The Complete Works (Edition Bachakademie)

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

1▶CD: Vol 1. Cantatas CD 1
2▶CD: Vol 1. Cantatas CD 2
3▶CD: Vol 1. Cantatas CD 3
4▶CD: Vol 1. Cantatas CD 4
5▶CD: Vol 2. Cantatas CD 1
6▶CD: Vol 2. Cantatas CD 2
7▶CD: Vol 2. Cantatas CD 3
8▶CD: Vol 2. Cantatas CD 4
9▶CD: Vol 3. Cantatas CD 1
10▶CD: Vol 3. Cantatas CD 2
11▶CD: Vol 3. Cantatas CD 3
12▶CD: Vol 3. Cantatas CD 4
13▶CD: Vol 4. Cantatas CD 1
14▶CD: Vol 4. Cantatas CD 2
15▶CD: Vol 4. Cantatas CD 3
16▶CD: Vol 4. Cantatas CD 4
17▶CD: Vol 5. Cantatas CD 1
18▶CD: Vol 5. Cantatas CD 2
19▶CD: Vol 5. Cantatas CD 3
20▶CD: Vol 5. Cantatas CD 4
21▶CD: Vol 6. Cantatas CD 1
22▶CD: Vol 6. Cantatas CD 2
23▶CD: Vol 6. Cantatas CD 3
24▶CD: Vol 6. Cantatas CD 4
25▶CD: Vol 7. Cantatas CD 1
26▶CD: Vol 7. Cantatas CD 2
27▶CD: Vol 7. Cantatas CD 3
28▶CD: Vol 7. Cantatas CD 4
29▶CD: Vol 8. Cantatas CD 1
30▶CD: Vol 8. Cantatas CD 2
31▶CD: Vol 8. Cantatas CD 3
32▶CD: Vol 8. Cantatas CD 4
33▶CD: Vol 9. Cantatas CD 1
34▶CD: Vol 9. Cantatas CD 2
35▶CD: Vol 9. Cantatas CD 3
36▶CD: Vol 9. Cantatas CD 4
37▶CD: Vol 10. Cantatas CD 1
38▶CD: Vol 10. Cantatas CD 2
39▶CD: Vol 10. Cantatas CD 3
40▶CD: Vol 10. Cantatas CD 4
41▶CD: Vol 11. Cantatas CD 1
42▶CD: Vol 11. Cantatas CD 2
43▶CD: Vol 11. Cantatas CD 3
44▶CD: Vol 11. Cantatas CD 4
45▶CD: Vol 12. Cantatas CD 1
46▶CD: Vol 12. Cantatas CD 2
47▶CD: Vol 12. Cantatas CD 3
48▶CD: Vol 12. Cantatas CD 4
49▶CD: Vol 13. Cantatas CD 1
50▶CD: Vol 13. Cantatas CD 2
51▶CD: Vol 13. Cantatas CD 3
52▶CD: Vol 13. Cantatas CD 4
53▶CD: Vol 14. Cantatas CD 1
54▶CD: Vol 14. Cantatas CD 2
55▶CD: Vol 14. Cantatas CD 3
56▶CD: Vol 14. Cantatas CD 4
57▶CD: Vol 15. Cantatas CD 1
58▶CD: Vol 15. Cantatas CD 2
59▶CD: Vol 15. Cantatas CD 3
60▶CD: Vol 15. Cantatas CD 4
61▶CD: Vol 16. Cantatas CD 1
62▶CD: Vol 16. Cantatas CD 2
63▶CD: Vol 16. Cantatas CD 3
64▶CD: Vol 16. Cantatas CD 4
65▶CD: Vol 17. Cantatas CD 1
66▶CD: Vol 17. Cantatas CD 2
67▼CD: Vol 17. Cantatas CD 3
#TitleRatingLength
1Kantate, BWV 212 „Mer hahn en neue Oberkeet“: I. Ouvertüre
recorded in:
Wien (Vienna) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1988-05)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
2:12
2Kantate, BWV 212 „Mer hahn en neue Oberkeet“: II. Aria (Duetto Sopran, Bass) „Mer hahn en neue Oberkeet“
bass vocals:
Thomas Quasthoff (bass-baritone)
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stiftskirche Herrenberg in Herrenberg (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:40
3Kantate, BWV 212 „Mer hahn en neue Oberkeet“: III. Recitativo (Sopran, Bass) „Nu, Mieke, gib dein Guschel immer her“
recorded in:
Wien (Vienna) (in 1988-05)
bass vocals:
Robert Holl (bass‐baritone) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:01
4Kantate, BWV 212 „Mer hahn en neue Oberkeet“: IV. Aria (Sopran) „Ach, es schmeckt doch gar zu gut“
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Bach Collegium Japan and Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stiftskirche Herrenberg in Herrenberg (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:58
5Kantate, BWV 212 „Mer hahn en neue Oberkeet“: V. Recitativo (Bass) „Der Herr ist gut“
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:26
6Kantate, BWV 212 „Mer hahn en neue Oberkeet“: VI. Aria (Bass) „Ach, Herr Schösser, geht nicht gar zu schlimm“
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:09
7Kantate, BWV 212 „Mer hahn en neue Oberkeet“: VII. Recitativo (Sopran) „Es bleibt dabei“
recorded in:
Wien (Vienna) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:24
8Kantate, BWV 212 „Mer hahn en neue Oberkeet“: VIII. Aria (Sopran) „Unser trefflicher, lieber Kammerherr“
recorded in:
Wien (Vienna) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:37
9Kantate, BWV 212 „Mer hahn en neue Oberkeet“: IX. Recitativo (Sopran, Bass) „Er hilft uns allen, alt und jung“
recorded in:
Wien (Vienna) (in 1988-05)
bass vocals:
Robert Holl (bass‐baritone) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:37
10Kantate, BWV 212 „Mer hahn en neue Oberkeet“: X. Aria (Sopran) „Das ist galant“
