Bach 333: Sacred & secular vocal (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Cantatas 207, 204, 216a (1726-1728)
2▼CD: Cantatas 198, 201 (1727-1729)
#TitleRatingLength
1"Lass, Fürstin, lass noch einen Strahl", BWV 198: Part I. 1. [Chorus:] "Lass, Fürstin, lass noch einen Strahl"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-09)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-09)
conductor:
John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": I. Coro "Laß, Fürstin, laß noch einen Strahl" (in 1989-09)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
5:14
2"Lass, Fürstin, lass noch einen Strahl", BWV 198: Part I. 2. Recitative: "Dein Sachsen, dein bestürztes Meißen"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Nancy Argenta (soprano) (in 1989-09)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-09)
conductor:
John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": II. Recitativo (Sopran) "Dein Sachsen, dein bestürztes Meißen" (in 1989-09)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
1:01
3"Lass, Fürstin, lass noch einen Strahl", BWV 198: Part I. 3. Aria: "Verstummt, verstummt, ihr holden Saiten"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Nancy Argenta (soprano) (in 1989-09)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-09)
conductor:
John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": III. Aria (Sopran) "Verstummt, verstummt, ihr holden Saiten" (in 1989-09)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
3:35
4"Lass, Fürstin, lass noch einen Strahl", BWV 198: Part I. 4. Recitative:" "Der Glocken bebendes Getön"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1989-09)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-09)
conductor:
John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IV. Recitavo (Alt) "Der Glocken bebendes Getön" (in 1989-09)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
0:51
5"Lass, Fürstin, lass noch einen Strahl", BWV 198: Part I. 5. Aria: "Wie starb die Heldin so vergnügt"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1989-09)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-09)
conductor:
John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": V. Aria (Alt) "Wie starb die Heldin so vergnügt" (in 1989-09)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
7:13
6"Lass, Fürstin, lass noch einen Strahl", BWV 198: Part I. 6. Recitative: "Ihr Leben ließ die Kunst zu sterben"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1989-09)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-09)
conductor:
John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VI. Recitavo (Tenor) "Ihr Leben ließ die Kunst zu sterben" (in 1989-09)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
0:54
7"Lass, Fürstin, lass noch einen Strahl", BWV 198: Part I. 7. [Chorus:] "An dir, du Fürbild großer Frauen"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-09)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-09)
conductor:
John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VII. Coro "An dir, du Fürbild großer Frauen" (in 1989-09)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
1:43
8"Lass, Fürstin, lass noch einen Strahl", BWV 198: Part II. 8. [Aria:] "Der Ewigkeit saphirnes Haus"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1989-09)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-09)
conductor:
John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VIII. Aria (Tenor) "Der Ewigkeit saphirnes Haus" (in 1989-09)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
3:41
9"Lass, Fürstin, lass noch einen Strahl", BWV 198: Part II. 9. Recitative - Arioso - Recitative: "Was Wunder ists"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1989-09)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-09)
conductor:
John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IX. Recitativo (Bass) "Was Wunder ists? Du bist es wert" (in 1989-09)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
2:06
10"Lass, Fürstin, lass noch einen Strahl", BWV 198: Part II. 10. Chorus ultimus: "Doch, Königin, du stirbest nicht"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-09)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-09)
conductor:
John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": X. Coro "Doch Königin! du stirbest nicht" (in 1989-09)
premiered in:
Leipzig (on 1727-10-17)
composed in:
Leipzig (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
4:23
11"Geschwinde, ihr wirbelnden Winde", BWV 201: 1. Chorus: "Geschwinde, ihr wirbeInden Winde"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne) (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": I. Coro "Geschwinde, ihr wirbelnden Winde" (in 1996-11)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
4:18
12"Geschwinde, ihr wirbelnden Winde", BWV 201: 2. Recitative: "Und du bist doch so unverschämt und frei"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne) (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": II. Recitativo (Sopran e Bass I+II) "Und du bist doch so unverschämt und frei" (in 1996-11)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
1:41
