The Vocal Works: Cantatas / Passions / Oratorios / Masses / Motets

~ Release by Johann Sebastian Bach; Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 1 available)

Tracklist

1▶Hybrid SACD: The Sacred Cantatas disc 1
2▶Hybrid SACD: The Sacred Cantatas disc 2
3▼Hybrid SACD: The Sacred Cantatas disc 3
#TitleArtistRatingLength
1Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: I. Sinfonia (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:34
2Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro: "Weinen, Klagen, Sorgen, Zagen"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen” (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach6:57
3Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo: "Wir müssen durch viel Trubsal in das Reich"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
countertenor vocals:
Yoshikazu Mera (Japanese countertenor) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach0:47
4Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria: "Kreuz und Krone sind verbunden"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
countertenor vocals:
Yoshikazu Mera (Japanese countertenor) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach6:04
5Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria: "Ich folge Christo nach"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:19
6Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria: "Sei getreu"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
tenor vocals:
Makoto Sakurada (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach3:59
7Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral: "Was Gott tut, das ist wohlgetan"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan" (in 1996-04)
lyricist:
Samuel Rodigast (German poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Breitkopf 389 Choralgesänge (number: 340)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach1:09
8Cantata no. 54, BWV 54 "Widerstehe doch der Sünde": I. Aria: "Widerstehe doch der Sünde"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
countertenor vocals:
Yoshikazu Mera (Japanese countertenor) (in 1996-04)
orchestra:
Bach Collegium Japan (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
recorded at:
Kobe Shoin Women's University (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": I. Aria (Alto) "Widerstehe doch der Sünde" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
Johann Sebastian Bach36:06
9Cantata no. 54, BWV 54 "Widerstehe doch der Sünde": II. Recitativo: "Die Art verruchter Sünden"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
countertenor vocals:
Yoshikazu Mera (Japanese countertenor) (in 1996-04)
orchestra:
Bach Collegium Japan (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
recorded at:
Kobe Shoin Women's University (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": II. Recitativo (Alto) "Die Art verruchter Sünden" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
Johann Sebastian Bach31:23
10Cantata no. 54, BWV 54 "Widerstehe doch der Sünde": III. Aria: "Wer Sünde tut, der ist vom Teufel"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
countertenor vocals:
Yoshikazu Mera (Japanese countertenor) (in 1996-04)
orchestra:
Bach Collegium Japan (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
recorded at:
Kobe Shoin Women's University (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": III. Aria (Alto) Wer Sünde tut, der ist vom Teufel (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
Johann Sebastian Bach33:16
11Cantata no. 162, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe": I. Aria: "Ach, ich sehe, itzt, da ich zur Hochzeit gehe"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": I. Aria (Bass) "Ach! ich sehe, itzt, da ich zur Hochzeit gehe" (in 1996-04)
premiered in:
Weimar (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
Johann Sebastian Bach3:43
12Cantata no. 162, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe": II. Recitativo: "O großes Hochzeitfest"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
