Bach 333: Sacred & secular vocal (first half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: 4-Part Chorales, BWV 250-318 AC-GO
2▶CD: 4-Part Chorales, BWV 319-381 GO-ME
3▶CD: 4-Part Chorales, BWV 382-438 MI-WO
4▶CD: Magnificat BWV 243, 243a
5▶CD: Motets
6▶CD: Mass in B minor (1 Mortensen)
7▶CD: Mass in B minor (2 Mortensen)
8▶CD: Mass in B minor (1 Brüggen)
9▶CD: Mass in B minor (2 Brüggen) / Missa BWV 233
10▶CD: Missas BWV 234-236
11▶CD: St. John Passion (1724) (1 Gardiner)
12▶CD: St. John Passion (1724) (2 Gardiner)
13▶CD: St. John Passion (1749) (1 Suzuki)
14▶CD: St. John Passion (1749) (2 Suzuki)
15▶CD: St. Matthew Passion (1 Gardiner)
16▶CD: St. Matthew Passion (2 Gardiner)
17▶CD: St. Matthew Passion (1 McCreesh)
18▶CD: St. Matthew Passion (2 McCreesh)
19▶CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
20▶CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
21▶CD: Christmas Oratorio (1 Gardiner)
22▶CD: Christmas Oratorio (2 Gardiner)
23▶CD: Christmas Oratorio (1 Chailly)
24▶CD: Christmas Oratorio (2 Chailly)
25▼CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
#TitleRatingLength
1"Was mir behagt, ist nur die muntre Jagd", BWV 208: 1. Recitative: "Was mir behagt, ist nur die muntre Jagd"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Pan]:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals [soprano I - Diana]:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals [tenor - Endymion]:
John Elwes (tenor) (in 1996-11)
vocals:
Lynne Dawson (soprano) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: I. Recitativo (Sopran I) “Was mir behagt, ist nur die muntre Jagd!”
premiered in:
Weißenfels (in 1713-02)
composed in:
Weimar
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
0:43
2"Was mir behagt, ist nur die muntre Jagd", BWV 208: 2. Aria: "Jagen ist die Lust der Götter"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Pan]:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals [soprano I - Diana]:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals [tenor - Endymion]:
John Elwes (tenor) (in 1996-11)
vocals:
Lynne Dawson (soprano) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: II. Aria (Sopran I) “Jagen ist die Lust de Göter”
premiered in:
Weißenfels (in 1713-02)
composed in:
Weimar
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
2:04
3"Was mir behagt, ist nur die muntre Jagd", BWV 208: 3. Recitative: "Wie, schönste Gottin"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Pan]:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals [soprano I - Diana]:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals [tenor - Endymion]:
John Elwes (tenor) (in 1996-11)
vocals:
Lynne Dawson (soprano) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: III. Recitativo (Tenor) “Wie? Schönste Göttin! Wie?”
premiered in:
Weißenfels (in 1713-02)
composed in:
Weimar
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
1:07
4"Was mir behagt, ist nur die muntre Jagd", BWV 208: 4. Aria: "Willst du dich nicht mehr ergötzen"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Pan]:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals [soprano I - Diana]:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals [tenor - Endymion]:
John Elwes (tenor) (in 1996-11)
vocals:
Lynne Dawson (soprano) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IV. Aria (Tenor) “Willst du dich nicht mehr ergötzen”
premiered in:
Weißenfels (in 1713-02)
composed in:
Weimar
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
4:24
5"Was mir behagt, ist nur die muntre Jagd", BWV 208: 5. Recitative: "Ich liebe dich zwar noch"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Pan]:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals [soprano I - Diana]:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals [tenor - Endymion]:
John Elwes (tenor) (in 1996-11)
vocals:
Lynne Dawson (soprano) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: V. Recitativo (Sopran I, Tenor) “Ich liebe dich zwar noch!”
