Cantatas, Volume 4

~ Release by J.S. Bach; The Amsterdam Baroque Orchestra & Choir, Ton Koopman (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Cantata, BWV 198 "Lass Furstin, Lass Noch Einen Strahl": I. Chorus
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": I. Coro "Laß, Fürstin, laß noch einen Strahl" (in 1996-01)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach7:08
2Cantata, BWV 198 "Lass Furstin, Lass Noch Einen Strahl": II. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": II. Recitativo (Sopran) "Dein Sachsen, dein bestürztes Meißen" (in 1996-01)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:33
3Cantata, BWV 198 "Lass Furstin, Lass Noch Einen Strahl": III. Aria
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": III. Aria (Sopran) "Verstummt, verstummt, ihr holden Saiten" (in 1996-01)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach3:55
4Cantata, BWV 198 "Lass Furstin, Lass Noch Einen Strahl": IV. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IV. Recitavo (Alt) "Der Glocken bebendes Getön" (in 1996-01)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach0:46
5Cantata, BWV 198 "Lass Furstin, Lass Noch Einen Strahl": V. Aria
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": V. Aria (Alt) "Wie starb die Heldin so vergnügt" (in 1996-01)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach7:43
6Cantata, BWV 198 "Lass Furstin, Lass Noch Einen Strahl": VI. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VI. Recitavo (Tenor) "Ihr Leben ließ die Kunst zu sterben" (in 1996-01)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:16
7Cantata, BWV 198 "Lass Furstin, Lass Noch Einen Strahl": VII. Chorus
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VII. Coro "An dir, du Fürbild großer Frauen" (in 1996-01)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:42
8Cantata, BWV 198 "Lass Furstin, Lass Noch Einen Strahl": VIII. Aria
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VIII. Aria (Tenor) "Der Ewigkeit saphirnes Haus" (in 1996-01)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach5:13
9Cantata, BWV 198 "Lass Furstin, Lass Noch Einen Strahl": IX. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IX. Recitativo (Bass) "Was Wunder ists? Du bist es wert" (in 1996-01)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach2:35
10Cantata, BWV 198 "Lass Furstin, Lass Noch Einen Strahl": X. Chorus
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": X. Coro "Doch Königin! du stirbest nicht" (in 1996-01)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach6:33
11Cantata, BWV 215 "Preise Dein Glucke, Gesegnetes Sachsen": I. Chorus
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" (in 1996-01)
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
Johann Sebastian Bach7:11
12Cantata, BWV 215 "Preise Dein Glucke, Gesegnetes Sachsen": II. Recitative
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": II. Recitativo (Tenor) "Wie können wir, großmächtigster August" (in 1996-01)
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
Johann Sebastian Bach1:19
13Cantata, BWV 215 "Preise Dein Glucke, Gesegnetes Sachsen": III. Aria
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": III. Aria (Tenor) "Freilich trotzt Augustus' Name" (in 1996-01)
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
Johann Sebastian Bach6:42
14Cantata, BWV 215 "Preise Dein Glucke, Gesegnetes Sachsen": IV. Recitative
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": IV. Recitativo (Bass) "Was hat dich sonst, Sarmatien, bewogen" (in 1996-01)
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
Johann Sebastian Bach1:48
15Cantata, BWV 215 "Preise Dein Glucke, Gesegnetes Sachsen": V. Aria
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": V. Aria (Bass) "Rase nur, verwegner Schwarm" (in 1996-01)
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
Johann Sebastian Bach3:17
16Cantata, BWV 215 "Preise Dein Glucke, Gesegnetes Sachsen": VI. Recitative (Soprano)
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Els Bongers (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VI. Recitativo (Sopran) "Ja, ja! Gott ist uns noch mit seiner Hülfe nah" (in 1996-01)
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
Johann Sebastian Bach1:29
17Cantata, BWV 215 "Preise Dein Glucke, Gesegnetes Sachsen": VII. Aria (Soprano)
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Els Bongers (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen" (in 1996-01)
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
Johann Sebastian Bach4:06
18Cantata, BWV 215 "Preise Dein Glucke, Gesegnetes Sachsen": VIII. Recitative and Arioso
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
soprano vocals:
Els Bongers (soprano) (in 1996-01)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VIII. Recitativo (Sopran, Tenor, Bass) "Laß doch, o teurer Landesvater, zu" (in 1996-01)
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
Johann Sebastian Bach2:57
19Cantata, BWV 215 "Preise Dein Glucke, Gesegnetes Sachsen": IX. Chorus
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": IX. Coro I/II "Stifter der Reiche, Beherrscher der Kronen" (in 1996-01)
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
Johann Sebastian Bach3:33
2▼CD
#TitleArtistRatingLength
1Cantata, BWV 211 "Schweig Stille, Plaudert Nicht": I. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" (in 1996-01)
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:41
2Cantata, BWV 211 "Schweig Stille, Plaudert Nicht": II. Aria
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (in 1996-01)
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach2:38
3Cantata, BWV 211 "Schweig Stille, Plaudert Nicht": III. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" (in 1996-01)
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:41
4Cantata, BWV 211 "Schweig Stille, Plaudert Nicht": IV. Aria
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Anne Grimm (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (in 1996-01)
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach4:38
5Cantata, BWV 211 "Schweig Stille, Plaudert Nicht": V. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
soprano vocals:
Anne Grimm (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt" (in 1996-01)
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach1:21
6Cantata, BWV 211 "Schweig Stille, Plaudert Nicht": VI. Aria
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen" (in 1996-01)
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach2:34
7Cantata, BWV 211 "Schweig Stille, Plaudert Nicht": VII. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
soprano vocals:
Anne Grimm (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht" (in 1996-01)
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:57
8Cantata, BWV 211 "Schweig Stille, Plaudert Nicht": VIII. Aria
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Anne Grimm (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch" (in 1996-01)
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach6:20
9Cantata, BWV 211 "Schweig Stille, Plaudert Nicht": IX. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian" (in 1996-01)
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:55
10Cantata, BWV 211 "Schweig Stille, Plaudert Nicht": X. Chorus
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
soprano vocals:
Anne Grimm (in 1996-01)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht" (in 1996-01)
premiered in:
Leipzig
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach4:04
11Cantata, BWV 214 "Tonet, Ihr Pauken Erschallet, Trompeten!": I. Chorus
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!" (in 1996-01)
premiered in:
Leipzig (on 1733-12-07)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Johann Sebastian Bach7:54
12Cantata, BWV 214 "Tonet, Ihr Pauken Erschallet, Trompeten!": II. Recitative
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": II. Recitativo (Tenor) "Heut ist der Tag" (in 1996-01)
premiered in:
Leipzig (on 1733-12-07)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Johann Sebastian Bach0:51
13Cantata, BWV 214 "Tonet, Ihr Pauken Erschallet, Trompeten!": III. Aria
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Els Bongers (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": III. Aria (Sopran) "Blast die wohlgegriffnen Flöten" (in 1996-01)
premiered in:
Leipzig (on 1733-12-07)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Johann Sebastian Bach3:17
14Cantata, BWV 214 "Tonet, Ihr Pauken Erschallet, Trompeten!": IV. Recitative
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Els Bongers (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": IV. Recitativo (Sopran) "Mein knallendes Metall" (in 1996-01)
premiered in:
Leipzig (on 1733-12-07)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Johann Sebastian Bach0:48
15Cantata, BWV 214 "Tonet, Ihr Pauken Erschallet, Trompeten!": V. Aria
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": V. Aria (Alt) "Fromme Musen! meine Glieder!" (in 1996-01)
premiered in:
Leipzig (on 1733-12-07)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Johann Sebastian Bach3:31
16Cantata, BWV 214 "Tonet, Ihr Pauken Erschallet, Trompeten!": VI. Recitative
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": VI. Recitativo (Alt) "Unsre Königin im Lande" (in 1996-01)
premiered in:
Leipzig (on 1733-12-07)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Johann Sebastian Bach1:06
17Cantata, BWV 214 "Tonet, Ihr Pauken Erschallet, Trompeten!": VII. Aria