tenor vocals:
Makoto Sakurada (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": II. Recitativo (Tenor) "O großes Hochzeitsfest" (in 1996-04)
premiered in:
Weimar (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
Johann Sebastian Bach1:45
13Cantata no. 162, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe": III. Aria: "Jesu, Brunnquell aller Gnaden"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
soprano vocals:
Yumiko Kurisu (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": III. Aria (Sopran) "Jesu, Brunnquell aller Gnaden" (in 1996-04)
premiered in:
Weimar (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
Johann Sebastian Bach3:38
14Cantata no. 162, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe": IV. Recitativo: "Mein Jesu, lass mir nicht"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
alto vocals:
Yoshikazu Mera (Japanese countertenor) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": IV. Recitativo (Alt) "Mein Jesu, laß mich nicht" (in 1996-04)
premiered in:
Weimar (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
Johann Sebastian Bach1:42
15Cantata no. 162, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe": V. Duett-Aria: "In meinem Gott bin ich erfreut!"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
alto vocals:
Yoshikazu Mera (Japanese countertenor) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": V. Aria (Duetto Alt, Tenor) "In meinem Gott bin ich erfreut" (in 1996-04)
premiered in:
Weimar (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
Johann Sebastian Bach3:51
16Cantata no. 162, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe": VI. Choral "Ach, ich habe schon erblicket"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": VI. Choral "Ach, ich habe schon erblicket" (in 1996-04)
premiered in:
Weimar (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Johann Rosenmüller (composer) (in 1652)
part of:
Breitkopf 389 Choralgesänge (number: 18)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
Johann Sebastian Bach1:16
17Cantata no. 182, BWV 182 "Himmelskönig, sei willkommen": I. Sinfonia
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: I. Sonata (in 1996-04)
premiered in:
Weimar (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach1:56
18Cantata no. 182, BWV 182 "Himmelskönig, sei willkommen": II. Coro: "Himmelskönig, sei willkommen"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: II. Chor „Himmelskönig, sei willkommen“ (in 1996-04)
premiered in:
Weimar (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach3:24
19Cantata no. 182, BWV 182 "Himmelskönig, sei willkommen": III. Recitativo: "Siehe, siehe, ich komme"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: III. Rezitativ (Bass) „Siehe, ich komme“ (in 1996-04)
premiered in:
Weimar (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach0:36
20Cantata no. 182, BWV 182 "Himmelskönig, sei willkommen": IV. Aria: "Starkes Lieben"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: IV. Arie (Bass) „Starkes Lieben“ (in 1996-04)
premiered in:
Weimar (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach2:36
21Cantata no. 182, BWV 182 "Himmelskönig, sei willkommen": V. Aria: "Leget euch dem Heiland unter"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
alto vocals:
Yoshikazu Mera (Japanese countertenor) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: V. Arie (Alt) „Leget euch dem Heiland unter“ (in 1996-04)
premiered in:
Weimar (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach8:58
22Cantata no. 182, BWV 182 "Himmelskönig, sei willkommen": VI. Aria: "Jesu, lass durch Wohl und Weh"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
tenor vocals:
Makoto Sakurada (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VI. Arie (Tenor) „Jesu, laß durch Wohl und Weh“ (in 1996-04)
premiered in:
Weimar (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach3:56