premiered in:
Weißenfels (in 1713-02)
composed in:
Weimar
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
2:23
6"Was mir behagt, ist nur die muntre Jagd", BWV 208: 6. Recitative: "Ich, der ich sonst ein Gott"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Pan]:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals [soprano I - Diana]:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals [tenor - Endymion]:
John Elwes (tenor) (in 1996-11)
vocals:
Lynne Dawson (soprano) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VI. Recitativo (Bass) “Ich, der ich sonst ein Gott in diesen Feldern bin”
premiered in:
Weißenfels (in 1713-02)
composed in:
Weimar
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
0:31
7"Was mir behagt, ist nur die muntre Jagd", BWV 208: 7. Aria: "Ein Fürst ist seines Landes"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Pan]:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals [soprano I - Diana]:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals [tenor - Endymion]:
John Elwes (tenor) (in 1996-11)
vocals:
Lynne Dawson (soprano) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VII. Aria (Bass) “Ein Fürst ist seines Landes Pan!”
premiered in:
Weißenfels (in 1713-02)
composed in:
Weimar
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
3:15
8"Was mir behagt, ist nur die muntre Jagd", BWV 208: 8. Recitative: "Soll denn der Pales"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Pan]:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals [soprano I - Diana]:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals [tenor - Endymion]:
John Elwes (tenor) (in 1996-11)
vocals:
Lynne Dawson (soprano) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VIII. Recitativo (Sopran II) “Soll denn der Pales Opfer hier das letzte sein?”
premiered in:
Weißenfels (in 1713-02)
composed in:
Weimar
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
0:38
9"Was mir behagt, ist nur die muntre Jagd", BWV 208: 9. Aria: "Schafe können sicher weiden"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Pan]:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals [soprano I - Diana]:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals [tenor - Endymion]:
John Elwes (tenor) (in 1996-11)
vocals:
Lynne Dawson (soprano) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
premiered in:
Weißenfels (in 1713-02)
composed in:
Weimar
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Classic 100: Piano (2025) (number: 38)
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
4:01
10"Was mir behagt, ist nur die muntre Jagd", BWV 208: 10. Recitative: "So stimmt mit ein"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Pan]:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals [soprano I - Diana]:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals [tenor - Endymion]:
John Elwes (tenor) (in 1996-11)
vocals:
Lynne Dawson (soprano) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: X. Recitativo (Sopran I) “So stimmt mit ein”
premiered in:
Weißenfels (in 1713-02)
composed in:
Weimar
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
0:11
11"Was mir behagt, ist nur die muntre Jagd", BWV 208: 11. Chorus: "Lebe, Sonne dieser Erden"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Pan]:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals [soprano I - Diana]:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals [tenor - Endymion]:
John Elwes (tenor) (in 1996-11)
vocals:
Lynne Dawson (soprano) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XI. Chorus (Aria a 4) “Lebe, Sonne dieser Erdem”
premiered in:
Weißenfels (in 1713-02)
composed in:
Weimar
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
3:03
12"Was mir behagt, ist nur die muntre Jagd", BWV 208: 12. Duet: "Entzücket uns beide, ihr Strahlen der Freude"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Pan]:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals [soprano I - Diana]:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals [tenor - Endymion]:
John Elwes (tenor) (in 1996-11)
vocals:
Lynne Dawson (soprano) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XII. Duetto (Sopran I, Tenor) “Entzücket uns beide”
premiered in:
Weißenfels (in 1713-02)
composed in:
Weimar
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
2:05
13"Was mir behagt, ist nur die muntre Jagd", BWV 208: 13. Aria: "Weil die wollenreichen Herden"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Pan]:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals [soprano I - Diana]:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals [tenor - Endymion]:
John Elwes (tenor) (in 1996-11)
vocals:
Lynne Dawson (soprano) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIII. Aria (Sopran II) “Weil die wollenreichen Herden”
premiered in:
Weißenfels (in 1713-02)
composed in:
Weimar
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
2:52
14"Was mir behagt, ist nur die muntre Jagd", BWV 208: 14. Aria: "Ihr Felder und Auen"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Pan]:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals [soprano I - Diana]:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals [tenor - Endymion]:
John Elwes (tenor) (in 1996-11)
vocals:
Lynne Dawson (soprano) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIV. Aria (Bass) “Ihr felder und Auen, laßt grünend euch schauen”
premiered in:
Weißenfels (in 1713-02)
composed in:
Weimar
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
