Bach 333: Sacred & secular vocal (first half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: 4-Part Chorales, BWV 250-318 AC-GO
2▶CD: 4-Part Chorales, BWV 319-381 GO-ME
3▶CD: 4-Part Chorales, BWV 382-438 MI-WO
4▶CD: Magnificat BWV 243, 243a
5▶CD: Motets
6▶CD: Mass in B minor (1 Mortensen)
7▶CD: Mass in B minor (2 Mortensen)
8▶CD: Mass in B minor (1 Brüggen)
9▶CD: Mass in B minor (2 Brüggen) / Missa BWV 233
10▼CD: Missas BWV 234-236
#TitleRatingLength
1Missa in A major, BWV 234: 1. Kyrie - Christe - Kyrie
producer:
Bernd Runge
baritone vocals:
Olaf Bär (baritone) (in 1993-11)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1993-11)
mezzo-soprano vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1993-11)
soprano vocals:
Barbara Bonney (soprano) (in 1993-11)
tenor vocals:
Rainer Trost (in 1993-11)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1993-11)
conductor:
Peter Schreier (German tenor and conductor) (in 1993-11)
balance engineer:
Eberhard Hinz and Eberhard Richter (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1993-11)
recording of:
Messe A-Dur, BWV 234: I. Coro "Kyrie eleison"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
5:40
2Missa in A major, BWV 234: 2. Gloria - Et in terra pax
producer:
Bernd Runge
baritone vocals:
Olaf Bär (baritone) (in 1993-11)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1993-11)
mezzo-soprano vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1993-11)
soprano vocals:
Barbara Bonney (soprano) (in 1993-11)
tenor vocals:
Rainer Trost (in 1993-11)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1993-11)
conductor:
Peter Schreier (German tenor and conductor) (in 1993-11)
balance engineer:
Eberhard Hinz and Eberhard Richter (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1993-11)
recording of:
Messe A-Dur, BWV 234: II. Coro "Gloria in excelsis Deo"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
5:30
3Missa in A major, BWV 234: 3. Domine Deus
producer:
Bernd Runge
baritone vocals:
Olaf Bär (baritone) (in 1993-11)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1993-11)
mezzo-soprano vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1993-11)
soprano vocals:
Barbara Bonney (soprano) (in 1993-11)
tenor vocals:
Rainer Trost (in 1993-11)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1993-11)
conductor:
Peter Schreier (German tenor and conductor) (in 1993-11)
balance engineer:
Eberhard Hinz and Eberhard Richter (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1993-11)
recording of:
Messe A-Dur, BWV 234: III. Aria (Bass) "Domine Deus"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
5:43
4Missa in A major, BWV 234: 4. Qui tollis peccata mundi
producer:
Bernd Runge
baritone vocals:
Olaf Bär (baritone) (in 1993-11)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1993-11)
mezzo-soprano vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1993-11)
soprano vocals:
Barbara Bonney (soprano) (in 1993-11)
tenor vocals:
Rainer Trost (in 1993-11)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1993-11)
conductor:
Peter Schreier (German tenor and conductor) (in 1993-11)
balance engineer:
Eberhard Hinz and Eberhard Richter (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1993-11)
recording of:
Messe A-Dur, BWV 234: IV. Aria (Soprano) "Qui tollis peccata mundi"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
6:38
5Missa in A major, BWV 234: 5. Quoniam tu solus
producer:
Bernd Runge
baritone vocals:
Olaf Bär (baritone) (in 1993-11)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1993-11)
mezzo-soprano vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1993-11)
soprano vocals:
Barbara Bonney (soprano) (in 1993-11)
tenor vocals:
Rainer Trost (in 1993-11)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1993-11)
conductor:
Peter Schreier (German tenor and conductor) (in 1993-11)
balance engineer:
Eberhard Hinz and Eberhard Richter (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1993-11)
recording of:
Messe A-Dur, BWV 234: V. Aria (Alto) "Quoniam tu solus sanctus"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
3:27
6Missa in A major, BWV 234: 6. Cum Sancto Spiritu
producer:
Bernd Runge
baritone vocals:
Olaf Bär (baritone) (in 1993-11)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1993-11)
mezzo-soprano vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1993-11)
soprano vocals:
Barbara Bonney (soprano) (in 1993-11)
tenor vocals:
Rainer Trost (in 1993-11)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1993-11)
conductor:
Peter Schreier (German tenor and conductor) (in 1993-11)
balance engineer:
Eberhard Hinz and Eberhard Richter (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1993-11)
recording of:
Messe A-Dur, BWV 234: VI. Coro "Cum sancto spiritu"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
3:13
7Missa in G minor, BWV 235: 1. Kyrie
producer:
Bernd Runge