recorded in:
Wien (Vienna) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:19
11Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XI. Recitativo (Bass) „Und unsre gnädge Frau“
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:48
12Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XII. Aria (Bass) „Fünfzig Taler bares Geld“
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:52
13Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XIII. Recitativo (Sopran) „Im Ernst ein Wort“
recorded in:
Wien (Vienna) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:24
14Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XIV. Aria (Sopran) „Klein‐Zschocher müsse“
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stiftskirche Herrenberg in Herrenberg (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
5:59
15Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XV. Recitativo (Bass) „Das ist zu klug vor dich“
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:24
16Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XVI. Aria (Bass) „Es nehme zehntausend Dukaten“
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:44
17Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XVII. Recitativo (Sopran) „Das klingt zu liederlich“
recorded in:
Wien (Vienna) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:24
18Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XVIII. Aria (Sopran) „Gib, Schöne, viel Söhne“
recorded in:
Wien (Vienna) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:30
19Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XIX. Recitativo (Bass) „Du hast wohl recht“
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:20
20Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XX. Aria (Bass) „Dein Wachstum sei feste und lache vor Lust“
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
5:36
21Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XXI. Recitativo (Sopran, Bass) „Und damit sei es auch genug“
recorded in:
Wien (Vienna) (in 1988-05)
bass vocals:
Robert Holl (bass‐baritone) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:20
22Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XXII. Aria (Sopran) „Und daß ihrs alle wißt“
recorded in:
Wien (Vienna) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:46
23Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XXIII. Recitativo (Sopran, Bass) „Mein Schatz! erraten“
recorded in:
Wien (Vienna) (in 1988-05)
bass vocals:
Robert Holl (bass‐baritone) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:35
24Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XXIV. Chor (Sopran, Bass) „Wir gehn nun, wo der Tudelsack“
recorded in:
Wien (Vienna) (in 1988-05)
bass vocals:
Robert Holl (bass‐baritone) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (in 1996-05)
premiered in:
Leipzig (on 1742-08-30)
composed in:
Leipzig (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:06
25Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: I. Chorus „Laßt uns sorgen, laßt uns wachen“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": I. Chorus "Laßt uns sorgen, laßt uns wachen" (in 1999-09)
premiered in:
Leipzig (on 1733-09-05)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
4:59
26Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: II. Recitativo (Alt) „Und wo? Wo ist die rechte Bahn“
alto vocals:
Ingeborg Danz (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": II. Recitativo (Alt) "Und wo? Wo ist die rechte Bahn" (in 1996-05)
premiered in:
Leipzig (on 1733-09-05)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
0:44
27Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: III. Aria (Sopran) „Schlafe, mein liebster“
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": III. Aria (Sopran) "Schlafe, mein liebster" (in 1999-09)
premiered in:
Leipzig (on 1733-09-05)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
8:56
28Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: IV. Recitativo (Sopran, Tenor) „Auf! folge meiner Bahn“
soprano vocals:
Sibylla Rubens (soprano)
tenor vocals:
Marcus Ullmann