2:33
15"Was mir behagt, ist nur die muntre Jagd", BWV 208: 15. Chorus: "Ihr lieblichste Blicke"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Pan]:
David Wilson‐Johnson (baritone) (in 1996-11)
choir vocals:
Choir of the Age of Enlightenment (in 1996-11)
soprano vocals [soprano I - Diana]:
Monika Frimmer (soprano) (in 1996-11)
tenor vocals [tenor - Endymion]:
John Elwes (tenor) (in 1996-11)
vocals:
Lynne Dawson (soprano) (in 1996-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1996-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1996-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XV. Chorus “Ihr lieblichste Bliche! ihr freudige Stunden”
premiered in:
Weißenfels (in 1713-02)
composed in:
Weimar
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
3:58
16"Weichet nur, betrübte Schatten". BWV 202: 1. [Aria:] "Weichet nur, betrübte Schatten"
producer:
Chris Sayers (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
soprano vocals:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (from 1996-07-09 until 1996-07-13)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (from 1996-07-09 until 1996-07-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (in 1996-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
6:34
17"Weichet nur, betrübte Schatten". BWV 202: 2. [Recitative:] "Die Welt wird wieder neu"
producer:
Chris Sayers (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
soprano vocals:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (from 1996-07-09 until 1996-07-13)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": II. Recitativo "Die Welt wird wieder neu" (from 1996-07-09 until 1996-07-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
0:23
18"Weichet nur, betrübte Schatten". BWV 202: 3. Aria: "Phöbus eilt mit schnellen Pferden"
producer:
Chris Sayers (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
soprano vocals:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (from 1996-07-09 until 1996-07-13)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": III. Aria "Phoebus eilt mit schnellen Pferden" (from 1996-07-09 until 1996-07-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
3:01
19"Weichet nur, betrübte Schatten". BWV 202: 4. Recitative: "Drum sucht auch Amor sein Vergnügen"
producer:
Chris Sayers (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
soprano vocals:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (from 1996-07-09 until 1996-07-13)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IV. Recitativo "Drum sucht auch Amor sein Vergnügen" (from 1996-07-09 until 1996-07-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
0:33
20"Weichet nur, betrübte Schatten". BWV 202: 5. Aria: "Wenn die Frühlingslüfte streichen"
producer:
Chris Sayers (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
soprano vocals:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (from 1996-07-09 until 1996-07-13)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" (from 1996-07-09 until 1996-07-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
2:30
21"Weichet nur, betrübte Schatten". BWV 202: 6. Recitative: "Und dieses ist das Glücke"
producer:
Chris Sayers (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
soprano vocals:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (from 1996-07-09 until 1996-07-13)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VI. Recitativo "Und dieses ist das Glücke" (from 1996-07-09 until 1996-07-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
0:35
22"Weichet nur, betrübte Schatten". BWV 202: 7. Aria: "Sich üben im Lieben"
producer:
Chris Sayers (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
soprano vocals:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (from 1996-07-09 until 1996-07-13)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" (from 1996-07-09 until 1996-07-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
3:56
23"Weichet nur, betrübte Schatten". BWV 202: 8. Recitative: "So sei das Band der keuschen Liebe"
producer:
Chris Sayers (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
soprano vocals:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (from 1996-07-09 until 1996-07-13)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VIII. Recitativo "So sei das Band der keuschen Liebe" (from 1996-07-09 until 1996-07-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
0:22
24"Weichet nur, betrübte Schatten". BWV 202: 9. Gavotte: "Sehet in Zufriedenheit"
producer:
Chris Sayers (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
soprano vocals:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (from 1996-07-09 until 1996-07-13)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit" (from 1996-07-09 until 1996-07-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit" (in 1996-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
1:50
25Quodlibet, BWV 524
producer:
Wolfgang Mitlehner
bass vocals:
Stefan Geyer (bass) (in 1996-11)
countertenor vocals:
Axel Köhler (in 1996-11)
soprano vocals:
Dorothea Röschmann (soprano) (in 1996-11)
tenor vocals:
Christoph Genz (tenor) (in 1996-11)
vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne) (in 1996-11)
recording of:
Quodlibet, BWV 524 (in 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Bach-Werke-Verzeichnis (number: BWV 524)
11:40
26▶CD: Cantatas 134a, 203, 173a (1719-c. 1723)
27▶CD: Cantatas 36c, 205, 34a (1725-1726)

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]