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": VII. Aria (Bass) "Kron und Preis gekrönter Damen" (in 1996-01)
premiered in:
Leipzig (on 1733-12-07)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Johann Sebastian Bach4:27
18Cantata, BWV 214 "Tonet, Ihr Pauken Erschallet, Trompeten!": VIII. Recitative
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": VIII. Recitativo (Bass) "So dringe in das weite Erdenrund" (in 1996-01)
premiered in:
Leipzig (on 1733-12-07)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Johann Sebastian Bach1:19
19Cantata, BWV 214 "Tonet, Ihr Pauken Erschallet, Trompeten!": IX. Chorus
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": IX. Coro "Blühet, ihr Linden in Sachsen, wie Zedern!" (in 1996-01)
premiered in:
Leipzig (on 1733-12-07)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Johann Sebastian Bach2:17
20Cantata, BWV 209 "Non Sa Che Sia Dolore": I. Sinfonia
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": I. Sinfonia (in 1996-01)
premiered in:
Leipzig (in 1729)
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach6:08
21Cantata, BWV 209 "Non Sa Che Sia Dolore": II. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": II. Recitativo "Non sa che sia dolore" (in 1996-01)
premiered in:
Leipzig (in 1729)
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach0:48
22Cantata, BWV 209 "Non Sa Che Sia Dolore": III. Aria
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": III. Aria "Parti pur e con dolore" (in 1996-01)
premiered in:
Leipzig (in 1729)
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach8:32
23Cantata, BWV 209 "Non Sa Che Sia Dolore": IV. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": IV. Recitativo "Tuo saver al tempo" (in 1996-01)
premiered in:
Leipzig (in 1729)
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach0:35
24Cantata, BWV 209 "Non Sa Che Sia Dolore": V. Aria
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": V. Aria "Ricetti gramezza e pavento" (in 1996-01)
premiered in:
Leipzig (in 1729)
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach5:29
3▼CD
#TitleArtistRatingLength
1Cantata, BWV 204 "Ich Bin Mir Vergnugt": I. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": I. Recitativo (Sopran) "Ich bin in mir vergnügt" (in 1996-01)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach1:44
2Cantata, BWV 204 "Ich Bin Mir Vergnugt": II. Aria
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": II. Aria (Sopran) "Ruhig und in sich zufrieden" (in 1996-01)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach6:46
3Cantata, BWV 204 "Ich Bin Mir Vergnugt": III. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": III. Recitativo (Sopran) "Ihr Seelen, die ihr außer euch stets in die Irre lauft" (in 1996-01)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach1:58
4Cantata, BWV 204 "Ich Bin Mir Vergnugt": IV. Aria
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": IV. Aria (Sopran) "Die Schätzbarkeit der weiten Erden" (in 1996-01)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach4:07
5Cantata, BWV 204 "Ich Bin Mir Vergnugt": V. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": V. Recitativo (Sopran) "Schwer ist es zwar, viel Eitles zu besitzen" (in 1996-01)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach1:56
6Cantata, BWV 204 "Ich Bin Mir Vergnugt": VI. Aria
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": VI. Aria (Sopran) "Meine Seele sei vergnügt" (in 1996-01)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach5:52
7Cantata, BWV 204 "Ich Bin Mir Vergnugt": VII. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": VII. Recitativo (Sopran) "Ein edler Mensch ist Perlenmuscheln gleich" (in 1996-01)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach2:33
8Cantata, BWV 204 "Ich Bin Mir Vergnugt": VIII. Aria
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": VIII. Aria (Sopran) "Himmlische Vergnügsamkeit" (in 1996-01)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach4:09
9Cantata, BWV 201 "Geschwinde, Ihr Wirbelnden Winde": I. Chorus
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": I. Coro "Geschwinde, ihr wirbelnden Winde" (in 1996-01)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
Johann Sebastian Bach55:20
10Cantata, BWV 201 "Geschwinde, Ihr Wirbelnden Winde": II. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Donald Bentvelsen (Dutch bass-baritone) (in 1996-01) and Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
soprano vocals:
Caroline Stam (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": II. Recitativo (Sopran e Bass I+II) "Und du bist doch so unverschämt und frei" (in 1996-01)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
Johann Sebastian Bach1:44
11Cantata, BWV 201 "Geschwinde, Ihr Wirbelnden Winde": III. Aria