13"Geschwinde, ihr wirbelnden Winde", BWV 201: 3. Aria: "Patron, das macht der Wind"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne) (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": III. Aria (Sopran) "Patron, das macht der Wind" (in 1996-11)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
2:12
14"Geschwinde, ihr wirbelnden Winde", BWV 201: 4. Recitative: "Was braucht ihr euch zu zanken"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne) (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": IV. Recitativo (Alt e Bass I+II) "Was braucht ihr euch zu zanken" (in 1996-11)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
1:00
15"Geschwinde, ihr wirbelnden Winde", BWV 201: 5. Aria: "Mit Verlangen drück ich deine zarten Wangen"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne) (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": V. Aria (Bass I) "Mit Verlangen drück ich deine zarten Wangen" (in 1996-11)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
7:23
16"Geschwinde, ihr wirbelnden Winde", BWV 201: 6. Recitative: "Pan, rücke deine Kehle nun"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne) (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": VI. Recitativo (Sopran e Bass II) "Pan, rücke deine Kehle nun" (in 1996-11)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
0:20
17"Geschwinde, ihr wirbelnden Winde", BWV 201: 7. Aria: "Zu Tanze, zu Sprunge, so wackelt das Herz"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne) (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": VII. Aria (Bass II) "Zu Tanze, zu Sprunge" (in 1996-11)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
4:41
18"Geschwinde, ihr wirbelnden Winde", BWV 201: 8. Recitative: Nunmehro Richter her!"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne) (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": VIII. Recitativo (Alt e Tenor I) "Nunmehro Richter her" (in 1996-11)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
0:48
19"Geschwinde, ihr wirbelnden Winde", BWV 201: 9. Aria: "Phoebus, deine Melodei hat due Anmut selbst"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne) (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": IX. Aria (Tenor I) "Phoebus, deine Melodie" (in 1996-11)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
4:11
20"Geschwinde, ihr wirbelnden Winde", BWV 201: 10. Recitative: "Komm, Midas, sage du nun an"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne) (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": X. Recitativo (Tenor II e Bass II) "Komm, Midas, sage du nun an" (in 1996-11)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
0:58
21"Geschwinde, ihr wirbelnden Winde", BWV 201: 11. Aria: "Pan ist Meister, lasst ihn gehn"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne) (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": XI. Aria (Tenor II) "Pan ist Meister, laßt ihn gehn" (in 1996-11)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
4:16
22"Geschwinde, ihr wirbelnden Winde", BWV 201: 12. Recitative: "Wie, Midas, bist du toll"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne) (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": XII. Recitativo (Tutti) "Wie, Midas, bist du toll" (in 1996-11)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
1:16
23"Geschwinde, ihr wirbelnden Winde", BWV 201: 13. Aria: "Aufgeblasne Hitze, aber wenig Grütze"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne) (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": XIII. Aria (Alt) "Aufgeblasne Hitze" (in 1996-11)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
5:40
24"Geschwinde, ihr wirbelnden Winde", BWV 201: 14. Recitative: "Du guter Midas, geh nun hin"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne) (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": XIV. Recitativo (Sopran) "Du guter Midas, geh nun hin" (in 1996-11)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
1:15
25"Geschwinde, ihr wirbelnden Winde", BWV 201: 15. Chorus: "Labt das Herz, ihr holden Saiten"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne) (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": XV. Coro "Labt das Herz, ihr holden Saiten" (in 1996-11)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
2:20
3▶CD: Cantatas 213, 214 (1733)
4▶CD: Cantatas 211, 215 (1734)
5▶CD: Cantatas 206, 30a (1736-1737)
6▶CD: Cantatas 209, 210, 212 (1730s-1740s)
7▶CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
8▶CD: Cantatas 56, 82, 4
9▶CD: Cantatas 31, 104, 57
10▶CD: Cantatas 199, 173, 74, 151
11▶CD: Easter Oratorio / Cantata 140
12▶CD: Cantatas 170, 159, 102
13▶CD: Cantatas 80, 52, 84, 209
14▶CD: Cantatas 82, 158, 56
15▶CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
16▶CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
17▶CD: Cantatas 92, 126, 182 (Easter)
18▶CD: Cantatas 1, 4, 67, 104 (Easter)
19▶CD: Cantatas 34, 68, 39 (Whitsun)
20▶CD: Cantatas 30, 147 (Whitsun)
21▶CD: Cantatas 76, 21 (Trinity)
22▶CD: Cantatas 135, 10, 45, 105 (Trinity)
23▶CD: Cantatas 51, 78, 8, 130 (Trinity)
24▶CD: Cantatas 27, 5, 60, 26 (Trinity)
25▶CD: St. Matthew Passion (1 Richter)
26▶CD: St. Matthew Passion (2 Richter)
27▶CD: St. Matthew Passion (3 Richter)
28▶CD: Great Singers (1952-1965)
29▶CD: Great Singers (1967-2011)
30▶CD: Great Singers (Period Instruments)

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]