The Vocal Works: Cantatas / Passions / Oratorios / Masses / Motets

~ Release by Johann Sebastian Bach; Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 1 available)

Tracklist

1▶Hybrid SACD: The Sacred Cantatas disc 1
2▶Hybrid SACD: The Sacred Cantatas disc 2
3▶Hybrid SACD: The Sacred Cantatas disc 3
4▶Hybrid SACD: The Sacred Cantatas disc 4
5▶Hybrid SACD: The Sacred Cantatas disc 5
6▶Hybrid SACD: The Sacred Cantatas disc 6
7▶Hybrid SACD: The Sacred Cantatas disc 7
8▶Hybrid SACD: The Sacred Cantatas disc 8
9▶Hybrid SACD: The Sacred Cantatas disc 9
10▶Hybrid SACD: The Sacred Cantatas disc 10
11▶Hybrid SACD: The Sacred Cantatas disc 11
12▶Hybrid SACD: The Sacred Cantatas disc 12
13▶Hybrid SACD: The Sacred Cantatas disc 13
14▶Hybrid SACD: The Sacred Cantatas disc 14
15▶Hybrid SACD: The Sacred Cantatas disc 15
16▶Hybrid SACD: The Sacred Cantatas disc 16
17▶Hybrid SACD: The Sacred Cantatas disc 17
18▶Hybrid SACD: The Sacred Cantatas disc 18
19▶Hybrid SACD: The Sacred Cantatas disc 19
20▶Hybrid SACD: The Sacred Cantatas disc 20
21▶Hybrid SACD: The Sacred Cantatas disc 21
22▶Hybrid SACD: The Sacred Cantatas disc 22
23▶Hybrid SACD: The Sacred Cantatas disc 23
24▶Hybrid SACD: The Sacred Cantatas disc 24
25▶Hybrid SACD: The Sacred Cantatas disc 25
26▶Hybrid SACD: The Sacred Cantatas disc 26
27▶Hybrid SACD: The Sacred Cantatas disc 27
28▶Hybrid SACD: The Sacred Cantatas disc 28
29▶Hybrid SACD: The Sacred Cantatas disc 29
30▶Hybrid SACD: The Sacred Cantatas disc 30
31▶Hybrid SACD: The Sacred Cantatas disc 31
32▶Hybrid SACD: The Sacred Cantatas disc 32
33▶Hybrid SACD: The Sacred Cantatas disc 33
34▶Hybrid SACD: The Sacred Cantatas disc 34
35▶Hybrid SACD: The Sacred Cantatas disc 35
36▶Hybrid SACD: The Sacred Cantatas disc 36
37▶Hybrid SACD: The Sacred Cantatas disc 37
38▶Hybrid SACD: The Sacred Cantatas disc 38
39▶Hybrid SACD: The Sacred Cantatas disc 39
40▶Hybrid SACD: The Sacred Cantatas disc 40
41▶Hybrid SACD: The Sacred Cantatas disc 41
42▶Hybrid SACD: The Sacred Cantatas disc 42
43▶Hybrid SACD: The Sacred Cantatas disc 43
44▶Hybrid SACD: The Sacred Cantatas disc 44
45▶Hybrid SACD: The Sacred Cantatas disc 45
46▶Hybrid SACD: The Sacred Cantatas disc 46
47▶Hybrid SACD: The Sacred Cantatas disc 47
48▶Hybrid SACD: The Sacred Cantatas disc 48
49▶Hybrid SACD: The Sacred Cantatas disc 49
50▶Hybrid SACD: The Sacred Cantatas disc 50
51▶Hybrid SACD: The Sacred Cantatas disc 51
52▶Hybrid SACD: The Sacred Cantatas disc 52
53▶Hybrid SACD: The Sacred Cantatas disc 53
54▶Hybrid SACD: The Sacred Cantatas disc 54
55▶Hybrid SACD: The Sacred Cantatas disc 55
56▶Hybrid SACD: The Secular Cantatas disc 1
57▶Hybrid SACD: The Secular Cantatas disc 2
58▶Hybrid SACD: The Secular Cantatas disc 3
59▶Hybrid SACD: The Secular Cantatas disc 4
60▶Hybrid SACD: The Secular Cantatas disc 5
61▼Hybrid SACD: The Secular Cantatas disc 6
#TitleArtistRatingLength
1Lass, Fürstin, lass noch einen Strahl, BWV 198: 1. [Chorus]. Lass, Fürstin, lass noch einen Strahl
sound engineer:
Thore Brinkmann (in 2015-02)
producer, mixer and editor:
Hans Kipfer
choir vocals:
Bach Collegium Japan (in 2015-02)
orchestra:
Bach Collegium Japan (in 2015-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-02)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2015)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2015-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": I. Coro "Laß, Fürstin, laß noch einen Strahl" (in 2015-02)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach5:42
2Lass, Fürstin, lass noch einen Strahl, BWV 198: 2. Recitativo (Soprano). Dein Sachsen, dein bestürztes Meißen
sound engineer:
Thore Brinkmann (in 2015-02)
producer, mixer and editor:
Hans Kipfer
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2015-02)
orchestra:
Bach Collegium Japan (in 2015-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-02)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2015)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2015-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": II. Recitativo (Sopran) "Dein Sachsen, dein bestürztes Meißen" (in 2015-02)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:32
