Archiv Produktion 1947-2013

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

55 CD set chronicling the history of Archiv Produktion.

Annotation last modified on 2014-05-02 23:43 UTC.

Tracklist

1▶CD: Bach: Organ Works
2▶CD: Bach: Kantaten: BWV 56 / BWV 82 / BWV 4
3▶CD: Bach: Kantaten: BWV 21 / BWV 19/ BWV 79
4▶CD: Gregorian Chant
5▶CD: De La Halle: Dances; Le Jeu De Robin Et De Marion
6▶CD: Bach: Brandenburg Concertos
7▶CD: Bach: Brandenburg Concertos
8▶CD: Gibbons/Morley: Anthems; Madrigals; Fantasies
9▶CD: Bach: Passio Secundum Matthaeum
10▶CD: Bach: Passio Secundum Matthaeum
11▶CD: Bach: Passio Secundum Matthaeum
12▶CD: Bach: Cantatas
13▶CD: Praetorius / Widmann / Schein: Dances
14▶CD: Mouret / Delalande: Symphonies; Fanfares
15▶CD: Höfische Konzertmusik des österreichischen Barock
16▶CD: Musique de table
17▶CD: Vier Orchester-Sinfonien, wq 183
18▶CD: Israel in Egypt
19▶CD: Israel in Egypt
20▶CD: Sonaten für Cembalo
21▶CD: Canti amorosi
22▶CD: Ockeghem: Missa Pro Defunctis / Desprez: Déploration Sur La Mort De Ockeghem
23▶CD: Violinsonaten, op. 5 nos. 1, 7, 2, 8, 3, 9
24▶CD: Music of the Gothic Era
25▶CD: Pièces de Clavecin
26▶CD: Die Orchesterwerke
27▶CD: Goldberg-Variationen
28▶CD: Le quattro stagioni
29▶CD: Wassermusik / 3 Konzerte
30▶CD: Mass in B minor
31▶CD: Mass in B minor
32▶CD: Palestrina: Missa Papae Marcelli / Allegri: Misere
33▶CD: Piano Concertos nos. 18 & 19
34▶CD: Vespro Della Beata Vergine
35▶CD: Vespro Della Beata Vergine
36▶CD: The "Sturm & Drang" Symphonies - Volume 3 "Maria Theresia"
37▶CD: Symphonies nos. 5 & 6 "Pastoral"
38▶CD: Rebel: Les Élémens / Gluck: Alessandro
39▶CD: La Resurrezione
40▶CD: La Resurrezione
41▶CD: Music for San Rocco
42▶CD: Messiah
43▼CD: Messiah
#TitleArtistRatingLength
1Messiah, HWV 56: Part II. Chorus: Lift up your heads, O ye gates
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:47
2Messiah, HWV 56: Part II. Recitative (Tenor): Unto which of the angels said he at any time
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals:
Charles Daniels (tenor) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:15
3Messiah, HWV 56: Part II. Chorus: Let all the angels of God worship him
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:21
4Messiah, HWV 56: Part II. Song (Soprano I): Thou art gone up on high
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Dorothea Röschmann (soprano) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:47
5Messiah, HWV 56: Part II. Chorus: The Lord gave the word
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:05
6Messiah, HWV 56: Part II. Song (Soprano II): How beautiful are the feet
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Susan Gritton (soprano) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:00
7Messiah, HWV 56: Part II. Chorus: Their sound is gone out into all lands
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1745)
is based on:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:17
8Messiah, HWV 56: Part II. Song (Bass): Why do the nations so furiously rage together
producer:
Christopher Alder (editor/engineer/producer)
bass vocals:
Neal Davies (operatic bass) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:14
9Messiah, HWV 56: Part II. Chorus: Let us break their bonds asunder
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:38
10Messiah, HWV 56: Part II. Recitative (Tenor): He that dwelleth in heaven / Song (Tenor): Thou shalt break them with a rod of iron
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals:
Charles Daniels (tenor) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (Tenor) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:06
11Messiah, HWV 56: Part II. Hallelujah
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:43
12Messiah, HWV 56: Part III. Song (Soprano II): I know that my Redeemer liveth
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Susan Gritton (soprano) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1996-12)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel6:23
13Messiah, HWV 56: Part III. Chorus: Since by man came death
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1996-12)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:03
14Messiah, HWV 56: Part III. Recitative (Bass): Behold, I tell you a mystery
producer:
Christopher Alder (editor/engineer/producer)
bass vocals:
Neal Davies (operatic bass) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1996-12)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:32
15Messiah, HWV 56: Part III. Song (Bass): The trumpet shall sound
producer:
Christopher Alder (editor/engineer/producer)
bass vocals:
Neal Davies (operatic bass) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1996-12)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel8:19
16Messiah, HWV 56: Part III. Recitative (Contralto): Then shall be brought to pass
producer:
Christopher Alder (editor/engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1996-12)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:14
17Messiah, HWV 56: Part III. Duet (Contralto & Tenor): O death, where is thy sting?
producer:
Christopher Alder (editor/engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (in 1996-12)
tenor vocals:
Charles Daniels (tenor) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1996-12)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:53
18Messiah, HWV 56: Part III. Chorus: But thanks be to God
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1996-12)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel1:57
19Messiah, HWV 56: Part III. Song (Soprano I): If God is for us
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Dorothea Röschmann (soprano) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1996-12)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel4:13
20Messiah, HWV 56: Part III. Chorus: Worthy is the Lamb that was slain - Amen
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1996-12)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel7:34
44▶CD: Lamenti
45▶CD: A Flemish Feast / Flemish Renaissance Wind Music
46▶CD: Motets
47▶CD: Italian Cantatas
48▶CD: une symphonie imaginaire
49▶CD: il divino boemo
50▶CD: Concertos for Two Violins
51▶CD: Alcina
52▶CD: Alcina
53▶CD: Alcina
54▶CD: Motetes e himnos para el año litúrgico
55▶CD: Archiv Produktion 2013