23Cantata no. 182, BWV 182 "Himmelskönig, sei willkommen": VII. Choral: "Jesu, deine Passion ist mir lauter Freude"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VII. Choral „Jesu, deine Passion“ (in 1996-04)
premiered in:
Weimar (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Paul Stockmann (in 1633)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: VII. Choral "Jesu, deine Passion"
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach3:10
24Cantata no. 182, BWV 182 "Himmelskönig, sei willkommen": VIII. Coro: "So lassen uns gehen in Salem der Freuden"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (in 1996-04)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VIII. Chor „So lasset uns gehen in Salem der Freuden“ (in 1996-04)
premiered in:
Weimar (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach4:01
4▶Hybrid SACD: The Sacred Cantatas disc 4
5▶Hybrid SACD: The Sacred Cantatas disc 5
6▶Hybrid SACD: The Sacred Cantatas disc 6
7▶Hybrid SACD: The Sacred Cantatas disc 7
8▶Hybrid SACD: The Sacred Cantatas disc 8
9▶Hybrid SACD: The Sacred Cantatas disc 9
10▶Hybrid SACD: The Sacred Cantatas disc 10
11▶Hybrid SACD: The Sacred Cantatas disc 11
12▶Hybrid SACD: The Sacred Cantatas disc 12
13▶Hybrid SACD: The Sacred Cantatas disc 13
14▶Hybrid SACD: The Sacred Cantatas disc 14
15▶Hybrid SACD: The Sacred Cantatas disc 15
16▶Hybrid SACD: The Sacred Cantatas disc 16
17▶Hybrid SACD: The Sacred Cantatas disc 17
18▶Hybrid SACD: The Sacred Cantatas disc 18
19▶Hybrid SACD: The Sacred Cantatas disc 19
20▶Hybrid SACD: The Sacred Cantatas disc 20
21▶Hybrid SACD: The Sacred Cantatas disc 21
22▶Hybrid SACD: The Sacred Cantatas disc 22
23▶Hybrid SACD: The Sacred Cantatas disc 23
24▶Hybrid SACD: The Sacred Cantatas disc 24
25▶Hybrid SACD: The Sacred Cantatas disc 25
26▶Hybrid SACD: The Sacred Cantatas disc 26
27▶Hybrid SACD: The Sacred Cantatas disc 27
28▶Hybrid SACD: The Sacred Cantatas disc 28
29▶Hybrid SACD: The Sacred Cantatas disc 29
30▶Hybrid SACD: The Sacred Cantatas disc 30
31▶Hybrid SACD: The Sacred Cantatas disc 31
32▶Hybrid SACD: The Sacred Cantatas disc 32
33▶Hybrid SACD: The Sacred Cantatas disc 33
34▶Hybrid SACD: The Sacred Cantatas disc 34
35▶Hybrid SACD: The Sacred Cantatas disc 35
36▶Hybrid SACD: The Sacred Cantatas disc 36
37▶Hybrid SACD: The Sacred Cantatas disc 37
38▶Hybrid SACD: The Sacred Cantatas disc 38
39▶Hybrid SACD: The Sacred Cantatas disc 39
40▶Hybrid SACD: The Sacred Cantatas disc 40
41▶Hybrid SACD: The Sacred Cantatas disc 41
42▶Hybrid SACD: The Sacred Cantatas disc 42
43▶Hybrid SACD: The Sacred Cantatas disc 43
44▶Hybrid SACD: The Sacred Cantatas disc 44
45▶Hybrid SACD: The Sacred Cantatas disc 45
46▶Hybrid SACD: The Sacred Cantatas disc 46
47▶Hybrid SACD: The Sacred Cantatas disc 47
48▶Hybrid SACD: The Sacred Cantatas disc 48
49▶Hybrid SACD: The Sacred Cantatas disc 49
50▶Hybrid SACD: The Sacred Cantatas disc 50
51▶Hybrid SACD: The Sacred Cantatas disc 51
52▶Hybrid SACD: The Sacred Cantatas disc 52
53▶Hybrid SACD: The Sacred Cantatas disc 53
54▶Hybrid SACD: The Sacred Cantatas disc 54
55▶Hybrid SACD: The Sacred Cantatas disc 55
56▶Hybrid SACD: The Secular Cantatas disc 1
57▶Hybrid SACD: The Secular Cantatas disc 2
58▶Hybrid SACD: The Secular Cantatas disc 3
59▶Hybrid SACD: The Secular Cantatas disc 4
60▶Hybrid SACD: The Secular Cantatas disc 5
61▶Hybrid SACD: The Secular Cantatas disc 6
62▶Hybrid SACD: The Secular Cantatas disc 7
63▶Hybrid SACD: The Secular Cantatas disc 8
64▶Hybrid SACD: The Secular Cantatas disc 9
65▶Hybrid SACD: The Secular Cantatas disc 10
66▶Hybrid SACD: St. John Passion
67▶Hybrid SACD: St. John Passion
68▶Hybrid SACD: St. Matthew Passion
69▶Hybrid SACD: St. Matthew Passion
70▶Hybrid SACD: Weihnachts-Oratorium
71▶Hybrid SACD: Weihnachts-Oratorium
72▶Hybrid SACD: Mass in B minor
73▶Hybrid SACD: Mass in B minor
74▶Hybrid SACD: Lutheran Masses I
75▶Hybrid SACD: Lutheran Masses II
76▶Hybrid SACD: Easter Oratorio / Ascension Oratorio
77▶Hybrid SACD: Motets
78▶Hybrid SACD: Various Vocal Works

Credits