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Caroline Stam (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": III. Aria (Sopran) "Patron, das macht der Wind" (in 1996-01)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
Johann Sebastian Bach2:22
12Cantata, BWV 201 "Geschwinde, Ihr Wirbelnden Winde": IV. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Peter de Groot (in 1996-01)
bass vocals:
Donald Bentvelsen (Dutch bass-baritone) (in 1996-01) and Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": IV. Recitativo (Alt e Bass I+II) "Was braucht ihr euch zu zanken" (in 1996-01)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
Johann Sebastian Bach1:00
13Cantata, BWV 201 "Geschwinde, Ihr Wirbelnden Winde": V. Aria
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": V. Aria (Bass I) "Mit Verlangen drück ich deine zarten Wangen" (in 1996-01)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
Johann Sebastian Bach9:43
14Cantata, BWV 201 "Geschwinde, Ihr Wirbelnden Winde": VI. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Donald Bentvelsen (Dutch bass-baritone) (in 1996-01)
soprano vocals:
Caroline Stam (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": VI. Recitativo (Sopran e Bass II) "Pan, rücke deine Kehle nun" (in 1996-01)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
Johann Sebastian Bach0:22
15Cantata, BWV 201 "Geschwinde, Ihr Wirbelnden Winde": VII. Aria
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Donald Bentvelsen (Dutch bass-baritone) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": VII. Aria (Bass II) "Zu Tanze, zu Sprunge" (in 1996-01)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
Johann Sebastian Bach5:03
16Cantata, BWV 201 "Geschwinde, Ihr Wirbelnden Winde": VIII. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Peter de Groot (in 1996-01)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": VIII. Recitativo (Alt e Tenor I) "Nunmehro Richter her" (in 1996-01)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
Johann Sebastian Bach0:51
17Cantata, BWV 201 "Geschwinde, Ihr Wirbelnden Winde": IX. Aria
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": IX. Aria (Tenor I) "Phoebus, deine Melodie" (in 1996-01)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
Johann Sebastian Bach5:32
18Cantata, BWV 201 "Geschwinde, Ihr Wirbelnden Winde": X. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Donald Bentvelsen (Dutch bass-baritone) (in 1996-01)
tenor vocals:
Jeremy Ovenden (tenor) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": X. Recitativo (Tenor II e Bass II) "Komm, Midas, sage du nun an" (in 1996-01)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
Johann Sebastian Bach0:48
19Cantata, BWV 201 "Geschwinde, Ihr Wirbelnden Winde": XI. Aria
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Jeremy Ovenden (tenor) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": XI. Aria (Tenor II) "Pan ist Meister, laßt ihn gehn" (in 1996-01)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
Johann Sebastian Bach4:33
20Cantata, BWV 201 "Geschwinde, Ihr Wirbelnden Winde": XII. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Peter de Groot (in 1996-01)
bass vocals:
Donald Bentvelsen (Dutch bass-baritone) (in 1996-01) and Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
soprano vocals:
Caroline Stam (in 1996-01)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1996-01) and Jeremy Ovenden (tenor) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": XII. Recitativo (Tutti) "Wie, Midas, bist du toll" (in 1996-01)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
Johann Sebastian Bach1:04
21Cantata, BWV 201 "Geschwinde, Ihr Wirbelnden Winde": XIII. Aria
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Peter de Groot (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": XIII. Aria (Alt) "Aufgeblasne Hitze" (in 1996-01)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
Johann Sebastian Bach5:51
22Cantata, BWV 201 "Geschwinde, Ihr Wirbelnden Winde": XIV. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Caroline Stam (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": XIV. Recitativo (Sopran) "Du guter Midas, geh nun hin" (in 1996-01)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
Johann Sebastian Bach1:11
23Cantata, BWV 201 "Geschwinde, Ihr Wirbelnden Winde": XV. Chorus
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": XV. Coro "Labt das Herz, ihr holden Saiten" (in 1996-01)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
Johann Sebastian Bach2:09

Credits

Release group

part of:Complete Cantatas (Ton Koopmans complete Bach Cantatas for Erato) (number: 4) (order: 10)
reviews:http://www.bach-cantatas.com/Performers/Koopman.htm#C4 [info]