3Lass, Fürstin, lass noch einen Strahl, BWV 198: 3. Aria (Soprano). Verstummt, verstummt, ihr holden Saiten!
sound engineer:
Thore Brinkmann (in 2015-02)
producer, mixer and editor:
Hans Kipfer
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2015-02)
orchestra:
Bach Collegium Japan (in 2015-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-02)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2015)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2015-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": III. Aria (Sopran) "Verstummt, verstummt, ihr holden Saiten" (in 2015-02)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach3:46
4Lass, Fürstin, lass noch einen Strahl, BWV 198: 4. Recitativo (Alto). Der Glocken bebendes Getön
sound engineer:
Thore Brinkmann (in 2015-02)
producer, mixer and editor:
Hans Kipfer
orchestra:
Bach Collegium Japan (in 2015-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-02)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2015)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2015-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IV. Recitavo (Alt) "Der Glocken bebendes Getön" (in 2015-02)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach0:50
5Lass, Fürstin, lass noch einen Strahl, BWV 198: 5. Aria (Alto). Wie starb die Heldin so vergnügt!
sound engineer:
Thore Brinkmann (in 2015-02)
producer, mixer and editor:
Hans Kipfer
alto vocals:
Robin Blaze (countertenor) (in 2015-02)
orchestra:
Bach Collegium Japan (in 2015-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-02)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2015)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2015-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": V. Aria (Alt) "Wie starb die Heldin so vergnügt" (in 2015-02)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach7:11
6Lass, Fürstin, lass noch einen Strahl, BWV 198: 6. Recitativo (Tenore). Ihr Leben ließ die Kunst zu sterben
sound engineer:
Thore Brinkmann (in 2015-02)
producer, mixer and editor:
Hans Kipfer
tenor vocals:
Makoto Sakurada (in 2015-02)
orchestra:
Bach Collegium Japan (in 2015-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-02)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2015)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2015-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VI. Recitavo (Tenor) "Ihr Leben ließ die Kunst zu sterben" (in 2015-02)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:09
7Lass, Fürstin, lass noch einen Strahl, BWV 198: 7. Chorus. An dir, du Fürbild großer Frauen
sound engineer:
Thore Brinkmann (in 2015-02)
producer, mixer and editor:
Hans Kipfer
choir vocals:
Bach Collegium Japan (in 2015-02)
orchestra:
Bach Collegium Japan (in 2015-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-02)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2015)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2015-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VII. Coro "An dir, du Fürbild großer Frauen" (in 2015-02)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:56
8Lass, Fürstin, lass noch einen Strahl, BWV 198: 8. [Aria] (Tenore). Der Ewigkeit saphirnes Haus
sound engineer:
Thore Brinkmann (in 2015-02)
producer, mixer and editor:
Hans Kipfer
tenor vocals:
Makoto Sakurada (in 2015-02)
orchestra:
Bach Collegium Japan (in 2015-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-02)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2015)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2015-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VIII. Aria (Tenor) "Der Ewigkeit saphirnes Haus" (in 2015-02)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach3:41
9Lass, Fürstin, lass noch einen Strahl, BWV 198: 9. Recitativo (Basso). Was Wunder ists? Du bist es wert
sound engineer:
Thore Brinkmann (in 2015-02)
producer, mixer and editor:
Hans Kipfer
bass vocals:
Dominik Wörner (bass) (in 2015-02)
orchestra:
Bach Collegium Japan (in 2015-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-02)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2015)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2015-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IX. Recitativo (Bass) "Was Wunder ists? Du bist es wert" (in 2015-02)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach2:17
10Lass, Fürstin, lass noch einen Strahl, BWV 198: 10. Chorus ultimus. Doch, Königin! du stirbest nicht
sound engineer:
Thore Brinkmann (in 2015-02)
producer, mixer and editor:
Hans Kipfer
choir vocals:
Bach Collegium Japan (in 2015-02)
orchestra:
Bach Collegium Japan (in 2015-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-02)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2015)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2015-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": X. Coro "Doch Königin! du stirbest nicht" (in 2015-02)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach5:33
11Schlage doch, gewünschte Stunde, BWV 53
sound engineer:
Thore Brinkmann (in 2015-02)
producer, mixer and editor:
Hans Kipfer
alto vocals:
Robin Blaze (countertenor) (in 2015-02)
orchestra:
Bach Collegium Japan (in 2015-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-02)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2015)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2015-02)
recording of:
Aria, BWV 53 "Schlage doch, gewünschte Stunde" (in 2015-02)
composer:
[anonymous] (special purpose artist)
librettist:
Salomon Franck
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician) and Georg Melchior Hoffmann (composer and organist)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 53), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 53 / Anh. II 23‑>) and Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App C, S. 703)
Johann Sebastian Bach7:09
12Tilge, Höchster, meine Sünden, BWV 1083: Versus 1 (Soprano, Alto). Tilge, Höchster, meine Sünden
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 1 (Sopran, Alt) "Tilge, Höchster meine Sünden" (in 2005-09)
premiered in:
Leipzig
composed in:
Leipzig
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach4:25
13Tilge, Höchster, meine Sünden, BWV 1083: Versus 2 (Soprano). Ist mein Herz in Missetaten
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 2 (Sopran) "Ist mein Herz in Missetaten" (in 2005-09)
premiered in:
Leipzig
composed in:
Leipzig
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: II. Aria (soprano): Cujus animam gementem
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:08
14Tilge, Höchster, meine Sünden, BWV 1083: Versus 3 (Soprano, Alto). Missetaten, die mich drücken
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 3 (Sopran, Alt) "Missetaten, die mich drücken" (in 2005-09)
premiered in:
Leipzig
composed in:
Leipzig
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: III. Duo: O quam tristis et afflicta
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:31
15Tilge, Höchster, meine Sünden, BWV 1083: Versus 4 (Alto). Dich erzürnt mein Tun und Lassen
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 4 (Alt) "Dich erzürnt mein Tun und Lassen" (in 2005-09)
premiered in:
Leipzig
composed in:
Leipzig
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: IV. Aria (alto): Quae moerebat et dolebat
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:02
16Tilge, Höchster, meine Sünden, BWV 1083: Versus 5 und 6 (Soprano, Alto). Wer wird seine Schuld verneinen
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 5 & 6 (Sopran, Alt) "Wer wird seine Schuld verneinen" (in 2005-09)
premiered in:
Leipzig
composed in:
Leipzig
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: V. (1) Duo: Quis est homo, qui non fleret (Use this variant if 'Pro peccatis suae gentis' appears on a separate track)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:11
17Tilge, Höchster, meine Sünden, BWV 1083: Versus 7 (Soprano, Alto). Siehe! ich bin in Sünd empfangen
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 7 (Sopran, Alt) "Sieh! ich bin in Sünd empfangen" (in 2005-09)
premiered in:
Leipzig
composed in:
Leipzig
