248: Part Five "For the 1st Sunday in the New Year": No. 51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
tenor vocals:
Eberhard Büchner (tenor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (from 1986-11 until 1987-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:49
8Christmas Oratorio, BWV 248: Part Five "For the 1st Sunday in the New Year": No. 52 Rezitativ (Alt): "Mein Liebster herrschet schon"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (from 1986-11 until 1987-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:29
9Christmas Oratorio, BWV 248: Part Five "For the 1st Sunday in the New Year": No. 53 Choral: "Zwar ist solche Herzensstube"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (from 1986-11 until 1987-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:53
10Christmas Oratorio, BWV 248: Part Six "For the Feast of Epiphany": No. 54 Chor: "Herr, wenn die stolzen Feinde schnauben"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (from 1986-11 until 1987-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:55
11Christmas Oratorio, BWV 248: Part Six "For the Feast of Epiphany": No. 55 Evangelist: "Da berief Herodes die Weisen heimlich" - Herodes: "Ziehet hin und forschet fleißig"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:54
12Christmas Oratorio, BWV 248: Part Six "For the Feast of Epiphany": No. 56 Rezitativ (Sopran): "Du Falscher, suche nur den Herrn zu fällen"
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (from 1986-11 until 1987-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:50
13Christmas Oratorio, BWV 248: Part Six "For the Feast of Epiphany": No. 57 Aria (Sopran): "Nur ein Wink von seinen Händen"
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (from 1986-11 until 1987-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:31
14Christmas Oratorio, BWV 248: Part Six "For the Feast of Epiphany": No. 58 Evangelist: "Als sie nun den König gehöret hatten"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:13
15Christmas Oratorio, BWV 248: Part Six "For the Feast of Epiphany": No. 59 Chorale: "Ich steh an deiner Krippen hier"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (from 1986-11 until 1987-01)
composed in:
Leipzig (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:03
16Christmas Oratorio, BWV 248: Part Six "For the Feast of Epiphany": No. 60 Evangelist: "Und Gott befahl ihnen im Traum"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:23
17Christmas Oratorio, BWV 248: Part Six "For the Feast of Epiphany": No. 61 Rezitativ (Tenor): "So geht! Genug, mein Schatz geht nicht von hier"
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (from 1986-11 until 1987-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:53
18Christmas Oratorio, BWV 248: Part Six "For the Feast of Epiphany": No. 62 Aria (Tenor): "Nun mögt ihr stolzen Feinde schrecken"
tenor vocals:
Eberhard Büchner (tenor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (from 1986-11 until 1987-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:33
19Christmas Oratorio, BWV 248: Part Six "For the Feast of Epiphany": No. 63 Rezitativ (Sopran, Alt, Tenor, Baß): "Was will der Hölle Schrecken nun?"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
tenor vocals:
Eberhard Büchner (tenor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (from 1986-11 until 1987-01)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Eberhard Büchner, Robert Holl, Helen Donath, Marjana Lipovsek, Staatskapelle Dresden, Peter Schreier0:45
20Christmas Oratorio, BWV 248: Part Six "For the Feast of Epiphany": No. 64 Choral: "Nun seid ihr wohl gerochen"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (from 1986-11 until 1987-01)
composed in:
Leipzig (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:11
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