baritone vocals:
Olaf Bär (baritone) (in 1993-11)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1993-11)
mezzo-soprano vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1993-11)
soprano vocals:
Barbara Bonney (soprano) (in 1993-11)
tenor vocals:
Rainer Trost (in 1993-11)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1993-11)
conductor:
Peter Schreier (German tenor and conductor) (in 1993-11)
balance engineer:
Eberhard Hinz and Eberhard Richter (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1993-11)
recording of:
Messe g-Moll, BWV 235: I. Coro "Kyrie eleison"
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe g-Moll, BWV 235
5:45
8Missa in G minor, BWV 235: 2. Gloria
producer:
Bernd Runge
baritone vocals:
Olaf Bär (baritone) (in 1993-11)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1993-11)
mezzo-soprano vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1993-11)
soprano vocals:
Barbara Bonney (soprano) (in 1993-11)
tenor vocals:
Rainer Trost (in 1993-11)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1993-11)
conductor:
Peter Schreier (German tenor and conductor) (in 1993-11)
balance engineer:
Eberhard Hinz and Eberhard Richter (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1993-11)
recording of:
Messe g-Moll, BWV 235: II. Coro "Gloria in excelsis Deo"
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 72 "Alles nur nach Gottes Willen"
part of:
Messe g-Moll, BWV 235
3:26
9Missa in G minor, BWV 235: 3. Gratias
producer:
Bernd Runge
baritone vocals:
Olaf Bär (baritone) (in 1993-11)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1993-11)
mezzo-soprano vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1993-11)
soprano vocals:
Barbara Bonney (soprano) (in 1993-11)
tenor vocals:
Rainer Trost (in 1993-11)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1993-11)
conductor:
Peter Schreier (German tenor and conductor) (in 1993-11)
balance engineer:
Eberhard Hinz and Eberhard Richter (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1993-11)
recording of:
Messe g-Moll, BWV 235: III. Aria (Bass) "Gratias agimus tibi"
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": IV. Aria (Bass) "Darum sollt ihr nicht sorgen"
part of:
Messe g-Moll, BWV 235
2:43
10Missa in G minor, BWV 235: 4. Domine Fili
producer:
Bernd Runge
baritone vocals:
Olaf Bär (baritone) (in 1993-11)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1993-11)
mezzo-soprano vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1993-11)
soprano vocals:
Barbara Bonney (soprano) (in 1993-11)
tenor vocals:
Rainer Trost (in 1993-11)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1993-11)
conductor:
Peter Schreier (German tenor and conductor) (in 1993-11)
balance engineer:
Eberhard Hinz and Eberhard Richter (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1993-11)
recording of:
Messe g-Moll, BWV 235: IV. Aria (Alto) "Domine Fili unigenite"
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": III. Aria (Alt) "Du Herr, du krönst allein"
part of:
Messe g-Moll, BWV 235
5:04
11Missa in G minor, BWV 235: 5. Qui tollis
producer:
Bernd Runge
baritone vocals:
Olaf Bär (baritone) (in 1993-11)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1993-11)
mezzo-soprano vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1993-11)
soprano vocals:
Barbara Bonney (soprano) (in 1993-11)
tenor vocals:
Rainer Trost (in 1993-11)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1993-11)
conductor:
Peter Schreier (German tenor and conductor) (in 1993-11)
balance engineer:
Eberhard Hinz and Eberhard Richter (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1993-11)
recording of:
Messe g-Moll, BWV 235: V. Aria (Tenor) "Qui tollis peccata mundi"
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": V. Aria (Sopran) "Gott versorget alles Leben"
part of:
Messe g-Moll, BWV 235
4:06
12Missa in G minor, BWV 235: 6. Cum Sancto Spiritu
producer:
Bernd Runge
baritone vocals:
Olaf Bär (baritone) (in 1993-11)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1993-11)
mezzo-soprano vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1993-11)
soprano vocals:
Barbara Bonney (soprano) (in 1993-11)
tenor vocals:
Rainer Trost (in 1993-11)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1993-11)
conductor:
Peter Schreier (German tenor and conductor) (in 1993-11)
balance engineer:
Eberhard Hinz and Eberhard Richter (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1993-11)
recording of:
Messe g-Moll, BWV 235: VI. Coro "Cum sancto spiritu"
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich"
part of:
Messe g-Moll, BWV 235
4:43
13Missa in G major, BWV 236: 1. Kyrie
producer:
Bernd Runge
baritone vocals:
Olaf Bär (baritone) (in 1993-11)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1993-11)
mezzo-soprano vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1993-11)
soprano vocals:
Barbara Bonney (soprano) (in 1993-11)
tenor vocals:
Rainer Trost (in 1993-11)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1993-11)
conductor:
Peter Schreier (German tenor and conductor) (in 1993-11)
balance engineer:
Eberhard Hinz and Eberhard Richter (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1993-11)
recording of:
Messe G-Dur, BWV 236: I. Coro "Kyrie eleison"
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
3:15
14Missa in G major, BWV 236: 2. Gloria
producer:
Bernd Runge
baritone vocals:
Olaf Bär (baritone) (in 1993-11)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1993-11)
mezzo-soprano vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1993-11)
soprano vocals:
Barbara Bonney (soprano) (in 1993-11)
tenor vocals:
Rainer Trost (in 1993-11)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1993-11)
conductor:
Peter Schreier (German tenor and conductor) (in 1993-11)
balance engineer:
Eberhard Hinz and Eberhard Richter (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1993-11)
recording of:
Messe G-Dur, BWV 236: II. Coro "Gloria in excelsis Deo"
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
4:54
15Missa in G major, BWV 236: 3. Gratias
producer:
Bernd Runge
baritone vocals:
Olaf Bär (baritone) (in 1993-11)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1993-11)
mezzo-soprano vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1993-11)
soprano vocals:
Barbara Bonney (soprano) (in 1993-11)
tenor vocals:
Rainer Trost (in 1993-11)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1993-11)
conductor:
Peter Schreier (German tenor and conductor) (in 1993-11)
balance engineer:
Eberhard Hinz and Eberhard Richter (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1993-11)
recording of:
Messe G-Dur, BWV 236: III. Aria (Bass) "Gratias agimus tibi"
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
5:05
16Missa in G major, BWV 236: 4. Domine Deus
producer:
Bernd Runge
baritone vocals:
Olaf Bär (baritone) (in 1993-11)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1993-11)
mezzo-soprano vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1993-11)
soprano vocals:
Barbara Bonney (soprano) (in 1993-11)
tenor vocals:
Rainer Trost (in 1993-11)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1993-11)
conductor:
Peter Schreier (German tenor and conductor) (in 1993-11)
balance engineer:
Eberhard Hinz and Eberhard Richter (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1993-11)
recording of:
Messe G-Dur, BWV 236: IV. Duet (Soprano, Alto) "Domine Deus"
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
3:52
17Missa in G major, BWV 236: 5. Quoniam
producer:
Bernd Runge
baritone vocals:
Olaf Bär (baritone) (in 1993-11)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1993-11)
mezzo-soprano vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1993-11)
soprano vocals:
Barbara Bonney (soprano) (in 1993-11)
tenor vocals:
Rainer Trost (in 1993-11)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1993-11)
conductor:
Peter Schreier (German tenor and conductor) (in 1993-11)
balance engineer:
Eberhard Hinz and Eberhard Richter (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1993-11)
recording of:
Messe G-Dur, BWV 236: V. Aria (Tenor) "Quoniam tu solus sanctus"
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
5:04
18Missa in G major, BWV 236: 6. Cum Sancto Spiritu
producer:
Bernd Runge
baritone vocals:
Olaf Bär (baritone) (in 1993-11)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1993-11)
mezzo-soprano vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1993-11)
soprano vocals:
Barbara Bonney (soprano) (in 1993-11)
tenor vocals:
Rainer Trost (in 1993-11)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1993-11)
conductor:
Peter Schreier (German tenor and conductor) (in 1993-11)
balance engineer:
Eberhard Hinz and Eberhard Richter (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1993-11)
recording of:
Messe G-Dur, BWV 236: VI. Coro "Cum sancto spiritu"
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich"
part of:
Messe G-Dur, BWV 236
3:52
11▶CD: St. John Passion (1724) (1 Gardiner)
12▶CD: St. John Passion (1724) (2 Gardiner)
13▶CD: St. John Passion (1749) (1 Suzuki)
14▶CD: St. John Passion (1749) (2 Suzuki)
15▶CD: St. Matthew Passion (1 Gardiner)
16▶CD: St. Matthew Passion (2 Gardiner)
17▶CD: St. Matthew Passion (1 McCreesh)
18▶CD: St. Matthew Passion (2 McCreesh)
19▶CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
20▶CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
21▶CD: Christmas Oratorio (1 Gardiner)
22▶CD: Christmas Oratorio (2 Gardiner)
23▶CD: Christmas Oratorio (1 Chailly)
24▶CD: Christmas Oratorio (2 Chailly)
25▶CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
26▶CD: Cantatas 134a, 203, 173a (1719-c. 1723)
27▶CD: Cantatas 36c, 205, 34a (1725-1726)

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]