Cantatas, Volume 4

~ Release by J.S. Bach; The Amsterdam Baroque Orchestra & Choir, Ton Koopman (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Cantata, BWV 198 "Lass Furstin, Lass Noch Einen Strahl": I. Chorus
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": I. Coro "Laß, Fürstin, laß noch einen Strahl" (in 1996-01)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach7:08
2Cantata, BWV 198 "Lass Furstin, Lass Noch Einen Strahl": II. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": II. Recitativo (Sopran) "Dein Sachsen, dein bestürztes Meißen" (in 1996-01)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:33
3Cantata, BWV 198 "Lass Furstin, Lass Noch Einen Strahl": III. Aria
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": III. Aria (Sopran) "Verstummt, verstummt, ihr holden Saiten" (in 1996-01)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach3:55
4Cantata, BWV 198 "Lass Furstin, Lass Noch Einen Strahl": IV. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IV. Recitavo (Alt) "Der Glocken bebendes Getön" (in 1996-01)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach0:46
5Cantata, BWV 198 "Lass Furstin, Lass Noch Einen Strahl": V. Aria
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": V. Aria (Alt) "Wie starb die Heldin so vergnügt" (in 1996-01)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach7:43
6Cantata, BWV 198 "Lass Furstin, Lass Noch Einen Strahl": VI. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VI. Recitavo (Tenor) "Ihr Leben ließ die Kunst zu sterben" (in 1996-01)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:16
7Cantata, BWV 198 "Lass Furstin, Lass Noch Einen Strahl": VII. Chorus
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VII. Coro "An dir, du Fürbild großer Frauen" (in 1996-01)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:42
8Cantata, BWV 198 "Lass Furstin, Lass Noch Einen Strahl": VIII. Aria
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VIII. Aria (Tenor) "Der Ewigkeit saphirnes Haus" (in 1996-01)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach5:13
9Cantata, BWV 198 "Lass Furstin, Lass Noch Einen Strahl": IX. Recitative
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IX. Recitativo (Bass) "Was Wunder ists? Du bist es wert" (in 1996-01)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach2:35
10Cantata, BWV 198 "Lass Furstin, Lass Noch Einen Strahl": X. Chorus
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": X. Coro "Doch Königin! du stirbest nicht" (in 1996-01)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach6:33
11Cantata, BWV 215 "Preise Dein Glucke, Gesegnetes Sachsen": I. Chorus
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" (in 1996-01)
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
Johann Sebastian Bach7:11
12Cantata, BWV 215 "Preise Dein Glucke, Gesegnetes Sachsen": II. Recitative
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": II. Recitativo (Tenor) "Wie können wir, großmächtigster August" (in 1996-01)
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
Johann Sebastian Bach1:19
13Cantata, BWV 215 "Preise Dein Glucke, Gesegnetes Sachsen": III. Aria
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": III. Aria (Tenor) "Freilich trotzt Augustus' Name" (in 1996-01)
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
Johann Sebastian Bach6:42
14Cantata, BWV 215 "Preise Dein Glucke, Gesegnetes Sachsen": IV. Recitative
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": IV. Recitativo (Bass) "Was hat dich sonst, Sarmatien, bewogen" (in 1996-01)
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
Johann Sebastian Bach1:48
15Cantata, BWV 215 "Preise Dein Glucke, Gesegnetes Sachsen": V. Aria
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": V. Aria (Bass) "Rase nur, verwegner Schwarm" (in 1996-01)
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
Johann Sebastian Bach3:17
16Cantata, BWV 215 "Preise Dein Glucke, Gesegnetes Sachsen": VI. Recitative (Soprano)
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Els Bongers (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VI. Recitativo (Sopran) "Ja, ja! Gott ist uns noch mit seiner Hülfe nah" (in 1996-01)
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
Johann Sebastian Bach1:29
17Cantata, BWV 215 "Preise Dein Glucke, Gesegnetes Sachsen": VII. Aria (Soprano)
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Els Bongers (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen" (in 1996-01)
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
Johann Sebastian Bach4:06
18Cantata, BWV 215 "Preise Dein Glucke, Gesegnetes Sachsen": VIII. Recitative and Arioso
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
soprano vocals:
Els Bongers (soprano) (in 1996-01)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VIII. Recitativo (Sopran, Tenor, Bass) "Laß doch, o teurer Landesvater, zu" (in 1996-01)
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
Johann Sebastian Bach2:57
19Cantata, BWV 215 "Preise Dein Glucke, Gesegnetes Sachsen": IX. Chorus
recorded in:
Amsterdam (in 1996-01)
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam (in 1996-01)
recording of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": IX. Coro I/II "Stifter der Reiche, Beherrscher der Kronen" (in 1996-01)
premiered in:
Leipzig (in 1734)
composed in:
Leipzig (in 1734)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1734)
librettist:
Johann Christoph Clauder
part of:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen"
Johann Sebastian Bach3:33
2▶CD
3▶CD

Credits

Release group

part of:Complete Cantatas (Ton Koopmans complete Bach Cantatas for Erato) (number: 4) (order: 10)
reviews:http://www.bach-cantatas.com/Performers/Koopman.htm#C4 [info]