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": IV. Recitativo (Sopran, Tenor) "Auf! folge meiner Bahn" (in 1999-09)
premiered in:
Leipzig (on 1733-09-05)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
1:08
29Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: V. Aria (Alt, Alt) „Treues Echo dieser Orten“
alto vocals:
Ingeborg Danz (mezzo soprano)
alto vocals [Echo]:
Constanze Schumacher (German contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": V. Aria (Alt, Alt) "Treues Echo dieser Orten" (in 1999-09)
premiered in:
Leipzig (on 1733-09-05)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
4:43
30Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: VI. Recitativo (Tenor) „Mein hoffnungsvoller Held“
tenor vocals:
Marcus Ullmann
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VI. Recitativo (Tenor) "Mein hoffnungsvoller Held" (in 1999-09)
premiered in:
Leipzig (on 1733-09-05)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
0:54
31Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: VII. Aria (Tenor) „Auf meinen Flügeln sollst du schweben“
tenor vocals:
Marcus Ullmann
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VII. Aria (Tenor) "Auf meinen Flügeln sollst du schweben" (in 1999-09)
premiered in:
Leipzig (on 1733-09-05)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
4:39
32Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: VIII. Recitativo (Tenor) „Die weiche Wollust locket zwar“
tenor vocals:
Marcus Ullmann
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VIII. Recitativo (Tenor) "Die weiche Wollust locket zwar" (in 1999-09)
premiered in:
Leipzig (on 1733-09-05)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
0:39
33Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: IX. Aria (Alt) „Ich will dich nicht hören“
alto vocals:
Ingeborg Danz (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": IX. Aria (Alt) "Ich will dich nicht hören" (in 1999-09)
premiered in:
Leipzig (on 1733-09-05)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
4:14
34Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: X. Recitativo (Alt, Tenor) „Geliebte Tugend, du allein“
alto vocals:
Ingeborg Danz (mezzo soprano)
tenor vocals:
Marcus Ullmann
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": X. Recitativo (Alt, Tenor) "Geliebte Tugend, du allein" (in 1999-09)
premiered in:
Leipzig (on 1733-09-05)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
0:46
35Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: XI. Aria (Duetto Alt, Tenor) „Ich bin deine“
alto vocals:
Ingeborg Danz (mezzo soprano)
tenor vocals:
Marcus Ullmann
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": XI. Aria (Duetto Alt, Tenor) "Ich bin deine" (in 1999-09)
premiered in:
Leipzig (on 1733-09-05)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
6:47
36Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: XII. Recitativo accompagnato (Bass) „Schaut, Götter, dieses ist ein Bild“
bass vocals:
Andreas Schmidt (bass-baritone & teacher)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": XII. Recitativo accompagnato (Bass) "Schaut, Götter, dieses ist ein Bild" (in 1999-09)
premiered in:
Leipzig (on 1733-09-05)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
1:15
37Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: XIII. Chorus „Lust der Völker, Lust der Deinen“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": XIII. Chorus "Lust der Völker, Lust der Deinen" (in 1999-09)
premiered in:
Leipzig (on 1733-09-05)
composed in:
Leipzig (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
2:57
68▶CD: Vol 17. Cantatas CD 4
69▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 1
70▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 2
71▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 3
72▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 4
73▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 1
74▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 2
75▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 3
76▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 4
77▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 1
78▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 2
79▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 3
80▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 4
81▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 1
82▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 2
83▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 3
84▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 4
85▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 1
86▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 2
87▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 3
88▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 4
89▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 1
90▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 2
91▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 3
92▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 4
93▶CD: Vol 24. A Book Of Chorale-Settings CD 1
94▶CD: Vol 24. A Book Of Chorale-Settings CD 2
95▶CD: Vol 24. A Book Of Chorale-Settings CD 3
96▶CD: Vol 24. A Book Of Chorale-Settings CD 4
97▶CD: Vol 25. Organ Works CD 1
98▶CD: Vol 25. Organ Works CD 2
99▶CD: Vol 25. Organ Works CD 3
100▶CD: Vol 25. Organ Works CD 4
101▶CD: Vol 26. Organ Works CD 1
102▶CD: Vol 26. Organ Works CD 2
103▶CD: Vol 26. Organ Works CD 3
104▶CD: Vol 26. Organ Works CD 4
105▶CD: Vol 27. Organ Works CD 1
106▶CD: Vol 27. Organ Works CD 2
107▶CD: Vol 27. Organ Works CD 3
108▶CD: Vol 27. Organ Works CD 4
109▶CD: Vol 28. Organ Works CD 1
110▶CD: Vol 28. Organ Works CD 2
111▶CD: Vol 28. Organ Works CD 3
112▶CD: Vol 28. Organ Works CD 4
113▶CD: Vol 29. Organ Works CD 1
114▶CD: Vol 29. Organ Works CD 2
115▶CD: Vol 29. Organ Works CD 3
116▶CD: Vol 29. Organ Works CD 4
117▶CD: Vol 30. Harpsichord Music CD 1
118▶CD: Vol 30. Harpsichord Music CD 2
119▶CD: Vol 30. Harpsichord Music CD 3
120▶CD: Vol 30. Harpsichord Music CD 4
121▶CD: Vol 31. Keyboard Works CD 1
122▶CD: Vol 31. Keyboard Works CD 2
123▶CD: Vol 31. Keyboard Works CD 3
124▶CD: Vol 31. Keyboard Works CD 4
125▶CD: Vol 32. Keyboard Works CD 1
126▶CD: Vol 32. Keyboard Works CD 2
127▶CD: Vol 32. Keyboard Works CD 3
128▶CD: Vol 32. Keyboard Works CD 4
129▶CD: Vol 33. Keyboard Works CD 1
130▶CD: Vol 33. Keyboard Works CD 2
131▶CD: Vol 33. Keyboard Works CD 3
132▶CD: Vol 33. Keyboard Works CD 4
133▶CD: Vol 34. Keyboard Works CD 1
134▶CD: Vol 34. Keyboard Works CD 2
135▶CD: Vol 34. Keyboard Works CD 3
136▶CD: Vol 34. Keyboard Works CD 4
137▶CD: Vol 35. Keyboard Works CD 1
138▶CD: Vol 35. Keyboard Works CD 2
139▶CD: Vol 35. Keyboard Works CD 3
140▶CD: Vol 35. Keyboard Works CD 4
141▶CD: Vol 36. Keyboard Works CD 1
142▶CD: Vol 36. Keyboard Works CD 2
143▶CD: Vol 36. Keyboard Works CD 3
144▶CD: Vol 36. Keyboard Works CD 4
145▶CD: Vol 37. Keyboard Works CD 1
146▶CD: Vol 37. Keyboard Works CD 2
147▶CD: Vol 37. Keyboard Works CD 3
148▶CD: Vol 37. Keyboard Works CD 4
149▶CD: Vol 38. Orchestral Music CD 1
150▶CD: Vol 38. Orchestral Music CD 2
151▶CD: Vol 38. Orchestral Music CD 3
152▶CD: Vol 38. Orchestral Music CD 4
153▶CD: Vol 39. Works For Violin CD 1
154▶CD: Vol 39. Works For Violin CD 2
155▶CD: Vol 39. Works For Violin CD 3
156▶CD: Vol 39. Works For Violin CD 4
157▶CD: Vol 40. Harpsichord Concertos CD 1
158▶CD: Vol 40. Harpsichord Concertos CD 2
159▶CD: Vol 40. Harpsichord Concertos CD 3
160▶CD: Vol 40. Harpsichord Concertos CD 4
161▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 1
162▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 2
163▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 3
164▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 4
165▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 1
166▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 2
167▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 3
168▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 4
169▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 1
170▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 2
171▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 3