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: V. (2) Duo: Pro peccatis suae gentis (Use this variant if 'Pro peccatis suae gentis' appears on a separate track)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach0:45
18Tilge, Höchster, meine Sünden, BWV 1083: Versus 8 (Soprano). Sieh, du willst die Wahrheit haben
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 8 (Sopran) "Sieh, du willst die Wahrheit haben" (in 2005-09)
premiered in:
Leipzig
composed in:
Leipzig
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VI. Aria (soprano): Vidit suum dulcem natum
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:50
19Tilge, Höchster, meine Sünden, BWV 1083: Versus 9 (Alto). Wasche mich doch rein von Sünden
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 9 (Alt) "Wasche mich doch rein von Sünden" (in 2005-09)
premiered in:
Leipzig
composed in:
Leipzig
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VII. Aria (alto): Eja, mater, fons amoris
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:00
20Tilge, Höchster, meine Sünden, BWV 1083: Versus 10 (Soprano, Alto). Lass mich Freud und Wonne spüren
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 10 (Sopran, Alt) "Laß mich Freud und Wonne spüren" (in 2005-09)
premiered in:
Leipzig
composed in:
Leipzig
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VIII. Duo: Fac, ut ardeat cor meum
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:19
21Tilge, Höchster, meine Sünden, BWV 1083: Versus 11 bis 15 (Soprano Alto). Schaue nicht auf meine Sünden
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 11-15 (Sopran, Alt) "Schaue nicht auf meine Sünden" (in 2005-09)
premiered in:
Leipzig
composed in:
Leipzig
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: IX. Duo: Sancta mater, istud agas
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach5:56
22Tilge, Höchster, meine Sünden, BWV 1083: Versus 16 (Alto). Öffne Lippen, Mund und Seele
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 16 (Alt) "Öffne Lippen, Mund und Seele" (in 2005-09)
premiered in:
Leipzig
composed in:
Leipzig
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: X. Aria (alto): Fac, ut portem Christi mortem
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach3:32
23Tilge, Höchster, meine Sünden, BWV 1083: Versus 17 und 18 (Soprano, Alto). Denn du willst kein Opfer haben
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 17 & 18 (Sopran, Alt) "Denn du willst kein Opfer haben" (in 2005-09)
premiered in:
Leipzig
composed in:
Leipzig
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XII. Duo: Quando corpus morietur (without Amen)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach3:12
24Tilge, Höchster, meine Sünden, BWV 1083: Versus 19 und 20 (Soprano, Alto). Lass dein Zion blühend dauern
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 19 & 20 (Sopran, Alt) "Laß dein Zion blühend dauern" (in 2005-09)
premiered in:
Leipzig
composed in:
Leipzig
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XI. Duo: Inflammatus et accensus
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach1:52
25Tilge, Höchster, meine Sünden, BWV 1083: Amen (Soprano, Alto).
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": XIV. (Sopran, Alt) "Amen" (in 2005-09)
premiered in:
Leipzig
composed in:
Leipzig
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician)
composer:
Giovanni Battista Pergolesi (composer)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XIII. Amen (separate Amen variant)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:26
62▶Hybrid SACD: The Secular Cantatas disc 7
63▶Hybrid SACD: The Secular Cantatas disc 8
64▶Hybrid SACD: The Secular Cantatas disc 9
65▶Hybrid SACD: The Secular Cantatas disc 10
66▶Hybrid SACD: St. John Passion
67▶Hybrid SACD: St. John Passion
68▶Hybrid SACD: St. Matthew Passion
69▶Hybrid SACD: St. Matthew Passion
70▶Hybrid SACD: Weihnachts-Oratorium
71▶Hybrid SACD: Weihnachts-Oratorium
72▶Hybrid SACD: Mass in B minor
73▶Hybrid SACD: Mass in B minor
74▶Hybrid SACD: Lutheran Masses I
75▶Hybrid SACD: Lutheran Masses II
76▶Hybrid SACD: Easter Oratorio / Ascension Oratorio
77▶Hybrid SACD: Motets
78▶Hybrid SACD: Various Vocal Works

Credits